Floral Album Koleksyon Mòd pa Xinyu Zheng

Dizayn Floral Album Koleksyon Mòd pa Xinyu Zheng se yon gayan ki gen anpil estim nan konpetisyon trè prestijye 2026 A' Design Award Fè nan Kategori Konpetisyon Mòd.

FèMòd· 2026

Floral Album Koleksyon Mòd

pa Xinyu Zheng

Kliyan: Tulip 'n room

Gayan A' Design Award Fè nan Kategori Mòd

11,611

Gayan Pri Verifye

Verifye Estati Pri pou #177958

Gade sou A' Design Award Kominike Laprès Badj Prim

Koulè

Konsepsyon an

Konsènan Floral Album Koleksyon Mòd

Floral Album se yon koleksyon mòd ki enspire de fotografi fanmi ki soti nan ane 1980 yo. Koleksyon an fèt ak twal deadstock ki konbine ak plizyè teknik atizana. Bwodri alamen, kwochè, travay ak pèl, trikotaj ak pwen kwaze aplike sou vlou ak sou tekstil transparan ki mete an kouch. Ganiti kwochè yo ak moso trikote yo gen eleman payèt ki kenbe limyè a lè moun ki mete rad la ap deplase. Chak rad fèt endividyèlman, kidonk pa gen okenn moso ki repete. Tout moso yo se gwosè lib. Koleksyon an konekte travay alamen detaye ak reyitilizasyon materyèl ki neglije yo.

Rekonesans lan

Konsènan A' Design Award Fè

Floral Album Koleksyon Mòd se yon ganyan A' Design Award Fè, yon rekonesans ki gen prestij yo bay bon design ki satisfè egzijans pwofesyonèl ak endistriyèl yo atann de kreyasyon ki byen fèt. Ganyan Fè yo montre gwo konpetans, espesyalizasyon wo, konpreyansyon ekspè ak kapasite kreyatif kreyatè yo. Yo atann Floral Album Koleksyon Mòd pou se yon kreyasyon anpil moun estime, admire e renmen ki pratik e inovatè. Design sa a ki ganyen A' Design Award Fè entegre pi bon pratik sektè a e li gen karakteristik teknik konpetan ki lye ak konnesans pratik ak talan. Yo respekte Floral Album Koleksyon Mòd pou jèntan li e li fèt pou bay amelyorasyon kalite lavi ki ede fè mond lan vin yon pi bon kote.

Dèyè Konsepsyon an

Dosye Laprès

Kredi, manm ekip ak detay teknik konseptè a bay.

Pwopriyete Inik: This collection reinterprets craftsmanship through the integration of deadstock fabrics and multiple handcraft techniques. Each garment is individually constructed using hand embroidery, crochet, beading, and hand knitting, resulting in unique pieces with no repetition. By layering reclaimed materials with detailed surface work, the collection highlights the value of overlooked resources and connects tactile craftsmanship with contemporary design sensibility.
Dimansyon & Anbalaj: All the pieces are free size.
Etikèt: tulip n room, sustainable fashion, hand embroidery, deadstock fabrics, recycled materials, haute couture
Teknoloji Pwodiksyon: Each piece is developed using deadstock fabrics combined with multiple handcraft techniques. Velvet, crochet, beading, embroidery, knitting, and cross stitch are applied through experimental craftsmanship. The production process integrates hand beaded garments, crocheted trims with sequin elements, knitted pieces using sequin yarns, and layered transparent textiles. The approach balances couture level precision with sustainable material practices.
Defi Dizayn: The main challenge lay in balancing nostalgic aesthetics with sustainable production limits. Many desired fabrics were no longer available, requiring extensive trials with deadstock and recycled materials. Achieving hand-embroidered precision on uneven surfaces demanded technical adaptation. The process also involved redefining femininity through craft while ensuring each garment remained wearable and relevant to modern audiences.
Rechèch: The research began as a qualitative exploration of how emotional memory can shape sustainable fashion. The objective was to reinterpret 1980s silhouettes using responsible materials and handcraft techniques. Research methods included material experimentation, archival image analysis, and wearer interviews to study emotional connection to garments. Results revealed that tactile handwork and recycled materials enhance both emotional resonance and sustainability awareness in contemporary fashion.
Enspirasyon: Inspired by my grandmothers photographs from the 1980s, this project examines fashion as a carrier of personal and collective memory. Visual elements from domestic environments such as lace curtains, plastic flowers, and embroidered tablecloths are abstracted and translated into textiles, surface embellishments, and silhouette structures. The collection reinterprets nostalgia through contemporary design, positioning fashion as an archive of identity, cultural inheritance, and transformation.
Dire Pwojè: This project was initiated in April 2023 and completed in September 2024 in New York.
Fliks Operasyon: The collection is experienced through movement and tactile interaction. As the wearer moves, layered embroidery and sequins catch light, revealing hidden patterns and shifting textures. The garments invite sensory engagement, encouraging emotional connection through touch and reflection. Each piece performs as both clothing and storytelling medium, blending comfort with expressive form.
Patant: Copyrights belong to Xinyu Zheng, 2025.
Trademark (2025) Tulip N’ Room.
Manm Ekip: /
Kredi Imaj: Stefy Lin, 2024.