For Georges Rousse Ihe Nrite nke Hasong Lee

Ihe emepụtara bụ For Georges Rousse Ihe Nrite nke Hasong Lee bụ onye meriri a na-asọpụrụ nke ukwuu nke 2020 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Ihe Nrite, Onyinye na Asọmpi.

ỌlaọchaIhe Nrite Onyinye· 2020

For Georges Rousse Ihe Nrite

nke Hasong Lee

Onye Ahịa: Hasong Lee

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Ihe Nrite Onyinye

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #104814

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka For Georges Rousse Ihe Nrite

Maka Georges Rousse bụ ihe nrite e mepụtara maka ịkwanyere onye na-ese foto France ùgwù. Ihe nrite a bụ ihe ọkpụkpụ nwere akụkụ atọ dabere na anamorphosis, mmetụta anya ebe ụdịdị na-adị ka ọ gbagọrọ agbagọ site n'ọtụtụ akụkụ. Ma e lee ya anya site n'otu ebe akọwapụtara, ala ndị apịajiri na-akwụ ọtọ ma gosi otu okirikiri dị larịị nwere oghere ndị nwere agba. E ji mmemme kọmputa nwere akụkụ atọ mepụta ụdịdị a. E gbupụrụ mbadamba cupro-nickel na ọlaọcha, pịajie ha ma gbanye ha ọkụ, wee were okpomọkụ tinye ha agba iji mepụta esemokwu n'etiti oji na ọcha. Ihe nrite a na-atụ 115 site na 137 site na 154 milimita.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

For Georges Rousse Ihe Nrite meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na For Georges Rousse Ihe Nrite ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. For Georges Rousse Ihe Nrite bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: It is a trophy for French photographer Georges Rousse. Forms were made by imaging his stories and works. Based on this, I produced a trophy figure that is a three-dimensional impossible that showed the intended form and image at one point. I expressed the interior space that is his work in a structural form with a sense of space. Also if you look at the trophy from a point in time, you can see a two-dimensional circle with holes in different colors. It is an indirect message to rousse.
Nha & Mkpuchi: 115 mm x 137 mm x 154 mm
I produced a trophy figure that is a three-dimensional impossible that showed the intended form and image at one point. My work has a visual illusion of Anamorphosis. This seems to distort or distort the appearance of the object depicted in the picture from a normal point of view. However, when viewed from a specific location or angle specified by the artist, the distortion disappears and the figure in the picture appears normal.
Mkpado: Anamorphosis, Memorial, Symbolism, Sculptures, Trophy
Teknụzụ Mmepụta: The form is produced through a computer 3D program. The metal plate is cut using a saw or a laser. It uses the technique of folding or soldering metal to fit the drawing. I use cupro-nickel and 925silver as materials. This is because when the form is finally completed and the body is colored through heat, the contrast between black and white can be seen. Then we can clearly see the picture of the form or surface I intended at a specific point in time of the finished work.
Ịma Aka Imepụta: Usually, the visual expression of Anamorphosis is only seen in large spaces for us. This is because the larger the space, the more effective the visual expression.
In order to show this through a small objet, I expressed it in three dimensions by combining the visual expression of IMPOSSIBLE FIGURE such as Penrose’s triangle as we know it. At one point, the three-dimensional sculpture of the trophy will show you impossible figure through Anamorphosis. That shape isn’t make sense.
Nchọpụta: This work is a trophy to commemorate the Georges Rousse, which gave me a lot of enlightenment in using visual expressions, giving me the direction of formative work with memoriality and symbolism. In the future, I will continue to explore and pioneer the technique of creating sculptures in which the external and visual moldings and the inner and memorial and symbolic meanings of each are harmonious. Research on making these sculptures will advance my trophies, ornaments, and various objets.
Mkpali: Among many techniques of metal crafting, there is a technique of digging a groove in a metal plate, folding it at a certain angle, and then soldering between them. I like geometric shapes and I naturally became interested in the technique and I used it to produce many works. During this process, the metal plates were folded in and out to create interesting shapes. At this point, I came up with the idea that I could see the shape I wanted from a certain angle. The three-dimensionally folded metal plated can show the planar shape I intended from only one angle, which gave me curiosity and curiosity, and gave me visual fun. With this expression of Anamorphosis, jewelry like a brooch was later vanished with lacquer on the shape of the angle I intended.
Oge Ọrụ: The project started in Seoul in September 2017 and ended in late December 2017 in Seoul. First, the work was exhibited at the Gold Museum in New Taipei, Taiwan from June to October 2018. And secondly, before I graduated from the graduate school, this work was exhibited in the school gallery.
Usoro Ọrụ: My work has a visual illusion of Anamorphosis. This seems to distort or distort the appearance of the object depicted in the picture from a normal point of view. However, when viewed from a specific location or angle specified by the artist, the distortion disappears and the figure in the picture appears normal. Viewers feel visually confused by observing these distortions. It also creates strong concentration in them, creates tension, and leads them to doubt their views.
Ndị Otu: Hasong Lee
Asụsụ Foto: Image ALL: Photographer&Craftsman Myeongwook Heo, For Georges Rousse, 2018
Main Image is Image #1. Optional Image is Image #2, Image #3 and Image #4.