Dizayn Guanshan Idantite Mak pa Hong Jia Min se yon gayan ki gen anpil estim nan konpetisyon trè prestijye 2025 A' Design Award Fè nan Kategori Konpetisyon Grafik.

FèGrafik· 2025

Guanshan Idantite Mak

pa Hong Jia Min

Kliyan: Jijia Brand Creative Studio

Gayan A' Design Award Fè nan Kategori Grafik

2,022

Gayan Pri Verifye

Verifye Estati Pri pou #172951

Gade sou A' Design Award Kominike Laprès Badj Prim

Koulè

Konsepsyon an

Konsènan Guanshan Idantite Mak

Guanshan se yon idantite mak ki te kreye pou yon magazen te lèt. Design an itilize karaktè Chinwa kòm baz li e li modènize estrikti ekriti klerikal tradisyonèl la pandan l ap konsève lespri klasik li. Ansrasin nan estetik obje Lès Azyatik, idantite a konbine imaj evantay lank ak veso te. Motif santral la montre yon evantay ak yon tas te nan yon konpozisyon ki chevoche, sa ki kreye yon senbolis doub. Trè penso lank yo evoke kad banbou yon evantay won tradisyonèl, epi silwèt tas la enspire pa bòl te Jianzhan.

Rekonesans lan

Konsènan A' Design Award Fè

Guanshan Idantite Mak se yon ganyan A' Design Award Fè, yon rekonesans ki gen prestij yo bay bon design ki satisfè egzijans pwofesyonèl ak endistriyèl yo atann de kreyasyon ki byen fèt. Ganyan Fè yo montre gwo konpetans, espesyalizasyon wo, konpreyansyon ekspè ak kapasite kreyatif kreyatè yo. Yo atann Guanshan Idantite Mak pou se yon kreyasyon anpil moun estime, admire e renmen ki pratik e inovatè. Design sa a ki ganyen A' Design Award Fè entegre pi bon pratik sektè a e li gen karakteristik teknik konpetan ki lye ak konnesans pratik ak talan. Yo respekte Guanshan Idantite Mak pou jèntan li e li fèt pou bay amelyorasyon kalite lavi ki ede fè mond lan vin yon pi bon kote.

Dèyè Konsepsyon an

Dosye Laprès

Kredi, manm ekip ak detay teknik konseptè a bay.

Pwopriyete Inik: Anchored in the philosophy of teahouse as home, we construct a contemporary sanctuary for tea connoisseurs. Our brews extract primal essences from ancient tea groves, harmonized with mountain springs and melted snow to reveal terroir authenticity. Spaces crystallize tea mountains textures and light interplay, crafting immersive nomadic tea sanctuaries that engage all senses.
Dimansyon & Anbalaj: The brand multi series tea collections employ phytographic design extracting each teas botanical essence and marrying it with Chinese aesthetic principles. This methodology crystallizes into Neo Chinese packaging that embodies product specific visual identities.
Etikèt: Oriental, Creativity, Tea , Ink Painting, Chinese
Teknoloji Pwodiksyon: The creative process prioritizes onomastic morphology deriving visual forms directly from the brands nomenclature while integrating product typology. This methodology undergoes cultural synthesis through strategic collisions between contemporary creativity and Chinese heritage elements, generating innovative semiotic expressions rooted in commercial context.
Defi Dizayn: The project requires the seamless integration of multiple elements to simultaneously communicate the brand core identity, embody Oriental aesthetics, and ensure versatile application across diverse scenarios.
Rechèch: We reconfigure tea rituals through Ceramic Deconstructionism transposing bamboo brazier fans mechanical logic into ergonomic curves, translating ink bleeds into tactile gradients on vessel surfaces. Packaging evolves into Tactile Typology archives where material stratigraphy chronicles tea history, Neo Chinese design manifests as Parametric Archaeology methodology.
Enspirasyon: Rooted in Chinese tea ware aesthetics, the concept reimagines Song Dynasty tea house imagery through calligraphic brushwork. Capturing the symbiotic relationship between luzan brazier fans and tea utensils, Ink tonalities outline the fan silhouette, its flowing strokes organically morphing into modern teacups streamlined forms. This visual philosophy of holding a fan while contemplating tea manifests through design.
Dire Pwojè: Located in Dongguan, Guangdong Province, China, this project was designed in October 2024.
Fliks Operasyon: Carve the eraser into desired shapes, saturate its sculpted surfaces with ink, then employ this unconventional tool as a brush substitute. Through rhythmic imprinting and calculated pressure variations on paper, the rubber matrix undergoes iterative experimentation. Each impression accumulates ink dynamics angular edges deposit geometric patterns while worn facets create mist like gradients.
Patant: Copyrights belong to Hong Jia Min, 2024.
Manm Ekip: Hong Jia Min
Kredi Imaj: Hong Jia Min