Forte Forte Roma Ọrụ Ime Ụlọ Ahịa nke Robert Vattilana

Ihe emepụtara bụ Forte Forte Roma Ọrụ Ime Ụlọ Ahịa nke Robert Vattilana bụ onye meriri a na-asọpụrụ nke ukwuu nke 2022 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

IgweIme Ụlọ· 2022

Forte Forte Roma Ọrụ Ime Ụlọ Ahịa

nke Robert Vattilana

Onye Ahịa: Forte Forte

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Ime Ụlọ

10,615

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #140188

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Forte Forte Roma Ọrụ Ime Ụlọ Ahịa

Ederede Akwụkwọ: Forte Forte Roma bụ nhazi ime ụlọ ahịa maka ụlọ ahịa uwe mma dị na Roma. Ohere ahụ jupụtara na mita square iri asaa na otu (71), ebe mpaghara ere ahịa dị mita square iri ise na atọ (53). Onyx akwụkwọ ndụ si Afghanistan, nke a bipụtara n'ihe nnukwu blocks nha nha, ma nyekwa ya njedebe na-egbukepụghị egbuke, na-ekpuchi ala na mgbidi ndị ahụ. Ọtụtụ ìhè na-agba n'akụkụ niile nke ọnụ ala. Efere brass a chọrọ acha ọcha, nke a gbagoro ma jikọta site na azụmahịa brass, na-emepụta mgbidi azụ. Elu ụlọ ọcha na-ebu eriri ndị a gbadoro n'akụkụ na oghere na-enye ìhè. Ime ebe ịgbanwe uwe nwere ọnụ ụzọ brass yana ime ya jupụtara na velvet capitonne nke agba akwụkwọ ndụ.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Forte Forte Roma Ọrụ Ime Ụlọ Ahịa meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Forte Forte Roma Ọrụ Ime Ụlọ Ahịa ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Forte Forte Roma Ọrụ Ime Ụlọ Ahịa maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The eternal city in which the stratigraphy of eras and styles can be read at every corner, in every stone, induces a reflection on matter. The focus is on contrast, because in rome contrast has always been harmony.
In the city of travertine, we renounces one of the essential materials of its own grammar of elements in order to place amazement before redundancy. The boutique looks like a vibrant monolith of green onyx, a precious material with a unique design that contains thousand–year history.
Nha & Mkpuchi: Total net area m2 71; Sales area m2 53
Mkpado: Forte Forte Roma, Retail Design, Green Onyx treated in large symmetrical blocks, Brass, Boudoir–like changing rooms in sage–colored capitonné velvet, Eternal City, Artisanal, Historic Building
Teknụzụ Mmepụta: The sense of the entire project is permeated by the respect for the location, the design of every single detail and the attention of the forms and materials. The execution was made thanks to skilled craftsmen who were able to assemble and model unique pieces, creating an immersive atmosphere in which to enjoy the pleasure of the space and experience of design.
Ịma Aka Imepụta: The challenging moment is about the concept itself which take in consideration a complete custom made and artisanal project located in a historic building under the protection of the city superintendence of fine arts.
Working with the green onyx treated in large symmetrical blocks means to design the whole space counting every single millimeters. A great artisanal team made this project possible.
During this period of global pandemic and lock–down safety was maintained at first while time and budget remained under control.
Nchọpụta: From the creative dialogue between Robert Vattilana and Giada Forte a language is born which, following a rhythm and a metric that is different each time and locations, becomes a lingo. The opening of the new Roman boutique, at number 4c in via Borgognona, in the heart of what was once the Campo Marzio, in a street full of character marks a new chapter and affirms a new idiom, made of extreme synthesis, of a desire for intime permanence. A sense of gentle power, of timeless lightness pervades the whole.
Mkpali: The spatial narrative is an ongoing path in which powerful and present materials and pure forms – now airy and impalpable, now solid – are molded on the unique characteristics of the place. Meaning by locus, not so much, or not only, the immediate surroundings, as the genius loci itself, and with it the city.
Oge Ọrụ: The project started in december 2019 in Rome and finished in october 2020
Usoro Ọrụ: The green onyx, which thanks to the particular mineral structure dematerializes in contact with the light in a nuanced transparency.
It is a stone that comes from Afghanistan, an area of extinct volcanoes, and whose history is at least as long as that of the city. Treated in large symmetrical blocks and worked to obtain a matte surface, green onyx creates a total immersion in the shop: it drowns the entire space, from floors to walls.
The entire perimeter of the scenic box is illuminated and marked by a cascade of light, while panels of polished brass folded in on themselves and anchored by brass stitching make up the back wall. In contrast, the ceilings are white in the initial part of the shop,
with inclined and dynamic bands, while in the second they open in a geometric composition of luminous portholes. In such an affirmative space, the dressing rooms closed by brass hinged doors opened by portholes are a mysterious presence, which reveals feminine, boudoir–like interiors in sage–colored capitonné velvet.
Ndị Otu: Lead Designers, Creative Ditectors: Robert Vattilana and Giada Forte
Asụsụ Foto: All photos credit: Danilo Scarpati Photographer