Emotion Protocol Nrụnye Na-emegharị nke Zhenglong Yang

Ihe emepụtara bụ Emotion Protocol Nrụnye Na-emegharị nke Zhenglong Yang bụ onye meriri a na-asọpụrụ nke ukwuu nke 2025 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Nkwụnye.

IgweNkwụnye· 2025

Emotion Protocol Nrụnye Na-emegharị

nke Zhenglong Yang

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Nkwụnye

15,018

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #165874

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Emotion Protocol Nrụnye Na-emegharị

Emotion Protocol bụ nrụnye nka na-emegharị nke nwere ọtụtụ isi Buddha nwere ihu anọ e dọkwasịrị n'elu igwe ntụgharị. Isi ọ bụla, nke e sitere n'ihe oyiyi Buddha omenala mepụta, nwere moto na-enye ya ohere ịtụgharị n'usoro e debere. Mmegharị jikọrọ ọnụ nke isi ndị a na-emepụta ngosi anya na-agbanwe agbanwe, na-egosipụta ọdịiche dị n'etiti ụdị omenala na usoro igwe ọgbara ọhụrụ.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Emotion Protocol Nrụnye Na-emegharị meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Emotion Protocol Nrụnye Na-emegharị ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Emotion Protocol Nrụnye Na-emegharị maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: "Emotion Protocol" juxtaposes human nature's emotional complexity with the rigid, machine-like existence imposed by societal and familial expectations. The installation represents this contrast through rotating four-faced Buddha statues driven by a mechanical system.
Nha & Mkpuchi: 457.2(W), 457.2(D), 1100(H) cm
Mkpado: Kinetic, Installation, Buddhism, Four-face Buddha, Emotion
Teknụzụ Mmepụta: This project features 3D-printed Buddha heads crafted in resin, CNC-milled acrylic pedestals for elegant structural support, and a customized PCB(printed circuit board) for precise control of stepper motors. The algorithm, programmed and integrated into the control system, orchestrates the kinetic movements, embodying emotional narratives. Leveraging physical computing, the design merges technology and artistry, ensuring a seamless integration of hardware and conceptual intent.
Ịma Aka Imepụta: The biggest challenge was balancing the symbolic depth of the four-faced Buddha with the mechanical precision of the installation. Integrating spiritual iconography into a technological framework required extensive research into cultural narratives and emotional theory. Technical hurdles included designing custom PCBs and achieving seamless motor synchronization for dynamic storytelling. Limited resources for advanced fabrication and algorithm testing added complexity, pushing innovation in blending tradition with modern design methodologies.
Nchọpụta: The four-faced Buddha symbolizes the interconnectedness of human emotions—joy, anger, sorrow, and happiness. In this work, the rotating faces represent shifting emotional states, blending ancient philosophies with modern discussions on emotional suppression, societal expectations, and mechanized behavior. This reinterpretation highlights the universality of emotions, encouraging viewers to reflect on their own emotional landscapes.
Mkpali: Inspired by the Chinese saying "joy, anger, sadness, happiness," which poetically represents human emotions, and the Buddhist four-faced Buddha statues, this piece fuses traditional symbolism with programmed mechanisms. It reflects the tension between humanity's rich emotional landscape and the societal pressures, particularly in East Asian cultures, to suppress and eliminate subjective emotions. This conflict pushes individuals into a mechanized existence, where they become tiny parts of a vast collective machine, bound by rules and protocols to meet the expectations of family and society.
Oge Ọrụ: The project started in September 2024 in New York and finished in December 2024 in New York, and was exhibited in RacketNYC in December 2024.
Usoro Ọrụ: This project invites viewers to observe rotating Buddha heads, each with four faces representing different emotions. The heads rotate in pre-programmed patterns, symbolizing shifting emotional states. The interaction is passive yet thought-provoking, viewers reflect on the emotions represented. The synchronized motion creates a mesmerizing flow, highlighting the tension between human feelings and mechanical precision, making it uniquely engaging and impactful.
Asụsụ Foto: Photo credits: Audrey Chou