Architectural Traces Akwụkwọ nke Stjepko Rosin

Ihe emepụtara bụ Architectural Traces Akwụkwọ nke Stjepko Rosin bụ onye meriri a na-asọpụrụ nke ukwuu nke 2022 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Mbipụta na Mgbasa Ozi Ebipụtara.

IgweMbipụta· 2022

Architectural Traces Akwụkwọ

nke Stjepko Rosin

Onye Ahịa: Naklada Boskovic

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Mbipụta

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #126347

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Architectural Traces Akwụkwọ

Architectural Traces bụ akwụkwọ banyere ọrụ nka onye na-emepụta ụlọ (architect) sitere na Dalmatia. Mbuni akwụkwọ ahụ nwere akụkụ na-ada n'ọdịda nke yiri elu ụlọ nke nwere ntụ ndị a na-akpọ Roman tiles mgbe e lere ya anya site n'ebe dị anya. Mgbe e lere ya anya nso, a na-ahụ na ụdịdị ahụ bụ oyiyi sitere n'ihe nyocha mgbawa magnetik (MRI scan) nke ogologo azụ (spine) onye na-emepụta ụlọ ahụ n'ezie. Ihe nleba anya a na-eduhie mmadụ na-egosi eziokwu zoro ezo na nke na-ewute onwe ya na-adịnyeere ụlọ ndị a na-anabata ma na-eto eto. Akwụkwọ a dị 270 mm site na 270 mm ruo na 35 mm ma e biterela ya n'akwụkwọ offset site n'ụzọ ijikọ (binding) siri ike, na-enweghị mkpuchi mpụga. Mbuni akwụkwọ ahụ na-erute ọnọdụ mmeghe gbagoro n'oge a na-eji ya.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Architectural Traces Akwụkwọ meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Architectural Traces Akwụkwọ ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Architectural Traces Akwụkwọ maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Looking from a distance at the sloping side of the cover, we recognize a roof with typical Dalmatian Roman tiles. It is created by the optical illusion of images of the actual Magnetic resonance of the architect's spine, which can be seen when we approach the book. They reveal the hidden and painful reality of a responsible Dalmatian architect, the one behind the buildings we admire.
Nha & Mkpuchi: Dimensions are 270 mm x 270 mm x 35 mm
Mkpado: Book, Architecture, Spine, Traces, Dalmatian, Roman
Teknụzụ Mmepụta: The format of the book was chosen as the one that corresponds to the difference in proportions and quality content of the publication, not too large for the convenience of leafing. It is printed on quality offset paper, hard, stitched binding without the outer paper wrapper.
Ịma Aka Imepụta: The challenge was how to show the life of an architect who is not easy. To show it true in a society that has prejudices against responsible architects and that perceives architecture in the wrong way. Show that not all architects are the same.
Nchọpụta: Almost a lifelong experience, living in the same household with an architect, talking many times about architecture, I witnessed many successes but also injustice, misunderstanding, pressure, threats, sleepless nights, and consequently health problems.
Mkpali: The Dalmatian architecture disappears under the trends. The authors of the book, called Architectural Traces, describe the works of a renowned Dalmatian architect Jerko Rosin, as modest, considerate, rational, responsible for the area, without unnecessary trendy views. And on the spine that has not bent in front of insatiable investors, which are consistency, stress, and years spent in a chair, I notice some different architectural, more painful, traces.
Oge Ọrụ: The project started in October 2019 in Split and finished in January 2020 in Split, and was exhibited in Hotel Park congress hall in January 2020.
Usoro Ọrụ: The book is not designed flat. Although it communicates even when closed, it comes to full expression during use, when opening the book, when the cover comes into its open oblique position.
Asụsụ Foto: Image #1: Photographer Stjepko Rosin, 2021
Image #2: Photographer Stjepko Rosin, 2021
Image #3: Photographer Stjepko Rosin, 2021
Image #4: Photographer Stjepko Rosin, 2021
Image #5: Photographer Stjepko Rosin, 2021