Sertao Oche Nta N'Akụkụ nke Gabriela Campos

Ihe emepụtara bụ Sertao Oche Nta N'Akụkụ nke Gabriela Campos bụ onye meriri a na-asọpụrụ nke ukwuu nke 2023 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ngwá Ụlọ.

BronzNgwá Ụlọ· 2023

Sertao Oche Nta N'Akụkụ

nke Gabriela Campos

Onye Ahịa: Mais Alma Arquitetura and Design

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ngwá Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #142081

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Sertao Oche Nta N'Akụkụ

Sertao bụ tebụl nta n'akụkụ nke sitere n'ihe atụ nke eserese Abaporu, nke Tarsila do Amaral mepụtara na 1928, bụ́ihe nnọchianya nke modernism na Brazil. Ọdịdị gburugburu na-eso ahịrị na-asọpụta na nke natural nke na-akọwaghachi mmegharị na mmụọ egwuregwu nke eserese ahụ. Ụdị agba dị nro na nke na-egbuke egbuke na-emecha ihe owuwu ahụ. Tebụl a nwere ihe owuwu MDF nwere agba lacquer yana ncha oak America. Ọ na-atụ 45 cm n'obosara, 30 cm n'omimi na 50 cm n'ịdị elu. Ndị ọkachamara mepụtara akụkụ ọ bụla n'aka n'obodo Cruzilia, Minas Gerais, Brazil.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Sertao Oche Nta N'Akụkụ meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Sertao Oche Nta N'Akụkụ ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Sertao Oche Nta N'Akụkụ na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: This is a piece with a challenging design with a strong symbolism supporting it. With a narrative behind its organic forms, alludes to several elements contained in the work of Tarsila. Regarding the colors in the composition, the choice was to bring the soft and at the same time vivid tones of the work. As for the shape, the intention was to recreate the movement with fluid and organic lines, a challenge to the eye of the sense of balance, proportion and with a playful soul. A graceful balance between form and function.
Nha & Mkpuchi: Dimensions Width 45 cm 17,7 in / Depth 30 cm 11,80 in / Height 50 cm 19,70 in
Mkpado: table, side table, modernism, Brazilian furniture, Brazilian Design
Teknụzụ Mmepụta: Fully handcrafted in the city of Cruzilia, Minas Gerais, this sidetable is produced by local artisans. The piece has an mdf structure with lacquer paint and American oak finish.
Ịma Aka Imepụta: The challenge was in the study of shapes and specially the stability of the table, so that I could achieve a viable piece, economically and in terms of execution and, at the same time, that brought the lightness and organic shapes I was looking for.
Nchọpụta: Being influenced by the modernist atmosphere around the world of Tarsila, the goal was to create a design that has this soul. The production was a process of evolving from sketches, technical drawings, and the real scale modeling. The execution was carried out in full-scale prototype.
Mkpali: The rounded shaped side table is a hommage of the work Abaporu (1928), by Tarsila do Amaral, a great symbol of modernism in Brazil. The artist spent a lot of time studying in France, going through ateliers like Fernand Leger's, and returns to Brazil bringing this background to create her unmistakable signature. Abaporu, with its vivid colors and rounded shapes, is speculated to be the most valued Brazilian work in the world. The inspiration came from trying to develop a work of reinterpreting Abaporu and reproducing it in my world of design, keeping its essence and its message.
Oge Ọrụ: The project started in March 2022 and finished in May 2022, in Rio de Janeiro.
Usoro Ọrụ: Having a refined design, the piece brings a graceful balance between form and function. It is a unique side table that catches the eye of the public, being both an organic and clean, yet a statement piece.
Asụsụ Foto: Photographer: MCA Estúdio