Karya GGO Biomorphic Fungsi Utama: Perabot Lobi oleh Yoko Komatsu and Hajime Tokura adalah pemenang yang sangat dihormati dari 2026 A' Design Award Emas yang sangat bergengsi dalam Kategori Kompetisi Desain Furnitur.
EmasFurnitur· 2026
GGO Biomorphic Fungsi Utama: Perabot Lobi
oleh Yoko Komatsu and Hajime Tokura
Klien: Grand Green Osaka JV Group
Pemenang A' Design Award Emas dalam Kategori Furnitur
Pemenang Penghargaan Terverifikasi
Verifikasi Status Penghargaan untuk #180101Desain
Tentang GGO Biomorphic Fungsi Utama: Perabot Lobi
Teks Buku: Terletak di Grand Green Osaka, bangku biomorfik sepanjang 16 meter ini dibuat dari kayu ek Jepang. Fabrikasi digital canggih dimanfaatkan untuk merakit lebih dari 6.000 bagian individual menjadi 29 unit organik. Semua pengencang logam berhasil disembunyikan melalui sistem sambungan tersembunyi. Pada perabot publik yang bergaya patung ini, keahlian pengrajin manual tradisional dipadukan dengan desain komputasional parametrik. Perabot ini dirancang untuk berfungsi baik sebagai bangku santai maupun pot tanaman di dalam ruang lobi.
Pengakuan
Tentang A' Design Award Emas
GGO Biomorphic Fungsi Utama: Perabot Lobi adalah pemenang A' Design Award Emas, pengakuan yang sangat bergengsi yang diberikan kepada desain kelas satu, menakjubkan, dan menonjol. Pemenang Emas adalah kreasi yang sangat inovatif, visioner, dan berkilau memukau yang mencerminkan kejeniusan, kebijaksanaan, dan kepiawaian para desainernya. GGO Biomorphic Fungsi Utama: Perabot Lobi diharapkan menjadi penemuan yang sangat dipuji, perintis tren, dan monumental yang memberikan nilai tanpa preseden. Desain pemenang A' Design Award Emas ini adalah proyek yang spektakuler dan disegani yang sangat bermanfaat bagi dan memajukan batas-batas seni, sains, desain, dan teknologi. GGO Biomorphic Fungsi Utama: Perabot Lobi menciptakan perasaan keinginan yang kuat, membangkitkan gairah, mendorong kreativitas, dan memukau kita.
Di Balik Desain
Kit Pers
Kredit, anggota tim, dan detail teknis yang disediakan oleh desainer.
- Keunikan
- This 16-meter long furniture bridges the boundary between a static office lobby and a lush urban park. The design process fused analog and digital techniques: organic forms created by hand-molded clay models were 3D-scanned to capture vitality that computational design alone cannot produce. Crafted from 100 percent domestic Japanese oak using precision computer numerical control cutting, the structure conceals all metal joints, creating a seamless, life-like wooden landscape.
- Dimensi & Kemasan
- Dimensions: Total Length 16,000 mm. The structure is composed of vertically laminated plywood panels utilizing domestic Japanese oak. It functions as both a large-scale public bench and a planter. The modular units were precision-cut in the factory and assembled on-site to achieve millimeter-level accuracy across the massive 16-meter span. The design adheres to strict safety standards.
- Tag
- Biomorphic Design, Public Furniture, Japanese Oak, Digital Fabrication, Parametric Design, Office Lobby, Wellness, Sustainable Design, Wood Craft, Bench
- Teknologi Produksi
- The project is constructed from 100 percent domestic Japanese oak laminated panels. To handle the high density of oak and prevent grain tear-out during computer numerical control fabrication, the engineering team developed custom cutting tools and parameters. A key innovation is the concealed joint system featuring rotating wooden rings to cover assembly bolts, ensuring a seamless pure wood aesthetic without visible metal parts. Over 6,000 intricately milled parts were hand-finished.
- Tantangan Desain
- The main challenge was translating the hand-molded clay's organic warmth into digital data. Initial 3D scans contained noise, making precise modeling of over 6,000 parts impossible. This was overcome by using parametric algorithms to extract and smooth cross-sections. Furthermore, to bypass the CNC milling risks of hard Japanese oak and ensure structural safety, rigorous full-scale prototyping was conducted, successfully fusing analog craftsmanship with advanced digital manufacturing.
- Riset
- Research Objectives: To connect a static lobby with a dynamic park. Methodology and Data Collection: The project utilized an analog-to-digital translation. Clay models were hand-sculpted to verify comfort and volume, then 3D-scanned. Results: This captured organic irregularities lost in pure computation. Full-scale prototyping verified strict safety standards. Insights and Impacts: The project demonstrates how digital fabrication can preserve human touch using underused domestic hardwood.
- Inspirasi
- Inspired by the unique context of Grand Green Osaka, where a vast urban park meets a sophisticated office tower, the goal was to bring the vitality of nature indoors and to bridge the boundary between the static lobby and the dynamic greenery outside. Inspiration was drawn from analog processes, using hand-molded clay models to capture organic warmth and complex undulations that computational design alone cannot produce, offering a moment of healing to busy office workers.
- Durasi Proyek
- The project was completed in May 2025. It is installed at the Park Tower lobby, Grand Green Osaka, located at 5-54 Ofukacho, Kita-ku, Osaka, Japan.
- Alur Operasi
- Designed for the lobby of a high-rise, this bench bridges the gap between the office environment and the adjacent park. Users can sit, recline, or wait, experiencing the warmth of wood. The floating organic form invites touch and offers a surprisingly soft seating experience, described by users as being embraced. It functions as a biophilic element that alleviates stress for office workers and visitors, providing a moment of tranquility.
- Paten
- Copyrights belong to KOKUYO Co., Ltd., 2025.
- Anggota Tim
- Principal Designer: Yoko Komatsu
Project Director: Takashi Ueda
Technical Supervisor: Katsuhito Yui
Technical Supervisor: Mamoru Yamazaki
Assistant Designer: Hotaka Inagaki
Lead Architect: Hajime Tokura
Production Designer: Shimpei Ogawa
Engineer: Pyaezone Aungsoe
Fabricator: Yasufumi Hanada
Fabricator: Yoji Konishi
Fabricator: Kazuki Nagao - Kredit Gambar
- Image #1: Creator KOKUYO Co., Ltd., GGO Biomorphic, 2025.
Image #2: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #3: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #4: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #5: Creator KOKUYO Co., Ltd., GGO Biomorphic, 2025.
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