Kepler-186f Kev Xa Xov los ntawm Alexandr Strepetov

Qhov qauv tsim Kepler-186f Kev Xa Xov los ntawm Alexandr Strepetov yog tus yeej muaj nqis heev ntawm qhov khoom plig 2019 A' Design Award Nyiaj hauv Pawg Sib Tw Kev Kos Duab Zoo thiab Kev Teeb Tsa Duab Kos.

NyiajKev Kos Duab Zoo· 2019

Kepler-186f Kev Xa Xov

los ntawm Alexandr Strepetov

Tus Neeg Siv: Alexandr Strepetov

Tus Yeej A' Design Award Nyiaj hauv Pawg Kev Kos Duab Zoo

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Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #75144

Mus Saib Lub Vev Xaib Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Kepler-186f Kev Xa Xov

Lub hauv paus txheej txheem ntawm Kepler-186f caj npab-lub rooj zaum yog lub griddle, soldered los ntawm cov hlau tsis xeb uas cov ntsiab ntawm carved los ntawm ntoo qhib tau nrawm nrog kev pab ntawm lub tes tsho tooj daj. Ntau yam kev xaiv ntawm armature siv ua ke nyob rau hauv kev sib haum xeeb nrog ntoo carving thiab jewellers ntsiab. Qhov kos duab-khoom no sawv cev ib qho kev sim uas cov ntsiab lus zoo nkauj sib txuam ua ke. Nws tuaj yeem piav raws li "Barbaric lossis New Baroque" uas qhov ntxhib thiab zoo tshaj los ua ke. Raws li qhov tshwm sim ntawm qhov tshwm sim, lub Kepler los ua multilayered, tau muab tso nrog cov subtexts thiab cov ntsiab lus tshiab.

Qhov Lees Paub

Txog A' Design Award Nyiaj

Kepler-186f Kev Xa Xov yog tus yeej ntawm A' Design Award Nyiaj, ib qho kev lees paub muaj meej mom heev tshaj li qub uas muab rau cov qauv tsim qib siab, zoo nkauj thiab ua rau neeg xav tsis thoob. Cov neeg yeej Nyiaj yog cov haujlwm ci ntsa iab heev thiab tsim tshiab heev uas qhia txog kev paub, kev txawj ntse thiab kev ntse ntawm cov kws tsim qauv. Kepler-186f Kev Xa Xov xav tias yuav yog ib qho haujlwm zoo kawg nkaus uas tsim rau qhia, tshaj lij heev thiab tsim tshiab tob. Cov qauv tsim yeej A' Design Award Nyiaj no yog ib qho khoom tsim uas pom tseeb heev thiab neeg qhuas uas pab tau thiab nthuav dav ciam teb ntawm kev kos duab, kev tshawb fawb, kev tsim qauv thiab thev naus laus zis. Kepler-186f Kev Xa Xov yog ib qho khoom tsim uas neeg coob xav tau, uas ua rau xav, coj kev xav zoo thiab ua rau xav tsis thoob thiab xav paub.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: This is both a piece of furniture and a complex sculpture, the body of which combines natural forms and futuristic structures achieved with different manufacturing processes. Monolithic parts are synergistically combined with a naked skeleton structure, revealing the beauty of both the external and the interior parts that are usually hidden.
Qhov Loj & Ntim: width 760mm. length 840mm. height 1070mm.
Cov Ntsiab Lus: Arm-chair, furniture, furniture design, author furniture, wood carving, sculpture, wire articles, metal construction
Thev Naus Laus Zis Tsim Khoom: Structurally, the main part of the armchair consists from steel wire 2-3 mm in diameter, intersections of main wire wrapped with thinner wire and soldered with tin alloy. Attached to the wire carcass are wrought brass bushings that are soldered with silver. They hold decorative elements, along with armrests and legs, hand carved from solid oak and finished with variety of paints and lacquers. The wooden seat cover is stitched, designed to be easily removed, while material on the seat back is affixed.
Kev Sib Tw Tsim Qauv: The improvisational nature of the project leads me to the experimentation. In the beginning I only had upper part of the chair in my mind. Therefore, I had to work on feet with chair being inverted, which initially seemed like an obstacle, but later it helped formed the end design. Absence of access to welding, led me to seek structural rigidity in woven construction techniques, in wire crossing and wire ties, which eventually opened my eyes to the beauty, strength and awe-inspiring opportunities that arose from seemingly simplistic solutions.

I work in a common workshop together with other artists. If I had opened to them my plan, I would risk losing such necessary courage and inspiration, and start doubting under the pressure of their reasoning. The fact that I put aside another almost ready to sell commercial object for the sake of the tin soldering of wire could look like madness for my colleagues. So, it was necessary to keep focus, communicating only through artwork. When a month later, one of the artists said that out of my design could come out interesting furniture, I was relieved and open to discuss.

Armchair in its current state is an art object, an artistic expression. To prepare mass production version, tin soldering needs to be replaced utilizing mini-modules or welding. As far as language shape expressed in wire it can be explored and there are endless derivates possible. Leather could be used in upholstery. Making ends of the feet from wire are more practical, however, it is possible to make them with arch-shaped openings. Using asymmetrical capital allows visual and structural combination not only with horizontal, but also with angled structural trusses.
Kev Tshawb Fawb: Creative process was about using over exaggerated, over the top amount of details, to widen possibilities of technology and style used. It was an exploration of gracefully combining different materials. Also, I used some architectural ideas - inverted feet of the armchair remind columns made from rebar, topped with asymmetric monolithic capital. The airy nature and shape freedom allow multiple non-standard uses of Kepler language in construction design. It is clearly not a mass-produced item, but a conglomeration of ideas, based on which creation of simpler pieces is possible.
Kev Txhawb Siab: This artwork was created as a part of bigger project where one idea was exploited indiverse methods. I was fascinated of developing single idea in various techniques and materials. Driven by this encouragement I have created experimental works, based on which later appeared wardrobe, table, and this armchair. Here you can see ornamentation inspired by plants (vine, twisting around armrest), as well as anthropomorphic and zoomorphic details, some even end up being a pregnant with creatures, like
Lub Sij Hawm Ua Hauj Lwm: The article was started in the summer of 2017, completed in the fall of 2018, in Sankt Petersburg.
Txheej Txheem Ua Hauj Lwm: Kepler is not just ordinary piece of furniture, but an object of art with secret language. It can be interpreted as a piece from another world, created by alien mind. Sculpture reimagines geometrically plain and lifeless space as something cheerful and life-affirming. From the first sight it is obvious that elements were not created behind computer screen, but it was an organic process, almost like tree grows from the seed, or as if it separated from parental piece of furniture. Sculpture has hidden movement that makes you expect it to start walking, making it impossible to take picture of.
Cov Patent: n/a
Kev Qhuas Duab: Image #1: photographer Tanya Bogdanova, Kepler-186f, 2018.
Image #2: photographer Tanya Bogdanova, Kepler-186f, 2018.
Image #3: photographer Tanya Bogdanova, Kepler-186f, 2018.
Image #4: photographer Tanya Bogdanova, Kepler-186f, 2018.
Image #5: photographer Tanya Bogdanova, Kepler-186f, 2018.
Video Credits:cameraman Mikhail Mikhailuk