Wonderland Hana Nui: Hoʻolālā Kai o Loko o ka Piko Hōʻikeʻike na Chengzhe Zhang

ʻO Wonderland Hana Nui: Hoʻolālā Kai o Loko o ka Piko Hōʻikeʻike na Chengzhe Zhang he mea lanakila hanohano loa o ka 2020 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.

KalaLoko Hale· 2020

Wonderland Hana Nui: Hoʻolālā Kai o Loko o ka Piko Hōʻikeʻike

na Chengzhe Zhang

Mea Kūʻai: Shanghai Hongshida Real Estate Development Co., LTD

Mea Lanakila A' Design Award Kala ma ka Māhele Loko Hale

25,685

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #92667

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Wonderland Hana Nui: Hoʻolālā Kai o Loko o ka Piko Hōʻikeʻike

Wonderland he loko o ka piko hōʻikeʻike ma Shanghai, Kina. Ua hoʻoulu ʻia ka hoʻolālā e Taoyuan Wonderland, he kiʻi pena ʻāina na ka mea pena kiʻi o ka moʻokūʻauhau Ming ʻo Qiu Ying, a hoʻohana ʻia nā waihoʻoluʻu ʻōmaʻomaʻo, ʻākala, a keʻokeʻo i loko o kahi wahi mālie. Hūnā mua kekahi paia pōhaku laukāhi ʻāhinahina i ka nānā ʻana, a hōʻike ʻia ka hale nui he ʻumi mika ke kiʻekiʻe ma ke alanui. Alakaʻi ke alanui waena i ka wahi hālāwai, ka wahi hōʻikeʻike, a me ka lumi kī. Māhele nā papa puke kū papahele a me nā pale ʻano geometric hakahaka i nā wahi. Ua hoʻonoho lima ʻia kahi kiʻi aniani i hoʻokau ʻia me nā lau pua pīkake ʻoi aku ma mua o 5,000.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Kala

Ua lanakila ka hoʻolālā Wonderland Hana Nui: Hoʻolālā Kai o Loko o ka Piko Hōʻikeʻike i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Wonderland Hana Nui: Hoʻolālā Kai o Loko o ka Piko Hōʻikeʻike he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā Wonderland Hana Nui: Hoʻolālā Kai o Loko o ka Piko Hōʻikeʻike e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: Since the year 907 AD, the Chinese people's ambiguity
about the Taoyuan space has gone through a series of
evolutions from earthly legends to images of physical
space, finally being transformed from the abstract into
something which can be incorporated into everyday
life, where the Tao Yuanming space was replaced by the
living room. The narrative of Wonderland is the most profound.
In the modern urban environment, the industrialized
environment has been separated from the natural
environment.
Nā Ana a me ka Hoʻopili: Time in the usual sense can be roughly divided into two types. One is the time in nature when flowers are blooming and the seasons are changing, the other is the time in space, which is caused by the rotation of the earth. How people view the space and what they get out of it will depend on their different experiences.
Nā Lepili: Exhibition Center, Oriental aesthetics, Localization, Taoyuan Wonderland, Natural
ʻEnehana Hana: From the open landscape to the inside, the designer Mr. Alessio Chengzhe Zhang first considers the space experience of the visitors, the gray slate wall obscures the line of sight and as they pass along the path, the main 10 meter high space is revealed, filling the visitors with awe. As they continue along the central passage, the layout of the functional areas such as the conference area, the exhibition area and the tea room unfold before their eyes.
Pilikia Hoʻolālā: The large glass art installation suspended in the air is a response to these two concepts of time. It consists of pink-white peach petals each of different size, brightness and width, simulating the temporal dynamics of natural movement. More than 5,000 glass petals were all manually installed on site to achieve the final result, which also serves as a visual guide in the actual use of space.
From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers.
Noiʻi: In traditional Chinese painting, landscapes usually incorporated the triple concept of far, with the painter mainly trying to emphasize the subtle characteristics in the space. In order to avoid the panoramic effect in the large space, the canvas mainly focuses on the near and far, which becomes the boundary between the different functional areas. Here the surrounding floor-standing bookshelves and geometric hollow screens can create subtle light and shadow changes in space, while changing both inside and outside. These ideas all stem from the interpretation of landscape painting, representing the height of artificial nature.
Hoʻoulu Manaʻo: The Ming dynasty painter Qiu Ying has a painting called Taoyuan
Wonderland. The painter meticulously depicts the life hidden in the mountains: green mountains and clear water. Several white people who are detached from the world are sitting down by the creek and enjoying nature.
IADC chief designer Mr. Alessio Chengzhe Zhang was inspired by the masterpieces of Chinese landscape painters, applying the green, pink and white symbols of the pastoral forests to this quaint space.
Ka Lōʻihi o ka Papahana: The Project started in January 2018 in Shanghai China
Kaʻina Hana: From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers. It signals both inheritance of tradition and the beginning of a new life in the future.
Nā Lālā Hui: Mingxin Lu
Yunhui Tang
Nā Kuleana Kiʻi: Main Image: Photographer Hai Zhu, 2018