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Fujifilm Clay Studio2 Uređenje unutrašnjosti ureda – dizajner Koji Aoki, Lin Su and Atsushi Fujita

Dizajn Fujifilm Clay Studio2 Uređenje unutrašnjosti ureda čiji je autor Koji Aoki, Lin Su and Atsushi Fujita iznimno je cijenjeni dobitnik prestižne nagrade 2022 Brončana nagrada A' Design Award u natjecateljskoj kategoriji Dizajn Unutarnjeg Prostora i Izložbi.


BroncaInterijer· 2022

Fujifilm Clay Studio2 Uređenje unutrašnjosti ureda

autor/ica Koji Aoki, Lin Su and Atsushi Fujita

Klijent: Fujifilm Corporation

Dobitnik nagrade Brončana nagrada A' Design Award u kategoriji Interijer

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Dizajn

O dizajnu Fujifilm Clay Studio2 Uređenje unutrašnjosti ureda

Clay Studio 2 je unutrašnjost ureda dizajnirana za rad na proizvodnom i vizualnom dizajnu u Tokiju. Prostor od 300 četvornih metara osmišljen je kao mirno okruženje za koncentraciju, za razliku od ureda koji se prvenstveno usredotočuju na komunikaciju. Beton, boja i cementno-drvene ploče ostavljeni su neobrađeni, tako da se čini kako je prostorija izgrađena samo od greda i stupova. Vrtno uređenje i prirodni krajolik čine pozadinu i unose sezonske promjene u prostor. Radni stolovi okrenuti su prema van, a stol dug sedam metara omogućuje kratke sastanke uz očuvanje razmaka među ljudima.

Priznanje

O nagradi Brončana nagrada A' Design Award

Fujifilm Clay Studio2 Uređenje unutrašnjosti ureda je pobjednik Brončane nagrade A' Design Award, visoko prestižnog priznanja koje se dodjeljuje izvanrednim dizajnima što se odlikuju kreativnošću, domišljatošću i oštroumnošću. Brončani pobjednici izdašno su vješti i upečatljivo kreativni artefakti koji potvrđuju golemo iskustvo, maštu i snalažljivost svojih dizajnera. Očekuje se da Fujifilm Clay Studio2 Uređenje unutrašnjosti ureda bude visoko cijenjen, voljen i njegovan predmet koji je izuzetno profesionalan i inovativan. Ovaj dizajn koji je osvojio Brončanu nagradu A' Design Award uključuje najbolje prakse u umjetnosti, znanosti, dizajnu i tehnologiji i izvrstan je zbog pažnje posvećene detaljima. Fujifilm Clay Studio2 Uređenje unutrašnjosti ureda sjajno zadovoljava potrebe, dotiče želje, očarava osjećaje i privlači znatiželju.

Iza dizajna

Komplet za medije

Zasluge, članovi tima i tehnički detalji koje je dostavio dizajner.

Jedinstvena svojstva
It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
Dimenzije i pakiranje
The space is made of only unprocessed materials and has the appearance of being made up of only beams and pillars. While creating an environment where everyone can face outward to design, the ability to turn around and have a quick meeting at a big table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without acrylic panels, droplet infection can be controlled.
Oznake
a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
Proizvodna tehnologija
concrete, painting, wood cement board
Dizajnerski izazov
It was difficult to unite concentration and communication.
It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition.
Istraživanje
This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind.
Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26
Inspiracija
The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion.
Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine.
Trajanje projekta
Start of design in November 2020, completion in April 2021
Nishi-Azabu, Minato-ku, Tokyo 
Tijek rada
While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
Članovi tima
Director:Koji Aoki
Design:Lin Su
Design:Atsushi Fujita

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