De Muros a Marcas Ọkụkọ Nhọrọ, Akwụkwọ Nka nke Paul Joshua Martinez Calderon

Ihe emepụtara bụ De Muros a Marcas Ọkụkọ Nhọrọ, Akwụkwọ Nka nke Paul Joshua Martinez Calderon bụ onye meriri a na-asọpụrụ nke ukwuu nke 2025 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Mmụta, Ngwá Nkụzi na Ọdịnaya Ọzụzụ.

BronzMmụta· 2025

De Muros a Marcas Ọkụkọ Nhọrọ, Akwụkwọ Nka

nke Paul Joshua Martinez Calderon

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Mmụta

15,473

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #167455

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka De Muros a Marcas Ọkụkọ Nhọrọ, Akwụkwọ Nka

De Muros a Marcas bụ ọkụkọ nhọrọ nke mahadum na akwụkwọ nka e mepụtara iji kụziere ụmụ akwụkwọ nka na nhazi ihe banyere nka okporo ámá na mmetụta ya n'ihe gbasara nhazi oge a. E ji ndụmọdụ ndị ọkachamara na nhazi mepụta usoro ọmụmụ ihe a, nke gụnyere nghọta banyere akụkọ ihe mere eme na oge a, ọrụ aka na ọrụ ikpeazụ n'ime izu iri na ise nke klaasị kwa izu. Akwụkwọ nka a dị sentimita 32 site na 28 n'ogologo na obosara, ma jikọta ihe osise e ji aka sere site na iji mkpisi akwụkwọ dabere na alcohol na agba acrylic, na ihe osise dijitalụ. Slaịd na ndebiri A4 e nwere ike ibipụta na-akwado nkuzi ọ bụla.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

De Muros a Marcas Ọkụkọ Nhọrọ, Akwụkwọ Nka meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na De Muros a Marcas Ọkụkọ Nhọrọ, Akwụkwọ Nka ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. De Muros a Marcas Ọkụkọ Nhọrọ, Akwụkwọ Nka na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: This project aims to educate university students in art and design about street art’s impact on contemporary design. Through the design of an elective course and accompanying artbook, a syllabus was developed and subsequently approved by design professionals. The elective course explores street art’s aesthetic and its potential to address social issues. The syllabus and the artbook includes practical projects, historical and contemporary insights.
Nha & Mkpuchi: The art book measures 32 cm in width and 28 cm in length, with various finishes that enhance durability and the quality of the illustrations. The slides and course syllabus are formatted according to the university's standards. The guides and sheets are designed in A4 size to ensure students can easily print them using a standard printer.
Mkpado: Street Art, Art Book, Design Course, Cathedra, Illustration, Editorial Design, Book Design, Graffiti, University Class
Teknụzụ Mmepụta: The project was developed using a variety of design and illustration techniques. It includes hand-drawn illustrations created with alcohol-based markers and acrylic paints, as well as digital illustrations using Procreate and Adobe software.
Ịma Aka Imepụta: The main challenge of this project was demonstrating that street art holds valuable graphic material suitable for study in creative fields, aiming to use it as an effective communication tool for relevant projects. The difficulty lay in convincing professionals that urban art is more than vandalism or visual pollution. The course had to be engaging, with innovative content that students would appreciate and revisit. Graphic materials had to be effective, with a strong visual identity that showcased both design professionalism and street art creativity.
Nchọpụta: For the development of the project, research was conducted through art books, drawing guides, and various studies and articles about how design and urban art can communicate social or business messages. Additionally, surveys and interviews were carried out with design professionals and students to validate the type of content that should be included for it to be both educational and engaging. Based on the research findings, a model class was created to assess the effectiveness and reception among teachers and university students, identifying strengths and areas for improvement.
Mkpali: Growing up in Huancayo, Peru, I initially saw graffiti as vandalism. However, exposure to street art in cities like Lima’s Callao and Barranco changed my perspective. I began experimenting with graffiti at age eleven, which sparked my interest in design. Influenced by American and European street art, I pursued graphic design in university. This led me to create an Art Book, demystifying graffiti's connection to design and it evolved into a successful elective course for my career.
Oge Ọrụ: The project is designed to last for one regular "Universidad San Ignacio de Loyola" semester, approximately three months. The course is divided into 15 classes, one per week, covering all the content of the course syllabus, including practical exercises and the final project.
Usoro Ọrụ: The book is designed to support students through various course sessions, acting as a guide that reinforces the instruction provided by the teacher. The slides are presented during class and are available to students at all times on the course's virtual classroom platform. Templates have been created to assist students in the initial steps of each learning session, featuring activities to be completed both in class and at home. All elements work together seamlessly to help students grasp fundamental concepts, promoting effective learning in design and street art.