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Craft as Time Capsule Liv pa Hsiao-Wen Hu

Dizayn Craft as Time Capsule Liv pa Hsiao-Wen Hu se yon gayan ki gen anpil estim nan konpetisyon trè prestijye 2021 A' Design Award Ajan nan Kategori Konpetisyon Enprime.


AjanEnprime· 2021

Craft as Time Capsule Liv

pa Hsiao-Wen Hu

Kliyan: Pratt Institute

Gayan A' Design Award Ajan nan Kategori Enprime

36,290

Koulè

Konsepsyon an

Konsènan Craft as Time Capsule Liv

Pwojè sa a se dokiman final rechèch tèz Hsiao-Wen & # 039; sou fè atizana kòm yon metodoloji prezèvasyon nan epòk dijital aktyèl la. Liv la konsiste de twa pati, ekzamine tranzisyon ki genyen ant fizik ak vityèl, materyèl ak done, angajman itilizatè ak eksperyans nan pèspektiv nan fè atizana ak prezèvasyon. Kòm mond lan te tranzisyon soti nan aktivite fizik nan entèraksyon vityèl, nouvo bezwen ak fòm angajman ak anviwonman nou yo te pouse. Chanjman sa yo pa sèlman montre atravè objè a ak teknoloji a, men tou, tout kilti a an jeneral.

Rekonesans lan

Konsènan A' Design Award Ajan

Craft as Time Capsule Liv se yon ganyan A' Design Award Ajan, yon rekonesans ki gen yon prestij enmans yo bay design nivo siperyè, bèl anpil e enpresyonan. Ganyan Ajan yo se travay ki trè briyan e ki trè kreyatif ki montre ekspètiz, talan ak finès designer yo. Yo atann Craft as Time Capsule Liv pou se yon bèl travay modèl, remakab nan pwofesyonalis e ki gen gwo inovasyon. Design sa a ki ganyen A' Design Award Ajan se yon envansyon trè remakab, admire ki pote benefis e ki pouse limit atizay, syans, design ak teknoloji. Craft as Time Capsule Liv se yon kreyasyon anpil moun jalou ki reveye dezi, ki pote santiman pozitif e ki limen sipriz ak mèvèy.

Dèyè Konsepsyon an

Dosye Laprès

Kredi, manm ekip ak detay teknik konseptè a bay.

Pwopriyete Inik
This project is a documentation of Hsiao-Wen's thesis research on craft making as a preservation methodology in the current digital age. The book consists of three parts, examining the intertranslation between the physical and the digital from the perspectives of crafts. The typographic choices in this book are a combination of Serif, Sans Serif, and Script typefaces, symbolic of the longevity of crafts and human’s use of technology.
Dimansyon & Anbalaj
The dimension of the book is in US letter size: 216 mm x 279 mm.
Etikèt
design research, book design, editorial design, graphic design, typography, print, craft, technology, archive, postdigital, preservation
Teknoloji Pwodiksyon
The book was intended to be printed on newsprint papers and have debossing on the cover. Unfortunately, the plan was postponed due to the pandemic.
Rechèch
This research aims to look at the transition between the physical and virtual, material and data, user engagement and experience from the perspective of craft making and preservation. Craft has always been a reflection of culture and identity. As our lives transitioned from physical activities to virtual interactions, new needs and forms of engagement with our surroundings were prompted. And such change not only exhibits via the object and the technology, but also the whole culture at large.

As craft and preservation being the two main cores of this research, it is important to explore different ways to archive the research process. In addition to this book, the designer had also built a website to document the research in another format. It is also interesting to compare the same content on two different mediums.
Enspirasyon
This book can be seen as an archive that not only documents the designer's research in writing but also organizes several other design projects, experiments, and references in a clear structure that supports the main thesis. The grid and the rigid layout of the book are inspired by letterpress, which plays a key role in my research on technology and web interface design.
Dire Pwojè
This research started in 2019 and was finalized in May 2020. The book was designed after the completion of the research, from June to August 2020.

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Bon Dizayn Merite Gwo Rekonesans

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