The Golden Age Ebe Ntụrụndụ nke Wei-Hua Hung and Hai-Shin Li

Ihe emepụtara bụ The Golden Age Ebe Ntụrụndụ nke Wei-Hua Hung and Hai-Shin Li bụ onye meriri a na-asọpụrụ nke ukwuu nke 2020 Ihe Nrite A' Design Award nke Ọlaedo na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

ỌlaedoIme Ụlọ· 2020

The Golden Age Ebe Ntụrụndụ

nke Wei-Hua Hung and Hai-Shin Li

Onye Ahịa: Creative Group

Onye Meriri Ihe Nrite A' Design Award nke Ọlaedo na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #100315

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka The Golden Age Ebe Ntụrụndụ

The Golden Age bụ ụlọ nnabata onwe onye dị na Shanghai nke e mere maka ojiji mmekọrịta mmadụ na ibe ya na ntụrụndụ. Ime ụlọ ahụ ruru mita skwea 4500 ma e kewara ya n'akụkụ atọ maka ndị nọ n'ọkwa afọ dị iche iche: ebe zoro ezo, mpaghara nka na ọnụ ụlọ nke ejiji ọhụrụ. Akụkụ ọ bụla na-eji abụ uri China ochie ama ama dị ka isiokwu ya. Ebe zoro ezo ahụ na-eji ụzọ mgbagọ mgbagọ na ngwá ụlọ mepụta nkewa dị nro. Mpaghara nka ahụ nwere ọnụ ụzọ eletrik ndị na-agbanwe oke nke oghere ahụ. Ihe eji arụ ya gụnyere marble, jade, granite, teak, ọla kọpa na terrazzo. Nhazi ahụ jikọtara echiche ndị Ọwụwa Anyanwụ na ndị Ọdịda Anyanwụ ọnụ.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaedo

The Golden Age Ebe Ntụrụndụ meriri A' Design Award nke Ọlaedo, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa mbụ, dị ịtụnanya ma pụtara ìhè. Ndị meriri na Ọlaedo bụ ihe e kere eke dị oke ọhụrụ, nwere ọhụụ ma na-egbu maramara nke na-egosipụta ọgụgụ isi, amamihe na nka nke ndị designer ha. A na-atụ anya na The Golden Age Ebe Ntụrụndụ ga-abụ ihe e mepụtara kacha enweta otuto, na-edu ọnọdụ ma bụrụ ihe ncheta nke na-enye uru na-adịbeghị mgbe ọ bụla. Design a meriri A' Design Award nke Ọlaedo bụ ọrụ dị ebube, a na-asọpụrụ nke na-erite uru buru ibu ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. The Golden Age Ebe Ntụrụndụ na-eweta mmetụta ọchịchọ siri ike, na-akpali agụụ, na-akwado nzụlite ihe ma na-adọrọ anyị adọrọ.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Combines Eastern and Western techniques and redefines the social and entertainment space in the new era. Considering the age difference and different life states, the areas are divided into three parts: hidden area, art zone and Trendy room. Each part is designed with the poetry works of ancient Chinese poets as the theme.
Nha & Mkpuchi: 4500 m2
Mkpado: Interior Design , Recreation
Teknụzụ Mmepụta: Marble, jade, granite, volcanic stone , stone bark, teak, beech, paint, iron stainless steel, titanium plating, copper bar, embossed copper plate, mirror surface, lock plate , leather-covered wood, terrazzo.
Ịma Aka Imepụta: In order to reflect the character of international city, the artistic conception of Chinese literature is integrated into the private reception hall, which is based on the western architectural concept. The style is divided into three areas according to the age. Each area’s tone is set by a classic Chinese poem. The Hidden space is gentle and restrained. The Art Zone area is eye-opening. The Trendy area is trendy and bold. The immersive experience is planned to combine the East and the West.
Nchọpụta: This case is located in Shanghai, with a long and narrow L-shaped base. It is the prime location of the prosperous metropolis where developed busy international trade, technology and fashion industry. It is also located in the former residence of many political and literary celebrities where is rich in profound cultural heritage. In view of the citizens’ emphasis on social and spiritual life, the owner hopes to build a high-end private reception hall, where will play the golden age of this magical city in the over 400 square meters space. In the future, they plan to hold art performances and fashion shows in collaboration with brands, so as to promote more frequent interpersonal interaction and enrich the city's connotation.
Mkpali: In the 17th-18th century, salon in Europe showed the acme of private social field. The salon not only set off their status by clothing, style of conversation and guest list, but also reflected their self-cultivation and taste through space design, collection display and the delicacies. This kind of elegant social scene was also common in China. In ancient times, written by the sage of calligraphy Wang , described the exquisite feelings of gathering tale.
Oge Ọrụ: Shanghai,China (2018-2019)
Usoro Ọrụ: The hidden area is positioned as a hidden luxury private area for the people over 45 years old. It is located at the innermost side of the building and is equipped with an independent elevator. The style is based on Li 's poem Rouged Lips as the theme. The poem describes that the girl, after swinging on the swing, saw the visitor and shyly hid to peek the guest. When the idea is transformed into space, it emphasizes on hiding and vagueness, ambiguity and introverted feelings. This area defines space with furniture, such as a variety of oriental tea sets on the shelves to create soft compartments. The aisle adopts a meandering line, making it impossible to see through at a glance, which is also a metaphor for the felling of floating wine cup pavilion of literati aesthetic mood. Citrine is dotted along the ground on the wall, and indirect lighting is used to interpret the "water and fire as the harmony of yin and yang in I Ching. The ceiling is engraved with "Along the River During the Festival in pure copper, and the wooden wall is painted with splashed ink landscape paintings, which further brews the oriental charm of ancient scrolls.

The art zone is located in the central area of luxurious business space for the 35-45 year-old people. The moving line is also equipped with independent elevators, and the horizontal plane is equipped with electric doors, which can adjust the size of the space pattern flexibly. The style is based on Su's poem, Written on the Wall at West Forest Temple. This poem describes the ups and downs of the mountains and uses Of mountain Lu we cannot make out the true face to remind the world to change its perspective, so as to gain different vision. When the poet is converted into space, it compares the stacking of materials with the design of arches, screens and so on with It's a range viewed in face and peaks viewed from the side, so as to encourage young entrepreneurs to broaden their vision of life.
Patentị: 2019 CREATIVE GROUP COPY RIGHTS RESERVED
Ndị Otu: Wei-Hua Hung , Hai-Shin Li , Tsung-ju Lu ,Yu-Chi Liu, Bi-Yuan Tang, Xing-Song Liu
Asụsụ Foto: Shuowei Huang Photography