Ching Ming Kyoto Ọrụ Nchịkọta: Nhazi Ime Ụlọ Oriri na Ọṅụṅụ nke Takuji Kamio

Ihe emepụtara bụ Ching Ming Kyoto Ọrụ Nchịkọta: Nhazi Ime Ụlọ Oriri na Ọṅụṅụ nke Takuji Kamio bụ onye meriri a na-asọpụrụ nke ukwuu nke 2022 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

BronzIme Ụlọ· 2022

Ching Ming Kyoto Ọrụ Nchịkọta: Nhazi Ime Ụlọ Oriri na Ọṅụṅụ

nke Takuji Kamio

Onye Ahịa: Miyoshi Corporaiton

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #132066

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Ching Ming Kyoto Ọrụ Nchịkọta: Nhazi Ime Ụlọ Oriri na Ọṅụṅụ

Ederede Akwụkwọ: Ching Ming Kyoto bụ ime ụlọ oriri ndị China dị n'ime ụlọ ọdụ ụgbọ oloko na Kyoto, Japan. Ogo ala ya bụ mita kwuru mita 110. Iwu na-achị achị mere ka a gbochie elu ụlọ, nke mere na e ji kwụba ìhè ma mee ka ọ dị ka ihe nkà. E ji ìhè ndị a wụlite gbanwee n'ụdị ntagharị (triangle), jikọtara onwe ha n'usoro gburugburu ebe ndị mmadụ na-anọdụ ala. E ji agba oji see elu ụlọ iji mee ka ìhè ndị a na-efegharị nakwa ìhè ndị dị ka bọọlụ pụta ìhè karịa. E ji eserese mmanụ nke na-egosipụta akụkọ ochie ndị China kpuchie mgbidi, jikọtara ya na ụkpụrụ ọdịdị nhazi (geometric patterns) na tiles ala nwere eserese pụtara ìhè.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Ching Ming Kyoto Ọrụ Nchịkọta: Nhazi Ime Ụlọ Oriri na Ọṅụṅụ meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Ching Ming Kyoto Ọrụ Nchịkọta: Nhazi Ime Ụlọ Oriri na Ọṅụṅụ ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Ching Ming Kyoto Ọrụ Nchịkọta: Nhazi Ime Ụlọ Oriri na Ọṅụṅụ na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Kamio expressed the lightings as a big art by spreading them over the whole the shop area. Making the lightings in impressive line shapes, he tried to create a dramatic atmosphere. The line lights were formed in triangle shapes and connected with each other continuously to surround the shop seating areas.
Nha & Mkpuchi: Floor Area : 110 square meter
Mkpado: Geometric lighting, Chinese restaurant, Kyoto restaurant, Authentic design, Japanese Designer
Teknụzụ Mmepụta: For many parts, Kamio applied artistic graphics with effective lighting systems. To emphasize the art feeling, he covered the walls with oil paintings, which are telling the some Chinese old stories, with the modern expressions, such as adding geometric patterns on the paintings.
Ịma Aka Imepụta: Perhaps the most difficult parts in this project was to deal with lighting combination. Because the team could not place the lighting equipments directly on the ceiling, they needed to hung all the equipment. Painting the ceiling in black, the team emphasized and focused more on the floating lightings consisted on line and ball shapes. To find the appropriate balance and locations of those different shape lighting was very sensitive work and one of most important aspects to create the whole space atmosphere.
Nchọpụta: The team made and used 3D images and models to understand the visual effects. It was very helpful to figure out how the line lights can be seen in each seating area. Also, they researched and studied several Chinese stories and art paintings in libraries for the wall graphics.
Mkpali: Because the shop is located in a train station building and there were several regulations about ceilings, Kamio had to have some challenges to deal with lighting systems. Rather than using the normal ceiling lights, he understood and expressed the lights as art aspects.
Oge Ọrụ: From September 2018 to March 2019 in Kyoto, JAPAN
Usoro Ọrụ: Because the team used a number of graphic expressions such as wall paintings, floor tiles, and lighting shapes, it was very important to understand how those expressions work together. They carefully fill up the drawings with the graphic patterns and shared those images with all staffs to have the common visions. For some parts, they printed out actual life size drawings and discussed about the effects.
Patentị: Ichii Kamiodesign
Ndị Otu: Takuji Kamio
Ray Keida
Asụsụ Foto: Satoru Umetsu, nacasa and partneres