ʻO Moon Papa ʻaina na Naai-Jung Shih he mea lanakila hanohano loa o ka 2020 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Paʻi ʻEkolu Ana a me Huahana Paʻi ʻEkolu Ana.

KalaPaʻi ʻEkolu Ana· 2020

Moon Papa ʻaina

na Naai-Jung Shih

Mea Kūʻai: Naai-Jung Shih

Mea Lanakila A' Design Award Kala ma ka Māhele Paʻi ʻEkolu Ana

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Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #95451

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Moon Papa ʻaina

ʻO kēia kukui ke hana i ka hana ikaika e hele pū me nā kānaka i kahi hana mai ka kakahiaka a i ka pō. Ua hoʻolālā ʻia me nā kānaka e hana nei i ka hana ma ka noʻonoʻo. Hiki ke pili i ke kelepona i kamepiula kamepiula a i ʻole ka mana kō. ʻO ke ʻano o ka mahina i hana ʻia ma ʻekolu kike ʻehā o ka pōʻai e like me ke kiʻi e piʻi ana mai kahi kiʻi terrain i hana ʻia me ke ʻano poepoe. Hōʻike ka hiʻohiʻona papa o ka mahina i ka alakaʻi no ka papa ma kahi papahana. ʻO ke kahua e like me kahi kiʻi ʻana i ke ao a me kahi mālamalama e hōʻoluʻolu i ka ʻihi o ka hana i ka pō.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Kala

Ua lanakila ka hoʻolālā Moon Papa ʻaina i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Moon Papa ʻaina he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā Moon Papa ʻaina e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: A light should be designed with people working devices in mind. It needs to play an active role today as a companion from morning to the night. The solution is a sculpture in the daylight and a light device that ease the tense of work at night. This light can be connected to laptop. The metaphor of moon was made by linear pattern that was used as a landing guide of Apollo project. The shape of moon is made of three quarters of circle as a rising icon from a terrain made of stainless frame.
Nā Ana a me ka Hoʻopili: The entire set is about 37 by 33 by 19 cm in width, height, and depth. The materials are photosensitive resin for the moon and stainless steel for the supporting frame.
Nā Lepili: table light, desktop installation, moon, symbolic texture, 3C devices
ʻEnehana Hana: The source of light is made of LED strip that allocates on the peripheral ring. The stainless frame was collected from a flea market. The moon was made by applying a thicken function to a thin layer of surface. The curvature was modified by a mathematic equation. This shift of design paradigm offers me a great freedom in opening up a whole new set of vocabulary during the creation process. The complicated pattern can only be made by 3D printer. It makes me believe there is a strong connection between the order of mathematics and the aesthetics of a moon icon.
Pilikia Hoʻolālā: The combination of the two layers of pattern changes from different viewing angles. The most challenging part was to create a visual depth and in the meantime allowed partial visual penetration. Uniform thickness was applied. The plate or disk is about 28 mm thick in the center and gradually grows to 35 mm on the edge. It is covered by a skin 8 mm thick. The thickness and the space in the middle create a sense of depth that changes the micro expression of the surface. The final thickness of components was also adjusted with light transmitted without potential damage to the structure in 3D printing.
Noiʻi: Researches were made to the image of a moon and how a table light should fit in today working space. The alternation of thin gap and media openings has to be maintained in order to guide a flow of focus along the surface. Researches were also made to the textures of the frame that creates a contrast effect with the photosensitive resin. The thickness of pattern was also studied in order to create a depth effect without enlarging the opening. The aesthetic consideration was applied to make a working space more human.
Hoʻoulu Manaʻo: This design was inspired by the moon. Moon is both aesthetic and philosophical to the symbolization of human imagination. The composition of this light can be considered as the moon rising from a mountain or the sea as it departs from the surface to light up surroundings in the air.
Ka Lōʻihi o ka Papahana: This project started as early as 2018 in Taipei. Various types of configuration were explored in several on-and-off tests before s particular setting was determined. The specific set was finalized in 2019. The duration of last presentation was about two months of intensive works.
Kaʻina Hana: The light performances as an installation in daylight. It illuminates as a table light when night arrives. The skin acts as an interface. People can see through the double layers to interact with background with enhanced depth. The convex and concave sides of design represent the surface and underground parts of the moon. The light is turned on or off using a USB hub with buttons to control four devices. It can be connected to a power plug or even a notebook computer. People work next to this light can use it to charge a mobile phone. People gather around this light can share this hub and the light as well.
Nā Kuleana Kiʻi: #1: Photographer Naai-Jung Shih, Designing and Photographing, 2019.
#2: Photographer Naai-Jung Shih, Designing and Photographing, 2019.
#3: Photographer Naai-Jung Shih, Designing and Photographing, 2019.
#4: Photographer Naai-Jung Shih, Designing and Photographing, 2019.
#5: Photographer Naai-Jung Shih, Designing and Photographing, 2019.