Hua Chenyu Mars Concert Nhazi Ogbo Egwu Egwuregwu nke Peng Guo, Ka Ping Kwok and Bin Li

Ihe emepụtara bụ Hua Chenyu Mars Concert Nhazi Ogbo Egwu Egwuregwu nke Peng Guo, Ka Ping Kwok and Bin Li bụ onye meriri a na-asọpụrụ nke ukwuu nke 2025 Ihe Nrite A' Design Award nke Ọlaedo na Udi Asọmpi Nhazi Nkà Egwu, Ụlọ Egwu, Ụdị na Ihe Nlere Anya.

ỌlaedoNkà Egwu· 2025

Hua Chenyu Mars Concert Nhazi Ogbo Egwu Egwuregwu

nke Peng Guo, Ka Ping Kwok and Bin Li

Onye Ahịa: Beijing Yamei Times Culture Media Co. Ltd

Onye Meriri Ihe Nrite A' Design Award nke Ọlaedo na Udi Nkà Egwu

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #162058

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Hua Chenyu Mars Concert Nhazi Ogbo Egwu Egwuregwu

Hua Chenyu Mars Concert bụ nhazi ogbo egwu emere n'èzí maka ebe nnukwu mmemme ọha. E kewara nhazi ahụ n'ụzọ anọ: isi ogbo nke dị mita 106 n'obosara na mita 28.5 n'ịdị elu nwere ọkwa ise nke oghere mmemme, ogbo okirikiri bụ isi nke dị mita 19 n'obosara ya, ogbo mgbatị dị mita 30 n'ogologo nke gafere ebe ndị na-ekiri nọ, na ihe owuwu okirikiri dị mita 100 n'obosara ya nke gbara nhazi ahụ niile gburugburu. E jikọtara ihuenyo LED na-egosi onyinyo dịka enyo na ikpo elu ndị a na-emegharị emegharị na ihe ndị na-arụ ọrụ n'ike igwe. Ihe ndị na-egosi onyinyo na ndị a na-ahụ anya na-ejikọ ogbo ahụ na ọdịdị ala nke ọwụwa anyanwụ.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaedo

Hua Chenyu Mars Concert Nhazi Ogbo Egwu Egwuregwu meriri A' Design Award nke Ọlaedo, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa mbụ, dị ịtụnanya ma pụtara ìhè. Ndị meriri na Ọlaedo bụ ihe e kere eke dị oke ọhụrụ, nwere ọhụụ ma na-egbu maramara nke na-egosipụta ọgụgụ isi, amamihe na nka nke ndị designer ha. A na-atụ anya na Hua Chenyu Mars Concert Nhazi Ogbo Egwu Egwuregwu ga-abụ ihe e mepụtara kacha enweta otuto, na-edu ọnọdụ ma bụrụ ihe ncheta nke na-enye uru na-adịbeghị mgbe ọ bụla. Design a meriri A' Design Award nke Ọlaedo bụ ọrụ dị ebube, a na-asọpụrụ nke na-erite uru buru ibu ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Hua Chenyu Mars Concert Nhazi Ogbo Egwu Egwuregwu na-eweta mmetụta ọchịchọ siri ike, na-akpali agụụ, na-akwado nzụlite ihe ma na-adọrọ anyị adọrọ.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: To present this visually stunning effect, the design team ingeniously integrates the performance area, installations, and structures within the venue, collectively creating a "Martian civilization" that is both epic and futuristic. Here, every audience member can feel the charm of Hua Chenyu's music and his dedication and passion for music.
Nha & Mkpuchi: In terms of stage layout, we meticulously planned four major zones: the main stage, the "home stage," the extension stage connecting the main stage and the "home stage," and a massive circular structure enveloping the entire setup. The main stage is 106 meters wide and reaches a height of 28.5 meters, divided into 5 levels of performance space. The background consists of 10 sets of movable platform mechanisms, creating a versatile spatial effect. The "home stage" is a circular stage with a diameter of 19 meters and a top structure height of 16 meters, resembling an "interstellar device" from the "Martian civilization." The extension stage, serving as a bridge in the "Martian civilization," spans the audience seating area, naturally connecting the main stage and the "home stage," with a total length of 30 meters and an internal mechanical slope of 11 meters. The massive circular structure has a diameter of 100 meters, encompassing all the aforementioned spatial structures, presenting a rich and vibrant stage effect.
Mkpado: Stage, Hua Chenyu, Concert, Shandong
Teknụzụ Mmepụta: The main stage combines state-of-the-art self-developed mirrored LED screens with mechanical elements, forming a stable and poised structure imbued with infinite possibilities for transformation. On the "home stage," a blend of natural and science fiction atmospheres triggers a magical chemical reaction. The viewing angle tends towards a miniature "four-sided stage," offering a broader perspective for the audience and facilitating interactive and relaxed performances. Serving as a bridge connecting the main stage, the extension stage features a massive circular structure enveloping the entire venue, enhancing immersion and symbolizing the mutual dedication between Hua Chenyu and his fans. The immense circular installation in the fourth section embraces the entire stage, providing the audience with a sense of departing from home, wandering, and returning to their own abode.
Ịma Aka Imepụta: The stage has a very high load-bearing capacity, numerous transformation effects, and the plan needs to be adjusted according to weather changes.
Nchọpụta: In the process of stage design, safety has always been our top priority. From the initial stages of the design concept, we completed safety technology assessments for the structure, mechanics, and other hardware to ensure that all designs meet safety standards. During the construction process, we strictly adhere to safety regulations and conduct rigorous fire safety certification for all materials used. Additionally, we continuously monitor natural weather conditions such as rain and wind in real-time and have developed corresponding emergency plans.
Mkpali: This concert is the realization of a three-year promise between Hua Chenyu and his fans, as well as a heartfelt tribute to their mutual emotions. The theme of the stage design echoes Hua Chenyu's classic masterpiece "Born to Be Wild," drawing inspiration from the magnificent cities of mythological realms, evoking a sense of harmony with nature and a longing for the unknown.
Oge Ọrụ: It is published on 02, April, 2024 and in Shandong, China.
Usoro Ọrụ: In terms of implementation, we have adopted a variety of innovative technologies. Firstly, we have independently developed the technology that combines mirrored LED screens with mechanical elements, allowing the stage to accommodate infinite changes and possibilities within a stable and poised structure. Secondly, we have utilized a large amount of reflective and transparent materials to seamlessly integrate the stage with the natural sunrise landscape. Additionally, by combining conventional movable platforms with unconventional moving forms and utilizing unconventional materials, we have created an extremely rich stage transformation. The application of these innovative technologies has enabled the realization of the entire stage design and the presentation of unique effects.
Ndị Otu: Beijing Yamei Times Culture Media Co Ltd
Peng Guo
Ka Ping Kwok
Bin Li