Morphknock Ihe Ịchọ Mma E Nwere Ike Ịgbanwe Ụdị nke Samira Adami Dadizadeh

Ihe emepụtara bụ Morphknock Ihe Ịchọ Mma E Nwere Ike Ịgbanwe Ụdị nke Samira Adami Dadizadeh bụ onye meriri a na-asọpụrụ nke ukwuu nke 2025 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Ọla Ịchọ Mma.

IgweỌla Ịchọ Mma· 2025

Morphknock Ihe Ịchọ Mma E Nwere Ike Ịgbanwe Ụdị

nke Samira Adami Dadizadeh

Onye Ahịa: Samira Adami jewelry Designer

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Ọla Ịchọ Mma

15,229

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #168742

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Morphknock Ihe Ịchọ Mma E Nwere Ike Ịgbanwe Ụdị

Morphknock na-enye nkọwa ọhụrụ nke ihe e ji akụ ọnụ ụzọ oge gboo n'ụdị nwere ọtụtụ akụkụ nke a na-eyi. Site n'ịkọwa ụdị ihe owuwu ọdịnala, ihe a nwere nhazi dị ka mgbaba na mkpọrọ ọla etiti maka nha anya. Nkume ndị na-atụgharị dị ka malachite, lapis lazuli, na onyx ojii na-egosipụta àgwà dị n'elu nke e nwere n'ihe ndị merela agadi. E mere ya ka ọ gbanwee n'etiti ihe olu, ihe aka, ma ọ bụ mgbaaka, ọ na-agụnye eriri akpụkpọ anụ e nwere ike ịtụgharị na akụkụ ọla e ji ọnọdụ geometric ziri ezi kpụọ.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Morphknock Ihe Ịchọ Mma E Nwere Ike Ịgbanwe Ụdị meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Morphknock Ihe Ịchọ Mma E Nwere Ike Ịgbanwe Ụdị ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Morphknock Ihe Ịchọ Mma E Nwere Ike Ịgbanwe Ụdị maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: This piece features a versatile mechanism that allows it to transform into a necklace, bracelet, or ring, seamlessly combining historical inspiration with modern adaptability. Rotating double sided gemstones, including malachite, lapis lazuli, and black onyx, capture the rich tones of aged patinas and oxidized iron. A reversible leather strap enables the wearer to match the bracelet's band with their chosen gemstone, while an Art Deco–style design inspired by traditional metalwork enhances its character and elegance.
Nha & Mkpuchi: Overall dimensions of the bracelet are 39 mm height ,22mm widths ,5 mm depths.
Mkpado: Multi-wear jewelry, malachite, lapis lazuli, transformable jewelry, door knocker, leather bracelet
Teknụzụ Mmepụta: This piece is crafted from 18-carat yellow gold,featuring a movable central axis set with malachite and lapis lazuli in a double-sided, raised-cut design, accented by white diamonds along the central curves for brilliance and refinement.Precisely engineered step hinges ensure seamless movement, with the arms, axis, and pin meticulously assembled for structural integrity. After rigorous testing and quality control, the hinges are expertly finalized, ensuring flawless functionality and lasting craftsmanship.
Ịma Aka Imepụta: The main challenge of this design was developing and integrating a rotational and folding mechanism that blends the nostalgic form of traditional door knockers with a modern approach. The design needed to be both functionally precise and efficient while maintaining aesthetic cohesion and visual appeal.
Nchọpụta: Traditional door knockers, which featured symbolic designs reflecting the homeowner’s culture and social status, often had distinct shapes and sounds for men and women in Islamic culture. This allowed the homeowner to determine the gender of the person at the door without opening it. Made from durable materials such as brass and iron, these knockers used a hinge and handle mechanism. The appeal of these elements inspired the designer to reinterpret them in a modern design.
Mkpali: The Morphknock design draws inspiration from historical Persian door knockers, which symbolize hospitality, security, and heritage. In Iranian architecture, many door knockers were symmetrical and influenced by Islamic geometry. By reinterpreting their shape and function, Morphknock transforms this architectural element into a versatile, modular jewelry collection.Featuring lapis lazuli, malachite, black onyx, and diamonds, the collection reflects the textures of ancient architecture, seamlessly blending traditional symbolism with modern engineering to create a dynamic, wearable art piece.
Oge Ọrụ: This project was completed over a period of 3 months, from concept development to finalization. The process included historical research, various stages of ideation, and precise 3D design, along with technical and artistic analysis, ultimately resulting in a unique and functional design. It started in December 2024 and ended in February 2025,Istanbul.
Usoro Ọrụ: This piece features a metal frame with a movable central axis,designed with a mechanism reminiscent of a traditional door knocker. Its rotating mechanism allows the double-sided gemstones to alternate between colors. In its ring form, the upper sections fold down to form the shank. As a necklace, the arches reposition to allow a chain to pass through the top. The seamless, reversible leather strap is designed to slide effortlessly through two loops, ensuring ease of use and versatile wear as a stylish bracelet.
Asụsụ Foto: 3D Modeling and Rendering by: Delaram Nakhli