Under the Bodhi Tree Ọrụ Bụ Isi: Nhazi Ime Ụlọ Nkịtị nke Joyce Yi-Ching Yang

Ihe emepụtara bụ Under the Bodhi Tree Ọrụ Bụ Isi: Nhazi Ime Ụlọ Nkịtị nke Joyce Yi-Ching Yang bụ onye meriri a na-asọpụrụ nke ukwuu nke 2022 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

ỌlaọchaIme Ụlọ· 2022

Under the Bodhi Tree Ọrụ Bụ Isi: Nhazi Ime Ụlọ Nkịtị

nke Joyce Yi-Ching Yang

Onye Ahịa: Heng G Design

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

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Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Under the Bodhi Tree Ọrụ Bụ Isi: Nhazi Ime Ụlọ Nkịtị

N'okpuru Osisi Bodhi bụ nhazi ime ụlọ obibi dị na Taichung, Taiwan, nke na-ekpuchi mpaghara ime nke 114 mita square. Ọla brass, osisi na agba oji na-agbafe n'ụlọ dum. E ji arịa ụlọ na ihe mgbochi dochie mgbidi nkewa ndị na-adịghị mkpa, na-eme ka ọnụ ụlọ obibi buru ibu ma na-ekewa ọrụ ya. Mgbidi, elu ụlọ na ala na-ebu ihe owuwu osisi nwere akụkụ atọ nke na-eme ka o kwekọọ ma nyekwuo omimi. Ụlọ Buddha dị mfe ma bụrụ otu ihe. Ụdị agba ala na-enye oghere ahụ àgwà dị jụụ na nke na-adịghị agba oge ma na-eme ka oke dị n'etiti ụlọ na gburugburu ebe okike dịkwuo nro.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

Under the Bodhi Tree Ọrụ Bụ Isi: Nhazi Ime Ụlọ Nkịtị meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Under the Bodhi Tree Ọrụ Bụ Isi: Nhazi Ime Ụlọ Nkịtị ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Under the Bodhi Tree Ọrụ Bụ Isi: Nhazi Ime Ụlọ Nkịtị bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Three elements brass, wood and black flow throughout the entire apartment. Unnecessary partition walls were replaced with furniture and screens, so as to enlarge the living room space, while also differentiating between its various functions. In a departure from tradition, the Buddha hall is both minimalist and monolithic. The aura like glow of the Buddha provides a sense of warmth, gently drawing people into the space. Surrounded by natural elements, from both within and outside, the occupant might feel as though they are bearing witness to the buddha achieving enlightenment under the Bodhi tree all those years ago.
Nha & Mkpuchi: This project covers an internal space totaling 114 square meters, excluding balconies. The layout comprises an entry corridor, living room, dining room, 1 bedroom, 1 bathroom, 1 guest toilet and a sky outdoor garden.
Mkpado: Open layout, interior design, volume, minimalism, timber ceiling, simplicity, residential apartment living.
Teknụzụ Mmepụta: Wood element is also a key feature in this project. Walls, ceilings and floors are adorned with three dimensional wooden structures, creating a sense of consistency as well as depth. The untamed lines that run through every panel of wood can be compared to a fingerprint each one unique from the next, as if handcrafted by Mother Nature herself.
Ịma Aka Imepụta: Different textures and tones of the wood reveal the beauty of natural materials and lets the elegance of the stunning spatial layout speak for itself. Meanwhile, the earthy colour palette not only brings a timeless character to the space, but also blurs the lines between the home and natural environment.
Nchọpụta: The elements of wood, black and brass enhance design styles, so as to create a warm and welcoming interior, and also complement most styles of furniture. It explores the interdependence between the spiritual and material, inside and outside, nature and what we call home.
Mkpali: Paying homage to the Buddha perfect enlightenment, calmness, simplicity, and openness have been the guiding lights for this project. It explores the interdependence between the spiritual and material, inside and outside, nature and what we call home. The earthy colour palette not only brings a timeless character to the space, but also blurs the lines between the home and natural environment. Most importantly, these colours and materials reveal the elegance that lies in simplicity.
Oge Ọrụ: This project started in September 2020 and completed in December 2020 in Taichung, Taiwan.
Usoro Ọrụ: The predominantly wooden interior creates an atmosphere filled with wonder, enchantment and warmth. Consistent use of material creates dimension and depth, with natural wooden texture direction and tone gradient. This continual flow creates frame openings, drawing the occupant attention to the detail found in the interior and its landscape, without being overly-imposing. The large generous open volume is designed to bring out the occupants gregarious nature during the day, while also preparing them for rest in the evening.
Ndị Otu: Joyce Yi-Ching Yang
Asụsụ Foto: YHLAA