Ihe emepụtara bụ Hinemosu 30 Ihuenyo Kọmputa nke Yuichiro Katsumoto bụ onye meriri a na-asọpụrụ nke ukwuu nke 2024 Ihe Nrite A' Design Award nke Platinum na Udi Asọmpi Nhazi Mmeputaime, Algọridim, Paramịtrịk na Enyemaka AI.
PlatinumMmeputaime· 2024
Hinemosu 30 Ihuenyo Kọmputa
Onye Ahịa: The Utsuroi Lab
Onye Meriri Ihe Nrite A' Design Award nke Platinum na Udi Mmeputaime
Onye Meriri Onyinye A Kwadoro
Nyochaa Ọnọdụ Onyinye maka #159382Nhazi a
Maka Hinemosu 30 Ihuenyo Kọmputa
Hinemosu 30 na-egosi mkpụrụ edemede na ụdịdị site n'ịgbagọ eriri elastic ọcha ise ji actuator iri atọ iji gosipụta ngafe oge. Software kọmputa nke na-achịkwa ngwaọrụ a na-emepụta onyonyo na-agbanwe nke na-akpali ụkpụrụ akwa, ebili mmiri oké osimiri, oke ifufe n'ugwu na snow na-ada, yana ụbọchị na oge. Ụda igwe nke actuator ndị a na-emepụta na-echetara ụda mmiri na ifufe n'okike. Ihe okike na ihe ọhụrụ nke ngwaọrụ a bụ na ọ na-egosi ozi emepụtara site na kọmputa site n'iji ihe yiri ahịrị kama ihe yiri ntụpọ.
Nkwanye Ugwu
Maka Ihe Nrite A' Design Award nke Platinum
Hinemosu 30 Ihuenyo Kọmputa meriri A' Design Award nke Platinum, nnabata dị oke ugwu e nyere design ndị bụ n'ezie pụrụ iche, mara mma ma dị ebube. Ndị meriri na Platinum bụ ihe ịtụnanya nke imepụta, ihe akaebe nke oke ntụgharị uche imepụta ihe, ma na-egosi ikike ọrụ na ọgụgụ isi na-enweghị ntụnyere nke ndị designer ha. A na-atụ anya na design ndị a ga-abụ ọrụ kacha mara amara nke na-akọwa ịma mma nke oge, na-enye aka na ọdịmma obodo ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Hinemosu 30 Ihuenyo Kọmputa na-egosi ọkwa ịdị mma karịrị oke ma n'enweghị obi abụọ na-eme ka ụwa bụrụ ebe ka mma site na àgwà ya bara uru na dị oke ọnụ ahịa. Hinemosu 30 Ihuenyo Kọmputa bụ ọrụ meriri A' Design Award nke Platinum nke na-akpali ọchịchọ, na-akpali, na-eme ka obi ụtọ jupụta ma na-akpali oke ọṅụ.
N'azụ Nhazi a
Ngwugwu Mgbasa Ozi
Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.
- Àgwà Pụrụ Iche
- Hinemosu 30 is a computer display that shows the time and date by twisting five white elastic bands. The five thick lines are controlled by thirty actuators and display a dizzying kinetic typography and motion graphics. The moving image generated by the computer software connected to the device evoke textile patterns, ocean waves, mountain storms, and falling snow. The mechanical sounds produced by the actuators are reminiscent of the sounds of water and wind in nature.
- Nha & Mkpuchi
- 280mm (W) x 120mm (D) x 300mm (H), 5kg.
- Mkpado
- Kinetic Typography, Motion Graphics, Visualization, Physicalization, Elastic Band, Rubber, Clock
- Teknụzụ Mmepụta
- Components: Elastic Bands, Servo Motors, Micro Controllers, Aluminum Flame, Acrylic Board, MacBook Air.
- Ịma Aka Imepụta
- The creativity and novelty of this device lies in the fact that it displays computer-generated information using line-like and particularly strip-like objects rather than dot-like or brick-like objects. In comparison to discrete objects, the control of linear objects is more difficult to express delicately because of mutual interference in mechanics. These limitations were overcome in terms of hardware and software in this project through circular prototyping.
In this work, five white elastic bands are arranged horizontally in a black picture frame. Each band is 250 mm long, 40 mm wide, and 1 mm thick. Six white plastic guides are attached to the band horizontally at 42 mm intervals. These guides are used to tilt the band and are linked to servo motors mounted on the back of the picture frame. The servo motor can twist the band in a range of approximately -60 to 90 degrees, although there are slight individual differences. When the servo motor is at 0 degrees, the apparent width of the elastic band is thickest, and at 90 degrees, it is thinnest.
This work uses thirty servo motors, all of which are controlled by a software running on Mac. This software was developed using Cycling '74 Max and generates motion graphics and kinetic typography, calculates the numerical values to control the thirty actuators individually. And it sends the data to the micro controller in Hinemosu 30 via USB Cable. - Nchọpụta
- This project had been explored kinetic typography by manipulating slender objects such as springs and strings with robot arms. Beyond such practices, the current focus is on flat liner object such as strips, ribbons, and tape with two sides of widely varying widths. Those lines change in apparent thickness depending on the viewpoint. For example, if the ribbon is tilted 90 degrees, the line will appear or disappear. If it is twisted from both ends, the line weight changes continuously like a sine wave. Lines drawn by humans with a brush or calligraphy pen also have continuous changes in line weight. Inspired by this similarity, Hinemosu 30 was designed.
- Mkpali
- The human life is often likened to a line. The line is never straight. It bends, twists, thickens, and thins. The lines are similar to lines drawn by humans for writing. Modern computers output data using points (pixels). Conversely, this designer believes that lines are the source of our life and creativity and wants to let the computer control linear objects. The fruition of this intention, Hinemosu 30 displays letters and patterns by twisting five white elastic bands with thirty actuators to represent the passage of time.
- Oge Ọrụ
- This project started in the fall of 2022 and partially finished in the summer of 2023.
- Usoro Ọrụ
- Automatic operation by software.
- Patentị
- Copyrights belong to Yuichiro Katsumoto, 2023.
- Asụsụ Foto
- Yuichiro Katsumoto
Nkwado
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