Ihe emepụtara bụ Move Oche nke Ariel Sliwinski bụ onye meriri a na-asọpụrụ nke ukwuu nke 2024 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ngwá Ụlọ.

BronzNgwá Ụlọ· 2024

Move Oche

nke Ariel Sliwinski

Onye Ahịa: Ariel Śliwiński Studio

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ngwá Ụlọ

13,587

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #156196

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Move Oche

Move bụ oche e chepụtara ka o kwekọọ na ụdịdị ahụ mmadụ ọ bụla na mkpa ndị metụtara ahụike ọrụ. Ihe ndina nwere ike ịgbanwe akụkụ ndaba ya dịka ihe a na-efegharị, ebe azụ oche ka a na-akwụba ya na ebe abụọ na-agbakwunye ọnụ, nke mere na azụ oche nwere ike ịtụgharị ma dabaa. Ihe mmetụta nrụgide etinyere n'ime ihe ndina na-eme ka onye ọ bụla na-eji ya na-echeta ịkụlite oto site n'ịma jijiji mgbe oge a kwadoro gafechara. Ihe e ji wuo ya bụ aluminom a wụrụ awụ nke jupụtara na ihe a chịkọtaghachiri, ebe ihe ndina, azụ oche na ebe ndina aka e jiri kọk a wapụtara site n'igwe mpịakọta axis ise mepụta ya. Onye ọ bụla nwere ike ijikọta Move n'onwe ya, e bugharịakwara ya n'igbe dị larịị, nke na-ebelata ụzọ mmetụta carbon na-enye n'ebe gburugburu ebe obibi.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Move Oche meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Move Oche ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Move Oche na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The chair has ability to adjust to individual needs, and body shape. To achieve the best ergonomics, a seat was employed that, like a cradle, can change its tilt angle. The backrest, on the other hand, suspended at two converging points along the axis, has the ability to rotate and tilt. An additionally designed element is an embedded pressure sensor in the seat. After a specified period, it automatically reminds the user to stand up through vibrations, promoting a healthier sitting routine.
Nha & Mkpuchi: 550mm x 515mm x 740mm
Mkpado: ergonomic chair, cork, aluminum, haptic, stackable, health sitting routine, rotating backrest,
Teknụzụ Mmepụta: The chair's structure was designed with cast aluminum elements, providing both lightness and rigidity, while the seat, backrest, and armrests were crafted from five-axis milled cork.
Ịma Aka Imepụta: In the material selection and construction phase, environmental considerations played a significant role in the project. The aluminum used in designing the chair's structure is a material composed entirely of recycled content. The cork, employed for the remaining elements,
is a natural material that can also be recycled. The chair's design was developed to be easily assembled by the user, allowing it to be shipped in flat boxes, thereby reducing its carbon footprint.
Furthermore, all components share the same material, facilitating the option to repair or replace worn elements, promoting sustainability throughout the chair's lifecycle.
Nchọpụta: During several years of working in the furniture industry, I came to the conclusion that there is no such thing as the perfect chair, mainly because each of us is unique and has different needs. In the context of the prevailing global overconsumption, I asked myself whether it makes any sense to design another chair, and if so, what characteristics it should have. In response, a project was created that attempts to reconcile ergonomics, functionality, high quality, and above all, ecology. The main challenge was to create a piece of furniture with a reduced environmental impact and one that would bring a new level of quality to the furniture market.
Mkpali: The primary goal of the project was to create a form in line with the principles of Juhani Pallasmaa. The aim was to provide the user with not only visual but also tactile experiences. The use of materials differing in texture, hardness, and temperature within a single piece of furniture allowed for a design that is intriguing not only visually but also haptically. A crucial aspect of the project was to achieve a form based on material contrasts.
Oge Ọrụ: the project started in April 2023 in Poland
Usoro Ọrụ: This project is oriented towards the user on multiple levels. Firstly, the organic form, diverse in terms of touch, aims to also appeal to the sense of touch, thereby enhancing the user's connection with the product. On the other hand, movable elements allow the furniture to be adapted to individual ergonomic needs. Its construction has been designed so that the furniture can be easily assembled by the user.