Floating Island Ọrụ Bụ Isi: Ngosipụta Nka nke Zong-Ying Chen

Ihe emepụtara bụ Floating Island Ọrụ Bụ Isi: Ngosipụta Nka nke Zong-Ying Chen bụ onye meriri a na-asọpụrụ nke ukwuu nke 2024 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

BronzIme Ụlọ· 2024

Floating Island Ọrụ Bụ Isi: Ngosipụta Nka

nke Zong-Ying Chen

Onye Ahịa: IW Magazine

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ime Ụlọ

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Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Floating Island Ọrụ Bụ Isi: Ngosipụta Nka

Ederede Akwụkwọ: Floating Island bụ ngosipụta nka mere n'ebe dị warara nke dị 190 mita kwuru kwuru. Iri mbadamba abụọ (40) nke e nwetara site n'akwụkwọ akụkọ 153 ka e biputere n'elu mbadamba acrylic a na-ahụ anya, ma kwụba ha na ihe owuwu dị 9 mita nke dị n'etiti ebe ahụ. Ihe owuwu a na-ekewa oghere ahụ ka ọ bụrụ akụkụ triangụlụ abụọ na-ekekọghị nha anya, ma nyekwa ohere maka ndokwa oche dị ka ọdụ maka mkparịta ụka. N'ihi na ụlọ ahụ bụ ebe akụkọ ihe mere eme, kọlụm aluminom truss na-ebu mbadamba ndị ahụ n'emetụghị ihe owuwu ụlọ ahụ aka. Enwere ike iji truss ndị a mee ihe ọzọ, nke na-ebelata mkpofu ihe. A na-egosipụtakwa ngwongwo ime ụlọ na ọkụ sitere n'aha ndị a họpụtara.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Floating Island Ọrụ Bụ Isi: Ngosipụta Nka meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Floating Island Ọrụ Bụ Isi: Ngosipụta Nka ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Floating Island Ọrụ Bụ Isi: Ngosipụta Nka na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Double Covers Installation: Utilizing the limited space scale to develop endless aesthetic depth. Centered on our characteristic double covers collection, the preliminary issues, by the time sequence, are exhibited to the public for the first time.
Brand Showcase Island: Select Scandinavian and Italian design brands that have had a profound impact on the history of furniture design.
Aesthetic Special Lecture: Returning to the essence of media, the exhibition invites Taiwan's renowned architectural scholars and photographers to share with readers the aesthetic experience of life.
Nha & Mkpuchi: The Venue is only 190 square meters with a long and narrow layout. The team expected to create a comfortable and interesting traffic flow and, thus, located the 9-meter magazine cover installation in the center, which not only breaks the original rigid space planning but makes it extra two unequal triangular areas that with full of scale tension. Firstly, it gives a strong visual and a deep sense of spatial form; secondly, the lecture seats can be unfolded in a fan-shaped, making the event a small theater, and also shortening the distance between the speaker and the audience.
Mkpado: IW Magazine, Exhibition, Art Exhibition, PP Mobler, Gufram, Memphis Milano, Flos, Smeg, Space Design Magazine.
Teknụzụ Mmepụta: In this exhibition, we focus on how to make the main visual cover installation as an emotional communication with readers, instead of just a backdrop. 40 double-covers selected from 153 issues were presented at the exhibition, adopting the form of transparent acrylic plate for output, in a penetrating and lightweight manner, along with a chronology of twenty-five years of important events, let it could be unrestricted in the 190-square-meter site, let the viewers as immersive in a quality magazine.
Ịma Aka Imepụta: The exhibition building is a municipal historic site, thus all structures must be connected with external objects and not touch the building itself. To this end, the IW team chose 'aluminum square columns' (truss structures) that are commonly used in music concerts as the main structure of the double-cover installation. The 9-meter device uses 4 trusses in total, which are connected in series with flat irons. Its Thick and solid characteristics make the 80 acrylic panels hanging below extremely safe. It not only solves the load-bearing problem but is also reusable, which will not cause waste.
Nchọpụta: The entire exhibition not only showcases our magazine's historical highlights with internationally famous brands, PP Mobler, Gufram, Memphis Milano, Flos, and Smeg but also invites two well-known representative cultural figures to share their professional views through lectures. In summary, by taking 'life' as the fulcrum, 'aesthetics' as the focus, and 'perseverance' to express the opinion, the IW team wishes to evoke a clash of readers' points of view during this unprejudiced reading experience and also injects new thoughts into a cluster of buildings of historical value.
Mkpali: 1997, IW Magazine was launched. As a bi-monthly magazine that reports on the aesthetics of living space and design trends, we have been thinking about exploring the essence of the publication and giving it an interpretation. In every meticulously crafted story, we expand the narrative by synthesizing the view and discovering depth through the details. This is the first special exhibition of IW Magazine's 25th anniversary, the team expects to express the value of the pass-years knowledge through the curation.
Oge Ọrụ: The project finished in November 2023 in Taiwan.
Usoro Ọrụ: Just like the initial mission of IW magazine, 'reports on the aesthetics of living space and design trends', we wish to contribute to the improvement of national aesthetics and implement as Rodin, the French sculptor, said: 'Beauty is everywhere. It is not that she is lacking to our eye, but our eyes which fail to perceive her.' As an independent media, we wish to through our modest power, provide the public another stage and perspective for appreciating beauty.
Ndị Otu: IW Magazine
Asụsụ Foto: Zong-Ying Chen