Medieval Rethink Medieval Rethink Kab Lis Kev Cai Qhov Chaw los ntawm QUAD studio

Qhov qauv tsim Medieval Rethink Medieval Rethink Kab Lis Kev Cai Qhov Chaw los ntawm QUAD studio yog tus yeej muaj nqis heev ntawm qhov khoom plig 2020 A' Design Award Nyiaj hauv Pawg Sib Tw Tsim Vaj Tsev, Tsev thiab Qauv Tsev.

NyiajVaj Tsev· 2020

Medieval Rethink Medieval Rethink Kab Lis Kev Cai Qhov Chaw

los ntawm QUAD studio

Tus Neeg Siv: QUAD studio

Tus Yeej A' Design Award Nyiaj hauv Pawg Vaj Tsev

50,921

Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #98029

Mus Saib Lub Vev Xaib Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Medieval Rethink Medieval Rethink Kab Lis Kev Cai Qhov Chaw

Medieval Rethink yog lus teb rau tsoomfwv ntiag tug los tsim Lub Chaw Nruab Nrab rau ib lub chaw tsis muaj neeg nyob hauv lub xeev Guangdong, uas yog hnub 900 xyoo rau Nkauj Hnub Qub. Ib lub tsev plaub, 7000 sqm kev txhim kho yog nyob ib puag ncig ib puag ncig lub pob zeb thaum ub hu ua Ding Qi Pob zeb, uas yog lub cim ntawm keeb kwm ntawm lub zos. Txoj haujlwm tsim qauv qauv yog raws li ua kom pom cov keeb kwm thiab kab lis kev cai ntawm lub zos thaum ub thaum sib txuas lub qub thiab tshiab. Lub Vev Xaib Kab Lis Kev Cai sawv ua ib qho kev hloov kho ntawm lub zos thaum ub thiab hloov mus rau hauv cov tsev kawm tam sim no.

Qhov Lees Paub

Txog A' Design Award Nyiaj

Medieval Rethink Medieval Rethink Kab Lis Kev Cai Qhov Chaw yog tus yeej ntawm A' Design Award Nyiaj, ib qho kev lees paub muaj meej mom heev tshaj li qub uas muab rau cov qauv tsim qib siab, zoo nkauj thiab ua rau neeg xav tsis thoob. Cov neeg yeej Nyiaj yog cov haujlwm ci ntsa iab heev thiab tsim tshiab heev uas qhia txog kev paub, kev txawj ntse thiab kev ntse ntawm cov kws tsim qauv. Medieval Rethink Medieval Rethink Kab Lis Kev Cai Qhov Chaw xav tias yuav yog ib qho haujlwm zoo kawg nkaus uas tsim rau qhia, tshaj lij heev thiab tsim tshiab tob. Cov qauv tsim yeej A' Design Award Nyiaj no yog ib qho khoom tsim uas pom tseeb heev thiab neeg qhuas uas pab tau thiab nthuav dav ciam teb ntawm kev kos duab, kev tshawb fawb, kev tsim qauv thiab thev naus laus zis. Medieval Rethink Medieval Rethink Kab Lis Kev Cai Qhov Chaw yog ib qho khoom tsim uas neeg coob xav tau, uas ua rau xav, coj kev xav zoo thiab ua rau xav tsis thoob thiab xav paub.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: The cultural centre becomes the new destination for villagers to congregate and to socially interact. Here, opportunities arise to great a truly cultural contemporary icon inspired by a historical monument that links old and new.
We make a focus in the cultural centre. An object that is the primary function, a multipurpose hall that most villagers will congregate in large social events. Other functions are clustered around the object that naturally creates internal streets and courtyards that are filled with an abundance of natural landscape.
Qhov Loj & Ntim: Approx. 7000 square metre GFA
Cov Ntsiab Lus: cultural centre, abstraction, guangdong, songdynasty, dingqistone
Thev Naus Laus Zis Tsim Khoom: Firstly, designers break down the village into components of Positive and Negative space. Defining functions as objects and stitching these objects together to natural courtyards of green space.
They make a focus in the cultural centre. An object that is the primary function, a multipurpose hall that most villagers will congregate in large social events. Other functions are clustered around the object that naturally creates internal streets and courtyards that are filled with an abundance of natural landscape.
Kev Sib Tw Tsim Qauv: Cultural Differences - The cultural centre was designed for the villagers as their space for social interaction. To design the centre, designers had to meet with the villagers and discuss their personal needs for this project. Apart from understanding their culture, the main difficulties come in syphering all their needs and wants information into a design. Only when one to understand their culture can then try to rethink the whole idea of what a cultural centre means to the villager.

The Abstraction – Abstracting the village into the design took a lot of patience and work so that the final design truly depicts the chosen narrative. By stripping off the facade, a picture like frame is left behind. What it does is it focuses audience's eye towards the objects within the frame. If one to superimpose an image of the medieval village in the frame, a framed skyline of the medieval village appears. Abstraction occurs when the skyline is then pixelated. Using dark and light shades of pixels, designers generate an abstraction with a notion of depth. Abstraction creates a shading device and multi layering of the facade together with the objects inside the cultural centre creates a rich composition depicting a visual depth beyond the facade.
Recreating the village – Ultimately, to create a place that will enhance the lives of the villagers. Creating a narrative for the cultural centre not only help the design collective to create a very special place, it is also an attempt to capture an emotional response for any individual visiting the place. The medieval village has already manifested itself in the planning of the functional objects, the facade and also in the internal public realm.
Kev Tshawb Fawb: The design team has gone through a thorough research on the context and the history of the Zhu Pu Village, the study has become a very influential part on building a narrative on the project and later being represented through the design of the spaces.
Exploration of the existing village - Walking around the village, inspired by the scale and how man and nature exist in harmony. Beautifully preserved, the village of Zhu Pu dates to the Song dynasty. With its organic concentric planning, it relates itself to many medieval Chinese urban planning principles.
Kev Txhawb Siab: Medieval Rethink was an opportunity to recreate a medieval environment in a contemporary cultural setting. The narrative and design approach of the cultural centre has been extensively explored previously. Located in the norther province of Guangdong, this Contemporary Cultural Centre will not only showcase the history culture of the 900-year-old village, it will also function as a cultural exhibition centre and will attract thousands of visitors from all over the region.
Lub Sij Hawm Ua Hauj Lwm: The project started in August 2017 in an undisclosed Village in Fujian, China.
Txheej Txheem Ua Hauj Lwm: As the ground floor is an active floor with many active functions and visitor, the cultural centre is designed to free up the ground plane as much as possible to allow for pedestrian traffic.
Cov Tswv Cuab Pab: Wai Tang
Kelvin Chu
Landy Liu
Wesley Fung
Samuel Tam
Kev Qhuas Duab: Image #1, Pictury
Image #2, Submarina
Image #3, SAN CG
Image #4, SAN CG
Image #5 SAN CG