Raw Ọrụ Isi: Nhazi Ime Ụlọ Obibi nke Erian Yen

Ihe emepụtara bụ Raw Ọrụ Isi: Nhazi Ime Ụlọ Obibi nke Erian Yen bụ onye meriri a na-asọpụrụ nke ukwuu nke 2023 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

IgweIme Ụlọ· 2023

Raw Ọrụ Isi: Nhazi Ime Ụlọ Obibi

nke Erian Yen

Onye Ahịa: Triple men design studio

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Ime Ụlọ

8,049

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #145040

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Raw Ọrụ Isi: Nhazi Ime Ụlọ Obibi

Ihe Odide Akwụkwọ: Raw bụ nhazi ime ụlọ nke ụlọ nwere ogo anọ dị na Taiwan. Nhazi a na-eji echiche wabi-sabi site na akara dị mfe, agba dị mfe, na ntakịrị ihe ịchọ mma. Ude mineral nke nwere ọdịdị anaghị eji otu nkọwa kpuchie mgbidi gbagoro agbago na uko elu, ka a na-ete ala osisi nke agba mbụ ya n'ụzọ dị iche iche na nke a na-ahọpụtaghị. Ohere doghere oghe na kabineti zoro ezo na-ebelata oke ịdị ukwuu nke ihu ụlọ. Ala mbụ nwere ebe obibi na ebe iri nri, ebe ndị elu nwere ọnụ ụlọ ndina, ebe nchekwa na ọnụ ụlọ ọmụmụ. A na-ekesa ìhè eke n'ụzọ kwesịrị ekwesị iji nọgide na-edobe anya dị jụụ n'etiti ihe ndị dị iche iche.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Raw Ọrụ Isi: Nhazi Ime Ụlọ Obibi meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Raw Ọrụ Isi: Nhazi Ime Ụlọ Obibi ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Raw Ọrụ Isi: Nhazi Ime Ụlọ Obibi maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The images of 'wabi-sabi' and 'raw' are fully expressed. The 'wabi-sabi' is embodied in the inlay of open bar shelving and hidden cabinets, which weaken the volume of the space. In this way, the blank space between objects creates a sense of solitude, revealing the concepts of minimalism, low profile, and plainness. The arc design with mineral paint at the turning point presents a natural visual, and the irregular texture of the mineral lacquer is a metaphor for the imperfect aesthetics of Japanese life. As for the ceiling, it is designed with a curved shape.
Nha & Mkpuchi: The project is a four-story newly completed house. The first floor is the public area, including the garage, balcony, and 46 square meters of living and dining space. The second floor is the private area, which includes a toilet, terrace, bathroom, and 28 square meters of bedroom. The third floor contains the second bedroom and storage space. The fourth floor is a multi-functional space with a toilet, balcony, terrace, staircase, and a 21-square-meter study room.
Mkpado: Wabi-sabi, raw, arc elements, mineral paint, light color.
Teknụzụ Mmepụta: Building materials: mineral paint, original color wood floor, grille, mirror, iron parts, white honeycomb blinds, etc. The building materials used in a large area of the space are pure. Because of the minimalist design of the space, the design team took the textures of the materials and added delicate details at the same time. For example, the flooring is made of wood grain with 1/2 tile, staggered tile, and random tile, and the natural lines have an extended visual effect.
Ịma Aka Imepụta: The challenge of this project is the constricted layout, which is a common problem in single-family houses in Taiwan. The rectangular shape of the space limits the route and the planning of the area, so the design team focused on maximizing the light in the light-facing area to allow natural light to fall evenly in the room and leave a wabi-sabi distance between objects. In the end, the design team used the texture of the building materials to present the design in a standardized pattern and used distance planning to mitigate the disadvantages of the site.
Nchọpụta: The design team used a single color to present the whole space and created details to make the space fit both the empty feeling of wabi-sabi and the pure sense of rawness. The project is presented with a minimum of decoration in terms of materials, layout, and design techniques. The natural texture of the mineral paint is like washed-out skin, and its natural pores are the most beautiful highlight through the reflection of light and material. On the other hand, the warm texture of the wood flooring adds vitality to the light-colored space. The facades are designed with hidden cabinets to eliminate the bulkiness of the volume.
Mkpali: The design team used mineral paint and wood to bring the silent beauty of wabi-sabi into the space, while the arcs allow people to feel the beauty of nature and roundness together. The light color reflects the texture of the mineral paint, and the original wood color retains the purest appearance. The raw texture of the material brings a different look to the space. The design team eliminated the complicated design to present raw imagery and finally used simple lines and layouts to form a pure wabi-sabi impression.
Oge Ọrụ: The project finished in August 2022 in Taiwan.
Usoro Ọrụ: Compared with nothingness, wabi-sabi leaves the purest impression in space. The function is clear at a glance, the facade is not overly decorated, the cabinetry is not complicated, and there is a clear theme in each area. Everywhere one looks, there is a unique beauty, and one can enjoy the quiet beauty of the space away from the hustle and bustle.
Asụsụ Foto: Triple men design studio