Ihe emepụtara bụ Peri Oche nke Luan Del Savio bụ onye meriri a na-asọpụrụ nke ukwuu nke 2025 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Ngwá Ụlọ.

ỌlaọchaNgwá Ụlọ· 2025

Peri Oche

nke Luan Del Savio

Onye Ahịa: Luan Del Savio

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Ngwá Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #163015

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Peri Oche

Peri bụ oche sitere n'omenala Tupi Guarani na mmekọrịta chiri anya ya na okike nwetara mmụọ nsinye ya. Aha ahụ sitere n'okwu Tupi Guarani nke pụtara ubi achara. E ji osisi siri ike mee ntọala ya, ebe e ji sisal, bụ eriri sitere n'okike nke na-ere ere n'okike, mee ebe nnọdụ na ebe ndabere azụ. Igwe ndị a na-eji kọmputa achịkwa na-akpụ ọdịdị okike nke osisi ahụ, a na-ejizi aka mechaa imecha ya. Oche a ruru 610 mm site na 545 mm site na 845 mm. Ọdịdị ya nke dabara adaba n'ahụ mmadụ na-akwado ojiji dị mma. Peri na-ejikọta usoro nka ọdịnala na ụzọ mmepụta na-adigide adigide.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

Peri Oche meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Peri Oche ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Peri Oche bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Peri is a chair that symbolizes spiritual connection and harmony with nature, inspired by the Tupi Guarani word meaning "field of reeds." Made with sustainable materials, its design reflects the indigenous worldview, incorporating ancestral wisdom and environmental preservation. This project stands out for uniting aesthetics and functionality, promoting a relationship of respect and reverence for nature.
Nha & Mkpuchi: 610 mm x 545 mm x 845 mm
Solid wood base, sisal seat and backrest.
Mkpado: Peri, chair, Tupi Guarani, sustainability, indigenous craftsmanship, ecological design, nature, environmental respect, harmony.
Teknụzụ Mmepụta: The Peri chair is made using sustainable wood for the base and sisal for the seat and backrest. Its production results from the symbiosis between technology and craftsmanship, where state-of-the-art CNC machines sculpt the organic design into the wood, while manual finishing creates the identity and soul of each piece.

Sisal, a natural and biodegradable fiber, is renowned for its durability and sustainable origin, widely used in traditional craftsmanship. The combination of these indigenous artisan techniques with modern eco-friendly production methods ensures a durable and environmentally responsible product.
Ịma Aka Imepụta: The biggest challenge was integrating traditional techniques with modern production processes while ensuring the sustainability of materials. We used sisal to represent the fibers traditionally used by the Tupi-Guarani in braided forms, maintaining traditions and embracing sustainability. The lack of formal documentation on Tupi-Guarani artisanal methods required an adaptive and collaborative approach.
Nchọpụta: The research for the Peri chair involved an ethnographic investigation into the Tupi Guarani culture and its traditional craftsmanship methods. The goal was to create a design that reflected this cultural heritage.
Mkpali: The inspiration for the Peri chair came from the rich Tupi Guarani culture and its deep connection with nature. The concept of "Peri" as guardian of the forests and rivers motivated the creation of a design that honors this spiritual heritage. The choice of materials and shapes aims to reflect ancestral wisdom and the harmony between humans and the environment, providing a product that is both a cultural tribute and a functional furniture piece.
Oge Ọrụ: The project was developed within a ten-month timeframe, from the creation of initial sketches to the final piece. All stages took place in the cities of Maravilha and Santa Helena. Within this timeframe, several prototypes were developed to verify correct ergonomics and to refine and improve specific design elements. It was publicly presented in Florianópolis as part of the Território collection.
Usoro Ọrụ: With an ergonomic design that provides comfort to the user. Interacting with the object is intuitive, allowing anyone to appreciate its functionality and natural beauty. The finishing and selected materials ensure durability and easy maintenance.
Asụsụ Foto: Image #1 Fabio Jr. Severo / Architectural and Interior Design Photographer, 2023.