Sanjiang Plum Ọrụ Bụ Isi: Imepụta Ime Ụlọ Ọfịs Ịre Ahịa nke Guobiao Cao

Ihe emepụtara bụ Sanjiang Plum Ọrụ Bụ Isi: Imepụta Ime Ụlọ Ọfịs Ịre Ahịa nke Guobiao Cao bụ onye meriri a na-asọpụrụ nke ukwuu nke 2021 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

ỌlaọchaIme Ụlọ· 2021

Sanjiang Plum Ọrụ Bụ Isi: Imepụta Ime Ụlọ Ọfịs Ịre Ahịa

nke Guobiao Cao

Onye Ahịa: B·Y Design

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #116621

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Sanjiang Plum Ọrụ Bụ Isi: Imepụta Ime Ụlọ Ọfịs Ịre Ahịa

Sanjiang Plum bụ ime ụlọ ọfịs ịre ahịa dị na Wenzhou, China, nke gbara mita square 1898. Imepụta a na-enyocha ejiji ọdịdị mma nke ọwụwa anyanwụ n'ọnọdụ nke oge a. E ji ihu igwe (ceiling) nwere ụdị ebili mmiri na-adịghị mma nke a rụrụ site na mbadamba igwe aluminom acha ọcha e mekọtara ọnụ nke emere n'ụzọ pụrụ iche, hazie ya dị ka ebili mmiri gafere n'ọnụ ụlọ ahụ. Oche mmanya (bar counter) na-eji olu na-abanye ibe ha na akụkụ mmiri iji gbakwunye omimi. Usoro nke ịkọwa ụdị gbagoro agbago na-ewetara ngagharị n'atụmatụ square dị mfe. Ime ụlọ ahụ na-eso ụdị ihe owuwu, ka ìhè, ala na ndụ mmekọrịта mmadụ na-anọgide bụrụ isi.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

Sanjiang Plum Ọrụ Bụ Isi: Imepụta Ime Ụlọ Ọfịs Ịre Ahịa meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Sanjiang Plum Ọrụ Bụ Isi: Imepụta Ime Ụlọ Ọfịs Ịre Ahịa ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Sanjiang Plum Ọrụ Bụ Isi: Imepụta Ime Ụlọ Ọfịs Ịre Ahịa bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: This is an exploration of Oriental Aesthetics in the modern context. The design context of the whole project fully interprets the sense of architecture, experience, art and ceremony. The design team respects tradition and uses rational thinking to refine and optimize the design, which fully meets the aesthetic and functional needs of contemporary people.
Nha & Mkpuchi: The project covers a total of 1898 square meters.
Mkpado: Interior, Commercial, Sales Center, Modern, Simple, Natural, Art
Teknụzụ Mmepụta: As the biggest difficulty of this case, irregular wave shaped ceiling reflects the details beauty of modern style. The laminated white semi matte custom-made aluminum hanging board is like ripples rippling all around. The design adopts the technique of "deconstructing curve art" to arouse modern people's chemical reaction to art, showing the fluidity and inclusiveness of space. It also tries to explore the relationship between more diversified space and human living form.
Ịma Aka Imepụta: How to make space changes in a slightly mediocre square box is the problem that the design of this case wants to overcome. As a public space, the charm of the design makes people linger and enjoy the time here, which is undoubtedly conducive to the promotion of the space value.
Nchọpụta: From the perspective of designers, architecture is only a hint, a metaphor of the "foreshadowing" and "boundary constraint" conditions of space. Therefore, interior space design should respect the form of architecture, and realize that the design should make people's body, freedom dimension, landscape, natural light and social life more meaningful, while decoration is less important. Therefore, their design starts from the architectural form and structure, so as to "temper" the space narrative.
Mkpali: It stands across the river from the ancient city of Wenzhou, showing a new look of the city to the main urban area. In the role of onlooker, the design slowly tells how a city nourishes the contemporary human life with its context. Also, it creates a feeling visually with long history but still novel by extracting and blending the landscape artistic conception.
Oge Ọrụ: The project started in June 2020 in Wenzhou and finished in July 2020 in Wenzhou.
Usoro Ọrụ: The bar counter adopts the technique of building interpenetration and embellishes the water texture, to create a delicate and profound beauty for the whole space.
Patentị: Copyrights belong to Jianwei Lian, 2020.
Ndị Otu: Guobiao Cao
Lei Yang
Xuxiong Yao
Tao Chen
Asụsụ Foto: Image #1: Photographer Jianwei Lian, Sanjiang Plum, 2020.
Image #2: Photographer Jianwei Lian, Sanjiang Plum, 2020.
Image #3: Photographer Jianwei Lian, Sanjiang Plum, 2020.
Image #4: Photographer Jianwei Lian, Sanjiang Plum, 2020.
Image #5: Photographer Jianwei Lian, Sanjiang Plum, 2020.