Bellamy Sans Tip Lèt pa Paul Robb and Moira Bartoloni

Dizayn Bellamy Sans Tip Lèt pa Paul Robb and Moira Bartoloni se yon gayan ki gen anpil estim nan konpetisyon trè prestijye 2025 A' Design Award Ajan nan Kategori Konpetisyon Grafik.

AjanGrafik· 2025

Bellamy Sans Tip Lèt

pa Paul Robb and Moira Bartoloni

Kliyan: S6 Foundry

Gayan A' Design Award Ajan nan Kategori Grafik

103,355

Gayan Pri Verifye

Verifye Estati Pri pou #167745

Vizite Sit la Gade sou A' Design Award Kominike Laprès Badj Prim

Koulè

Konsepsyon an

Konsènan Bellamy Sans Tip Lèt

Bellamy Sans se yon tip lèt kontanporen san serif ki reimajine stil gwotek la atravè yon sansibilite modèn rafine. Anrasine nan tradisyon tipografi Swis la, li kenbe prensip nètralite a nan kè li pandan li entrodwi yon apwòch pi dou nan rijiditè ki karakterize gwotek klasik yo. Yon kontrast soutile ak koub yo ki travay ak swen bay tip lèt la yon elegans eksprèsif diskrè, avèk yon klarite ki parèt san li pa depann sou yon ònamantasyon sipèfli.

Rekonesans lan

Konsènan A' Design Award Ajan

Bellamy Sans Tip Lèt se yon ganyan A' Design Award Ajan, yon rekonesans ki gen yon prestij enmans yo bay design nivo siperyè, bèl anpil e enpresyonan. Ganyan Ajan yo se travay ki trè briyan e ki trè kreyatif ki montre ekspètiz, talan ak finès designer yo. Yo atann Bellamy Sans Tip Lèt pou se yon bèl travay modèl, remakab nan pwofesyonalis e ki gen gwo inovasyon. Design sa a ki ganyen A' Design Award Ajan se yon envansyon trè remakab, admire ki pote benefis e ki pouse limit atizay, syans, design ak teknoloji. Bellamy Sans Tip Lèt se yon kreyasyon anpil moun jalou ki reveye dezi, ki pote santiman pozitif e ki limen sipriz ak mèvèy.

Dèyè Konsepsyon an

Dosye Laprès

Kredi, manm ekip ak detay teknik konseptè a bay.

Pwopriyete Inik: Bellamy Sans is a contemporary sans-serif typeface that reimagines the grotesque style with a refined, modern sensibility. Rooted in the tradition of Swiss typography, it maintains the core principle of neutrality while softening the rigidity often associated with classic grotesques. Its subtle contrast and carefully shaped curves lend it an understated elegance—minimalist yet expressive, free from superfluous ornamentation.
Dimansyon & Anbalaj: The book is 120 pages, with the first section demonstrating the robustness of the font in use, the back pages are dedicated to the individual weights and glyphs.
Etikèt: Type design, Typeface, Specimen
Teknoloji Pwodiksyon: The font was digitally created and supported by over 200 Latin languages. The cover was printed onto a recycled board, the internal pages onto 150gsm recycled paper and the book was hand-sewn.
Defi Dizayn: The primary challenge of this research lies in exploring how the utilitarian principles of historical grotesque typefaces with the nuanced sophistication of contemporary typography. It required addressing how typographic neutrality, clarity, simplicity, and versatility concepts can be reinterpreted through humanistic forms without compromising their functional essence. Additionally, the research must investigate how subtle design refinements can contribute to the evolution of modern typographic practices while honoring historical influences.
Rechèch: This research investigates the design philosophy and developmental process behind the font and explores how Bellamy Sans bridges the gap between the minimalist, utilitarian principles of historical grotesques and the nuanced sophistication of contemporary typography. Central to its design is typographic neutrality, emphasizing clarity, simplicity, and versatility. However, Bellamy Sans reinterprets these qualities through a more humanistic lens, introducing subtle refinements that balance mechanical precision with organic warmth. This research highlights the typeface’s role in evolving modern typographic practices, offering insights into how historical influences can be harmonized with contemporary design needs.
Enspirasyon: The inspiration behind Bellamy Sans stems from a desire to bridge the gap between the functional clarity of mid-20th-century grotesque typefaces and the nuanced sophistication of contemporary design, embracing the idea of typographic neutrality—prioritizing clarity, simplicity, and versatility while reinterpreting these qualities with a more humanistic approach. The typeface was conceived to soften the rigidity often found in classic grotesques.
Dire Pwojè: The initial designs were designed in November 2023 with the digital font launched in September 2024.
Fliks Operasyon: The Specimen book was sent to the first ten companies that ordered the complete family.
Manm Ekip: Paul Henry Robb
Moria Bartoloni
Kredi Imaj: Paul Henry Robb