Spiral of Life Kev Ua Haujlwm Tseem Ceeb: Khoom Siv Noj Mov Iav los ntawm Keiji Ishikawa

Qhov qauv tsim Spiral of Life Kev Ua Haujlwm Tseem Ceeb: Khoom Siv Noj Mov Iav los ntawm Keiji Ishikawa yog tus yeej muaj nqis heev ntawm qhov khoom plig 2026 A' Design Award Kub hauv Pawg Sib Tw Tsim Khoom Ci, Khoom Siv Rooj Noj Mov, Khoom Haus thiab Khoom Siv Ua Noj.

KubKhoom Siv Chav Ua Noj· 2026

Spiral of Life Kev Ua Haujlwm Tseem Ceeb: Khoom Siv Noj Mov Iav

los ntawm Keiji Ishikawa

Tus Neeg Siv: KJ studio

Tus Yeej A' Design Award Kub hauv Pawg Khoom Siv Chav Ua Noj

37,267

Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #181198

Mus Saib Lub Vev Xaib Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Spiral of Life Kev Ua Haujlwm Tseem Ceeb: Khoom Siv Noj Mov Iav

Cov Ntawv Nyeem: Nyob rau hauv kev sib xyaw ntawm kev tsim qauv lej thiab kos duab txav, txoj haujlwm Spiral of Life nthuav tawm ib txoj kev tshiab rau khoom siv iav Kiriko. Txoj haujlwm no txhais tau qhov kev hloov pauv ntawm ntuj nyob rau hauv ib qho iav. Kev tsim tawm no tuaj ntawm kev koom tes ntawm tus tsim khoom thiab Ree, ib tug neeg seev cev pleev xim. Los ntawm kev txhais cov leej Fibonacci mus rau kev txav, Ree tau muab lub hauv paus tswvyim rau txoj kev tsim. Los ntawm 8 mus rau 13 thiab 13 mus rau 21 qhov piv txwv spiral, tus kws txawj txuas cov tsav xwm txheej txiveem nrog biomathematics. Qhov kev sib haum uas tau los muab ib qho kev paub uas muaj suab nrov uas qhia txog qhov cim ntawm ntiajteb.

Qhov Lees Paub

Txog A' Design Award Kub

Spiral of Life Kev Ua Haujlwm Tseem Ceeb: Khoom Siv Noj Mov Iav yog tus yeej ntawm A' Design Award Kub, ib qho kev lees paub muaj meej mom heev uas muab rau cov qauv tsim qib ib, zoo kawg nkaus thiab tshwj xeeb. Cov neeg yeej Kub yog cov khoom tsim tshiab heev, pom deb heev thiab ci ntsa iab uas qhia txog kev txawj ntse, kev txawj thiab lub zog ntawm cov kws tsim qauv. Spiral of Life Kev Ua Haujlwm Tseem Ceeb: Khoom Siv Noj Mov Iav xav tias yuav yog ib qho kev tsim uas tau txais kev qhuas ntau, tsim kev nyiam tshiab thiab loj uas ua rau muaj nqi tsis tau muaj dua. Cov qauv tsim yeej A' Design Award Kub no yog ib qho haujlwm zoo kawg nkaus thiab muaj kev hwm uas pab tau ntau thiab nthuav dav ciam teb ntawm kev kos duab, kev tshawb fawb, kev tsim qauv thiab thev naus laus zis. Spiral of Life Kev Ua Haujlwm Tseem Ceeb: Khoom Siv Noj Mov Iav ua rau muaj kev xav tau heev, txhawb kev mob siab, txhawb kev tsim tshiab thiab ua rau peb xav tsis thoob.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: Fibonacci spirals follow strict mathematical laws yet appear organic and asymmetrical, resisting simple geometric repetition. Traditional Kiriko requires precise vertical and horizontal guidelines before cutting; however, standard grids cannot capture this natural fluctuation while ensuring reproducibility. To solve this, I developed a hybrid approach: maintaining the Fibonacci count with guidelines while manually adjusting each cut to ensure a smooth, living trajectory.
Qhov Loj & Ntim: The product dimensions are as follows: The rock glass is 77mm in diameter and 92mm in height, as shown in the main image. In optional image #1, the wine glass is 58mm in diameter and 150mm in height. In optional image #2, the soba cups are 81mm in diameter and 62mm in height. In optional image #3, the sake cup is 60mm in diameter and 60mm in height. Finally, the top views of the sake cup and soba cup filled with water are shown in optional image #4.
Cov Ntsiab Lus: kiriko, cutglass, japaneseglassware, glassart
Thev Naus Laus Zis Tsim Khoom: The double-layered glassware is carefully ground and polished by hand using Japanese Kiriko cut glass technology.
Kev Sib Tw Tsim Qauv: Through rigorous prototyping, I established a specialized system. Smaller vessels like sake cups use an 8 to 13 spiral ratio, while larger items like wine and rock glasses employ a 13 to 21 ratio to maintain proportion. For vessels with decorative bases, such as a soba cup, I meticulously integrated an 8 to 13 spiral on the bottom to enhance aesthetic coherence. This precise scaling was essential to capturing the Spiral of Life across the entire collection.
Kev Tshawb Fawb: A true Fibonacci spiral requires clockwise and counterclockwise counts to be adjacent numbers in the sequence. To ensure visual balance and mathematical integrity, I conducted extensive research to determine the optimal pairings, such as 8 to 13 or 13 to 21, based on specific glass diameters and curvatures. This study ensured that the mathematical beauty remains consistent.
Kev Txhawb Siab: I initially struggled to translate the relationship between the sun and the sunflower into glass. The breakthrough came via my daughter Ree, an artist and paint dancer, who shared my fascination with the sunflower Fibonacci spiral. This pattern blends mathematical law with organic asymmetry. Ree physicalized this sequence by synchronizing her leg drawn spiral counts with Fibonacci numbers. Witnessing this kinetic manifestation inspired me to transpose these complex spirals onto Kiriko glass.
Lub Sij Hawm Ua Hauj Lwm: The project started in December 2025 in Tokushima, Japan, and finished in February 2026.
Txheej Txheem Ua Hauj Lwm: The streamline motifs are executed with wide-angle V cuts. When viewed from the side, patterns on the far surface refract through the front, creating complex layered intersections that evoke the mystery of life. From a top-down perspective, the precise Fibonacci sequence achieves a profound, harmonious balance. The design invokes a rhythmic and engaging experience, mimicking a living pulse. This interaction between light and geometry brings dynamic vitality to the glassware.
Cov Patent: The design is being applied for design registration and will receive copyright protection for registered designs in December 2026 in Japan.
Kev Qhuas Duab: Video Credits:
To demonstrate the rhythmic harmony and life-like pulse of the design, the video showcases the glassware in rotation. This highlights how the patterns shift and intersect dynamically as the perspective changes, illustrating the Spiral of Life concept through the interaction of light, shadow, and the intricate Kiriko hand cuts.