The Chasing of the Sunlight Ntule Ime Ụlọ Obibi nke Chen Kuan-Chiao and Wu Wei-Mou

Ihe emepụtara bụ The Chasing of the Sunlight Ntule Ime Ụlọ Obibi nke Chen Kuan-Chiao and Wu Wei-Mou bụ onye meriri a na-asọpụrụ nke ukwuu nke 2022 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

IgweIme Ụlọ· 2022

The Chasing of the Sunlight Ntule Ime Ụlọ Obibi

nke Chen Kuan-Chiao and Wu Wei-Mou

Onye Ahịa: Reichenlich Interior Design

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #130559

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka The Chasing of the Sunlight Ntule Ime Ụlọ Obibi

Ịchụ Ìhè Anyanwụ bụ atụmatụ ime ụlọ obibi maka ụlọ dị otu ọkwa nke dị ihe dịka mita kwuru mita iri abụọ na asaa. Atụmatụ mpịakọta a nwere ọnụ ụlọ ihi ụra abụọ na ebe eri nri nwere ike ịnabata mmadụ atọ ruo anọ. A gbanahụrụ ahịrịokwu mgbagwoju anya na ụdị ịchọ mma efu efu. Elu ụlọ, ala na mgbidi na-agbaso ụdị agba na-eji nkịtị nke aja aja gbara ọchịchịrị na nke dị ọcha, jikọtara ya na osisi dị mfe ile anya. A ji ihe mgbawa ndị dị ka kọnkịrit tụchaa mgbidi ime ụlọ ka ọ dị nro, ejikwa ọkpọ ala osisi na-anaghị ehi mmiri wuo ala ụlọ. Ọnụ ụzọ enyo na-agbaso ụzọ na akwa mgbochi anya dochiri ebe mgbidi siri ike gaara adị, si otú a mee ka ìhè na onyinyo si n'atụmatụ mepere emepe ahụ gafere.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

The Chasing of the Sunlight Ntule Ime Ụlọ Obibi meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na The Chasing of the Sunlight Ntule Ime Ụlọ Obibi ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ The Chasing of the Sunlight Ntule Ime Ụlọ Obibi maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: This case is a single-story residential building planning. The actual indoor area is only about 25 square meters. In addition to the essential living functions of a general home, it also needed to meet the owner's expectations: a dining area that can accommodate at least three to four people and two bedrooms.
Nha & Mkpuchi: This space is 27 square meters.
Mkpado: Interior Design, Residential, House, Space
Teknụzụ Mmepụta: The design are constructed all indoor walls with a clear water mold coating trowel and used a waterproof wood floor to match, which has both skin affinity and livable temperature. The chose of the dining table are made of imitation stone system board that is aesthetic, practical, and easy to clean.
Ịma Aka Imepụta: The enlarged bathroom has re-built brick wall compartments and strictly waterproofing throughout the area. The classic barn door was installed at the entrance to skillfully transfer the embarrassment of the moving line opening close to the kitchen area. The bathroom was adopted into three-pieces and the instantaneous water heater was placed above the ceiling to actively strive for the optimal utilization of floor efficiency.
Nchọpụta: The design avoided hard partitioning or adding more screens to the entryway area to naturally include into the public domain. In addition, light media such as glass sliding doors and shading curtains are used on both sides to replace the solid wall.
Mkpali: Because of the limited space, the design avoided excessive redundant or complex line stacking and pure decorative modeling as far as possible. The outline color between the ceiling, ground, and the wall is mainly composed of introverted and low-key dark and light grayscale and light wood color. While reserving the broader field, also maintained the flexibility of replacing furniture software in the future.
Oge Ọrụ: The project finished in Jan. 2021 in Taipei City, Taiwan.
Usoro Ọrụ: The whole area is roughly open. And even if the glass door closing, vision, light, and shadow can penetrate. Although the kitchen counter area is small, the cooking functions are pretty complete.

The ceiling was not seal with common flat nails, but instead sprayed the whole zone with a black coating to create a sense of rising height.
Ndị Otu: CHEN,KUAN-CHIAO
WU,WEI-MOU
Asụsụ Foto: Photographer : Lin, Fu-Ming