Yan Tsev Khaws Puav Pheej Kos Duab los ntawm Guanyu Tao

Qhov qauv tsim Yan Tsev Khaws Puav Pheej Kos Duab los ntawm Guanyu Tao yog tus yeej muaj nqis heev ntawm qhov khoom plig 2025 A' Design Award Kub hauv Pawg Sib Tw Tsim Vaj Tsev, Tsev thiab Qauv Tsev.

KubVaj Tsev· 2025

Yan Tsev Khaws Puav Pheej Kos Duab

los ntawm Guanyu Tao

Tus Neeg Siv: Gerry Tao

Tus Yeej A' Design Award Kub hauv Pawg Vaj Tsev

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Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #163921

Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Yan Tsev Khaws Puav Pheej Kos Duab

Yan Tsev Khaws Puav Pheej Kos Duab txhais dua tshiab txoj kev sib raug zoo ntawm vaj tsev thiab xwm txheej, ua haujlwm ua ib qhov chaw nruab nrab kab lis kev cai uas ua kev zoo siab rau cov cuab yeej cuab tam hauv zos. Nyob rau hauv toj roob hauv pes ntxhib ntawm Rushan, Shandong, nws tus qauv tsim deconstructivist tau txais kev tshoov siab los ntawm cov qauv ntawm pob zeb thiab cov duab ntws. Lub tsev khaws puav pheej muaj cov xwm uas muaj dej nyob ib ncig, cov studio ntawm cov kws kos duab, cov chav saib duab dynamic, thiab cov chaw ua yeeb yam, tag nrho sib txuas hla ntau qib. Pob zeb txuas uas muaj qauv ua rau zoo li pob zeb ntuj, sib koom ua ke cov qauv vaj tsev nrog nws ib puag ncig tau zoo kawg nkaus thaum hloov thaj av nqes mus ua cov kev taug kev thiab cov xwm uas siv tau zoo.

Qhov Lees Paub

Txog A' Design Award Kub

Yan Tsev Khaws Puav Pheej Kos Duab yog tus yeej ntawm A' Design Award Kub, ib qho kev lees paub muaj meej mom heev uas muab rau cov qauv tsim qib ib, zoo kawg nkaus thiab tshwj xeeb. Cov neeg yeej Kub yog cov khoom tsim tshiab heev, pom deb heev thiab ci ntsa iab uas qhia txog kev txawj ntse, kev txawj thiab lub zog ntawm cov kws tsim qauv. Yan Tsev Khaws Puav Pheej Kos Duab xav tias yuav yog ib qho kev tsim uas tau txais kev qhuas ntau, tsim kev nyiam tshiab thiab loj uas ua rau muaj nqi tsis tau muaj dua. Cov qauv tsim yeej A' Design Award Kub no yog ib qho haujlwm zoo kawg nkaus thiab muaj kev hwm uas pab tau ntau thiab nthuav dav ciam teb ntawm kev kos duab, kev tshawb fawb, kev tsim qauv thiab thev naus laus zis. Yan Tsev Khaws Puav Pheej Kos Duab ua rau muaj kev xav tau heev, txhawb kev mob siab, txhawb kev tsim tshiab thiab ua rau peb xav tsis thoob.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: Yan Art Museum is a cultural hub that harmonizes architecture with the rugged terrain of Rushan. Unlike traditional museums, it transforms natural slopes into functional elements like pathways, plazas, and viewing platforms. Its dynamic layout fosters interaction between visitors and local artists through integrated studios and galleries. With textured concrete echoing rocky formations, Yan seamlessly blends cultural expression, innovation, and environmental integration.
Qhov Loj & Ntim: Yan Art Museum is situated on a 2,700-square-meter site, with a total building area of 1,650 square meters distributed across three levels. The first floor features a courtyard-style entrance surrounded by scattered artist studios and galleries, creating an inviting and interactive environment. The second floor includes a small open plaza, a compact gallery space, and essential auxiliary facilities. The third floor houses an open-air theater designed for traditional Chinese performances, providing a cultural focal point while blending seamlessly with the natural terrain.
Cov Ntsiab Lus: Architecture, Subterranean architecture, Rural architecture, Cultural architecture, Museum
Thev Naus Laus Zis Tsim Khoom: Yan employs form board texture reinforced concrete, creating rock-like surfaces while ensuring structural stability during excavation. The design incorporates shallow-rooted plants in the landscaping to safeguard the building's structure and waterproofing. Its three interconnected levels, linked by stairs and elevators, are carefully oriented to harmonize with the site’s layout and ensure accessibility, blending functionality with thoughtful integration into the natural environment.
Kev Sib Tw Tsim Qauv: Addressing the site's varied slopes was challenging. The design cleverly integrates the natural incline to facilitate plazas and pathways, turning elevation changes into advantageous viewing platforms. This strategic use of the landscape not only enhances functionality but also establishes visual corridors that accentuate the architectural form, allowing the building to blend seamlessly with its environment.
Kev Tshawb Fawb: Inspired by the deconstructivism movement and the works of Thom Mayne and Zaha Hadid, Yan Art Museum integrates seamlessly into Rushan’s rugged terrain. The research involved site, cultural, and user analysis, employing techniques such as hand-drawing and collage to explore design possibilities. Tools like Rhinoceros, Adobe Suite, and D5 Render were used to refine the dynamic structure, harmonizing architecture with topography and cultural identity while enhancing visitor experiences.
Kev Txhawb Siab: The design of Yan Art Museum stems from a deep desire to harmonize architecture with nature while engaging in a meaningful dialogue with the local culture of Rushan. Drawing inspiration from the rugged, dramatic landscape of the Rushan mountain range, the museum reflects the stony textures and flowing contours of the region. Through its loosely arranged, courtyard-style layout, the design pays homage to the organic forms of traditional Chinese villages, weaving cultural heritage into its spatial composition. This approach transforms natural and cultural elements into a dynamic hub for artistic and cultural expression. By intertwining natural forms with human creativity, the museum becomes both a tribute to and an extension of its surroundings, celebrating the beauty of the terrain and the spirit of the community it serves.
Lub Sij Hawm Ua Hauj Lwm: The concept design was finished in 2024 Sep, with site location at Shandong, Rushan, China.
Txheej Txheem Ua Hauj Lwm: Upon entering Yan, visitors arrive at a plaza encircled by a pool and walls, leading to artist studios and the main gallery with rotating exhibits. An elevator and external stairs from the main gallery provide access to the second floor’s L-shaped plaza, which connects to the second gallery for permanent exhibitions. Visitors can ascend to the third floor via elevator or plaza stairs to reach the outdoor amphitheater, a venue for traditional performances.
Cov Patent: Copyrights belong to Guanyu Tao, 2024
Cov Tswv Cuab Pab: Guanyu Tao
Kev Qhuas Duab: Image #1: Designer and Photo Rendering Guanyu Tao
Image #2: Designer and Photo Rendering Guanyu Tao
Image #3: Designer and Photo Rendering Guanyu Tao
Image #4: Designer and Photo Rendering Guanyu Tao
Image #5: Designer and Photo Rendering Guanyu Tao