Penthouse Lisbon Ọrụ Bụ Isi: Ọgbọ Ime Ụlọbe nke Rita Valadao

Ihe emepụtara bụ Penthouse Lisbon Ọrụ Bụ Isi: Ọgbọ Ime Ụlọbe nke Rita Valadao bụ onye meriri a na-asọpụrụ nke ukwuu nke 2023 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

BronzIme Ụlọ· 2023

Penthouse Lisbon Ọrụ Bụ Isi: Ọgbọ Ime Ụlọbe

nke Rita Valadao

Onye Ahịa: Fundação Ricardo Espírito Santo e Silva

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #145885

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Penthouse Lisbon Ọrụ Bụ Isi: Ọgbọ Ime Ụlọbe

Ederede Akwụkwọ: Penthouse Lisbon bụ ọgbọ ime ụlọ nke e mere maka ụlọ nkwụsi obibi nke onwe onye na Lisbon. Atụmatụ ya fọrọ nke nta ka ọ bụrụ okirikiri ma nwee mgbidi brik ole na ole, n'ihi na ihe fọrọ nke nta ka ọ bụrụ ihu ụlọ dum e ji iko kpuchie ya. Ndụ kwa ụbọchị na-eme n'etiti ebe ahụ, ebe ụlọ televishọn, ọfịs, ụlọ obibi, ụlọ oriri na kichin jikọtara onwe ha n'usoro. A na-eji ìhè anyanwụ eme ihe site na mgbawapụta anyanwụ ruo mgbadaji ya. Ahọpụtara agba, akwa, ụdị osisi na nkume quartzite dabere na ntụgharị anyanwụ nke ụlọ ahụ.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Penthouse Lisbon Ọrụ Bụ Isi: Ọgbọ Ime Ụlọbe meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Penthouse Lisbon Ọrụ Bụ Isi: Ọgbọ Ime Ụlọbe ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Penthouse Lisbon Ọrụ Bụ Isi: Ọgbọ Ime Ụlọbe na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: An almost round plan, few masonry walls because almost the entire façade is clad in glass. So everything happens in the centre of the area, from the TV room, to the office that connects to the living room, which communicates with the dining room, to the kitchen.
Above all, advantage has been taken of natural light from sunrise to sunset.
Nha & Mkpuchi: Inspired by transparency, the bronze semi-mirrored glass doors were designed inside the entrance wardrobe. Each semi-transparent glass panel had to be supported by a metal frame of the same colour. Specific fittings were used that could be embedded into the metal for better functionality, both in opening and closing more smoothly.
Regarding the carpentry, namely the bookcase installed on a sloping wall, we designed moulds on site to avoid the risk of the sides not being perfectly aligned with the slope of the wall.
Mkpado: #interiordesignlisbon #interiorarchitecturelisbon #homelisbon #bestinteriordesignlisbon #homedecorlisbon #designlisbon #architecturelisbon
Teknụzụ Mmepụta: Considering that a study was made on how to use the best woods for this project, some decisions were made on not using solid wood panels, as we could not take the risk of having oscillations on the interior doors as well as on all the cabinets with the same material that were more exposed to temperature differences. Regarding the marble, quartezite was chosen for better resistance to acids and the daily use that a private residence has.
Ịma Aka Imepụta: The major challenge in this project was the fact that most of the walls had a considerable slope. All the carpentry had to be done through moulds made on site after the walls were completely finished. This factor would have a tremendous impact on compliance with the construction deadlines. To solve this particular issue, the finishing of certain walls was prioritised before any other work. A specialist carpentry team worked exhaustively on these specific parts in order to finish the work within the deadline.
Nchọpụta: Before starting the architecture and interior design project, a briefing was done to understand the life style of those who would inhabit this residence.
Being foreigners, coming from another continent, it was crucial to understand the main customs and experiences practiced daily by them. The objective of this investigation was, mainly, to know how to connect two distinct cultures in a way that, while living in another country, they could feel "at home" and minimize aspects that could be considered negative or difficult to manage. For this, different experiences were provided in order to understand their behaviour and opinion in the different situations to which they were exposed. This experience allowed a better understanding of how to provide the best atmosphere in their own home.
Mkpali: For the design of this penthouse, a sketch was drawn considering the aesthetics of the space as if it were a spaceship. One of the concerns was to understand the behaviour of colours in general, both in the fabrics chosen and the type of wood and marble stones, in relation to the solar orientation of the flat. Understanding this was fundamental to do a thorough lighting study and choose the right colours for each room.
Oge Ọrụ: The project started in September 2021 in Lisbon and finished in September 2022.
Usoro Ọrụ: The type of choice and design of each cabinet for the penthouse, allowed the users of the house a good use without the need for regular maintenance. The combination of practicality and aesthetics were positively achieved.
Asụsụ Foto: All Images / Ricardo Oliveira Alves
Video / Mathias Nunn