Infinite Wave Ntinye Ọkụ nke Chao Lin Cheng

Ihe emepụtara bụ Infinite Wave Ntinye Ọkụ nke Chao Lin Cheng bụ onye meriri a na-asọpụrụ nke ukwuu nke 2025 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ọrụ Ìhè na Nkà Ìhè.

BronzỌrụ Ìhè· 2025

Infinite Wave Ntinye Ọkụ

nke Chao Lin Cheng

Onye Ahịa: Yuejin Art Museum & Cultural Affairs Bureau, Tainan City Government

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ọrụ Ìhè

19,293

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #162966

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Infinite Wave Ntinye Ọkụ

Infinite Wave bụ atụmatụ nke na-eme ka mmiri na-asọgharị na mgbanwe nke oge pụta ìhè na Ọdụ Ụgbọ Mmiri Yuejin nke Tainan, Taiwan. Nrụnye a na-egosi ụdị dị iche iche ka ehihie na-abanye n'abalị, ebe ọkụ mmadụ mere na ọkụ okike na-agafe ụzọ, na-eduzi ndị na-ekiri ka ha ghọta mgbanwe na oghere na oge. Ka ọnwa ji nwayọọ nwayọọ na-apụta, ụzarị ọbara ọbara nke na-echetara ọbara na-abanye n'ime ọrụ nka a, na-eme ka akụkụ ya doo anya. N'etiti abalị, ka ọkụ mmadụ mere na-agbasa n'ofe nrụnye a, ebili mmiri ọkụ nwere ọtụtụ akụkụ na-ejikọta ọnụ ọzọ na oghere.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Infinite Wave Ntinye Ọkụ meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Infinite Wave Ntinye Ọkụ ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Infinite Wave Ntinye Ọkụ na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Infinite Wave takes on different appearances as day transitions into night, where artificial and natural light interact, guiding viewers to perceive the changes in space and time. As moonlight slowly emerges, crimson rays reminiscent of blood gradually permeate the entire installation, sharpening its contours from blur to clarity. By the dead of night, as artificial light spreads across the installation, multidimensional light waves intertwine once again in space.
Nha & Mkpuchi: Width 4,000mm x Depth 4,200mm x Height 2,500mm
Mkpado: Pavilion, Sculpture, Optical Fibers, Interactive Art, Lighting Installation, Art Installation
Teknụzụ Mmepụta: This artwork is produced through computational design tools, laser cutting machines, and optical fibers materials.
Ịma Aka Imepụta: In this project, artist Cheng Chao Lin uses the optical fibers as the main structure. For the first time, the light becomes attachable in the pavilion, creating the expression of lighting as well as connecting the whole structure. Based on the geometric research, three-dimensional laser cutting technology is used to determine the orientation of each metal unit, ensuring precise angles and locations before the units are accurately assembled.
Nchọpụta: The Infinite Wave is a lighting installation based on the Mobius strip folding structure. It focuses on visual changes in topology and explores the interactions between lines, surfaces, and volumes. The installation utilizes lines to maximize visual impact, and uses computational tools to calculate and assemble the structure. In addition, the design also seeks to further integrate the manufacturing technology in Taiwan by building a connection between art and local industry.
Mkpali: The shape of Infinite Wave concretes the flows of water and the variation of time in the Yuejin Port of Tainan, Taiwan. The lighting installation is crafted from interwoven optical fibers, transforming light from a physical phenomenon into a tangible structure. In the artwork, light serves simultaneously as a medium for recording time and as building material. Each optical fiber, varying in length, delineates the diffusion range of light and captures its trajectory through inherent vectors.
Oge Ọrụ: The artwork was exhibited from January 2024 to March 2024 in Tainan, Taiwan.
Usoro Ọrụ: In the depths of the night, red beams of light traverse the void, resembling a guiding light slowly revealing the transformation of the earth. As wanders immerse themselves in this infinite geometric illusion, multidimensional light waves intertwine in space, guiding them in countless directions while simultaneously causing them to gradually lose their way. Through continuous exploration, consciousness will eventually return from blur to clarity.
Ndị Otu: Chao Lin Cheng
Asụsụ Foto: Image #1: Photographer FIXER Photographic Studio, 2024
Image #2: Photographer FIXER Photographic Studio, 2024
Image #3: Photographer FIXER Photographic Studio, 2024
Image #4: Photographer FIXER Photographic Studio, 2024
Image #5: Photographer FIXER Photographic Studio, 2024
Video Credits: Chao Lin Cheng