Yinyun Ọrụ Isi: Ihe Ntinye Nka Ụrọ nke Fabcraft Design Lab

Ihe emepụtara bụ Yinyun Ọrụ Isi: Ihe Ntinye Nka Ụrọ nke Fabcraft Design Lab bụ onye meriri a na-asọpụrụ nke ukwuu nke 2020 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ụdị Ebipụtara na 3D na Ngwaahịa.

BronzMbipụta 3D· 2020

Yinyun Ọrụ Isi: Ihe Ntinye Nka Ụrọ

nke Fabcraft Design Lab

Onye Ahịa: Fabcraft Design Lab

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Mbipụta 3D

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #101663

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Yinyun Ọrụ Isi: Ihe Ntinye Nka Ụrọ

Ederede Akwụkwọ: Yinyun bụ ihe ntinye nka ụrọ nke mejupụtara site na 85 akụkụ pụrụ iche nke e ji igwe 3D print mepụta. E ji algọridim mmepụta yiri nke sistemụ eme ihe wepụta data eletriki, wee gosipụta data ahụ n'elu akụkụ ọ bụla, na-ewepụta mmetụta mgbanwe agbanwe ọnụ ọnụ (gradient) n'ozuzu ya. E ji teknụzụ 3D print ụrọ mepụta akụkụ ndị a, jiri ngwakọta nke ọla porselein ọcha na ntụ ọkụ (coal ash) e si na ụlọ ọrụ mepụta ike weghachite. Usoro ibipụta ahụ na-emepụtakwa ọdịdị elu dị mma na nke zuru ezu n'elu ibe ọ bụla. Ọ dịghị akụkụ abụọ yiri ibe ha. A na-edowe ihe ntinye a mgbe ebighị ebi n'ime ụlọ ngosi dị na Taipei, Taiwan.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Yinyun Ọrụ Isi: Ihe Ntinye Nka Ụrọ meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Yinyun Ọrụ Isi: Ihe Ntinye Nka Ụrọ ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Yinyun Ọrụ Isi: Ihe Ntinye Nka Ụrọ na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Yinyun is an art installation composed of 85 unique 3D printed ceramic units. Through generative design algorithm, the electric information was extracted and visualized on every unit, together creating a gradient effect. Ceramic 3D printing, with a mixture of recycled material, was then used to fabricate these units, at the same time, creating detailed surface relief which was indicated by this technique. None of the units is the same as others.
Nha & Mkpuchi: Dimension(ceramic parts): L: 910cm, W: 360cm, H: 230cm
Mkpado: ceramic, 3D printing, generative, parametric design, digital fabrication, sustainable, recycle, coah ash, art installation, craft
Teknụzụ Mmepụta: The project heavily relied on close cooperation among algorithm development, 3D printing, and material experiments. All designs were completed through several generative algorithms, including data processing, form generation, slicing, and Gcode output. Then our custom 3D printer with remote extrusion system was used to achieve such large sizes. The material was a mixture of white porcelain and coal ash recycled from power plant.
Ịma Aka Imepụta: In order to achieve large-scale and stable printing, we developed our custom extrusion system and slicing program, testing it back and forth between digital and physical space, which took nearly half of the time for this project. The material factors were carefully taken into consideration, including ceramic ratio, viscosity, temperature, humidity, since a 3D printer can't be dynamically adjusted as human hands during production. The shrinkage after firing also increased the difficulty of assembly.
Nchọpụta: The goal of this project is to examine the relationship between traditional craft and modern techniques. As we developed a new shape language in digital space, it was completely originated from ceramic 3D printed texture. The traditional expertise in ceramics and modern digital fabrication skills were combined in real-world printing, together created pieces with rich craftsmanship, but can only be achieved by modern technique.
Mkpali: The motivation of this project is to create an elegant art installation blending the science education atmosphere in this green energy exhibition hall. Inspired by the natural phenomenon of electromagnetic, which created non-uniformed field tensors in the space. To express this specific effect, an installation consisted of a large number of units were proposed, contrasting in form and pattern. This project also showcases Fabcraft design lab’s long-term interest in generative design and 3D printing technology.
Oge Ọrụ: The project began at the end of 2018, and was completed in December 2019. Since then, it has been a permanent public art located in Taipower D/S ONE exhibition hall in Taipei, Taiwan.
Usoro Ọrụ: The installation was designed to be viewed from different angles, at the same time, produce positive route guidance in the exhibition hall. A possible interaction can be created while visitors moving upstairs, changing from low angle to eye-level angle, they will observe an optical illusion caused by lights and textures. Moreover, the fluid surfaces are zoomed into a layered ceramic texture with rich 3D printing characteristics.
Ndị Otu: Art Director: Kamm, Kai-Yu
Designer: Liu, Zhao-Wei
Mechanism Design: Chen, Po-Yen
Ceramic Craftsman: Lu, Tzu-Yi
Ceramic Assistant: Xie, Yun-Chen
Asụsụ Foto: Image #1: Fabcraft Design Lab
Image #2: Cogitoimage International Co., Ltd.
Image #3: Fabcraft Design Lab
Image #4: Fabcraft Design Lab
Image #5: Fabcraft Design Lab