Changes Cycles and Shapes Atizay Dijital pa Yuko Suzuki

Dizayn Changes Cycles and Shapes Atizay Dijital pa Yuko Suzuki se yon gayan ki gen anpil estim nan konpetisyon trè prestijye 2025 A' Design Award Lò nan Kategori Konpetisyon Jeneratif.

LòJeneratif· 2025

Changes Cycles and Shapes Atizay Dijital

pa Yuko Suzuki

Kliyan: Feral File

Gayan A' Design Award Lò nan Kategori Jeneratif

210,079

Gayan Pri Verifye

Verifye Estati Pri pou #170864

Vizite Sit la Gade sou A' Design Award Kominike Laprès Badj Prim

Koulè

Konsepsyon an

Konsènan Changes Cycles and Shapes Atizay Dijital

Travay sa a eksplore kesyon an, Kisa penti ye? lè l ap eksprime sikilasyon ekspresyon vizyèl yo. Enspire pa tranzisyon nan penti Mondrian yo, li baze sou yon dyagram konpozan penti a, kote fòm deplase ant figiratif ak abstre, epi ant bri ak lineyarite - yon lide ki aplike sou koulè a. Travay la evoke eta chanjman matriyalite dijital la, aksan sou sa ke fòm ki ant chanjman yo se esans lan. Lè l enkòpore tekstiw ki enprime avèk yon baren, li reflete idantite atis la kòm yon atisan gravur nan fòm dijital.

Rekonesans lan

Konsènan A' Design Award Lò

Changes Cycles and Shapes Atizay Dijital se yon ganyan A' Design Award Lò, yon rekonesans imans prestijye yo bay design premye klas, mèvèye e eksepsyonèl. Ganyan Lò yo se kreyasyon ki trè inovatè, vizyonè e ki briye ak bèl bagay, ki reflete jeni, sajès ak mèt konpetans designer yo. Yo atann Changes Cycles and Shapes Atizay Dijital pou se yon envansyon ki fè anpil lwanj, ki bay tandans e monimantal ki delivre yon valè san parèy. Design sa a ki ganyen A' Design Award Lò se yon pwojè espektakilè, respekte ki pote anpil benefis e ki pouse limit atizay, syans, design ak teknoloji. Changes Cycles and Shapes Atizay Dijital kreye santiman dezi ki entans, li reveye pasyon, li ankouraje kreyativite e li fasine nou.

Dèyè Konsepsyon an

Dosye Laprès

Kredi, manm ekip ak detay teknik konseptè a bay.

Pwopriyete Inik: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
Dimansyon & Anbalaj: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
Etikèt: Generative Art, Coding
Teknoloji Pwodiksyon: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
Defi Dizayn: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
Rechèch: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
Enspirasyon: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
Dire Pwojè: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
Fliks Operasyon: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
Kredi Imaj: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.