Poem Sapce Uwe Efu-Efu Na-Adịghị Efu Efu nke Bonan Li

Ihe emepụtara bụ Poem Sapce Uwe Efu-Efu Na-Adịghị Efu Efu nke Bonan Li bụ onye meriri a na-asọpụrụ nke ukwuu nke 2025 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ejiji, Uwe na Akwa Uwe.

BronzEjiji· 2025

Poem Sapce Uwe Efu-Efu Na-Adịghị Efu Efu

nke Bonan Li

Onye Ahịa: Bonan Li Studio

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ejiji

75,622

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #169597

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Poem Sapce Uwe Efu-Efu Na-Adịghị Efu Efu

Ederede Akwụkwọ: Poem Sapce bụ uwe efu-efu na-adịghị efu efu nke jikọtara usoro mpịa akwa ọhụrụ na ịbe akwa na-adịghị afụ efu. E ji akwa akpaakpa aka nke ndị ọka aka dị na mpaghara dị iche iche mepụtara mee uwe a, na-echekwa usoro ịkpa akwa ọdịnala. Mmịpụta akwa mpaghara na-akpụzi akwa ahụ, na-emepụta mpịa dị ka ihe eji aka kee n'ụzọ dị mma karịa ibepụ akwa. A na-eji aka dozie ọnọdụ mpịa ọ bụla ma dee ya n'elu kadibọọdụ maka mmepụta obere ngụkọta. Mpịa a a kpụrụ akpụ na-eso ahụ na-agagharị, na-enye ma nkasi obi ma ọdịdị mma.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Poem Sapce Uwe Efu-Efu Na-Adịghị Efu Efu meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Poem Sapce Uwe Efu-Efu Na-Adịghị Efu Efu ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Poem Sapce Uwe Efu-Efu Na-Adịghị Efu Efu na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The Shrink Pleat Minimal Waste Dress redefines sustainable fashion by integrating innovative pleating techniques with zero-waste cutting. Crafted from locally handwoven fabrics sourced globally, this design preserves traditional craftsmanship while reducing energy consumption. By harnessing localized fabric shrinkage, it forms organic, three-dimensional silhouettes with minimal material waste.
Nha & Mkpuchi: Length: 1500 mm x Width: 800 mm x Thickness: 50 mm
Mkpado: sustainable fashion, zero-waste design, innovative pleating, fabric shrinkage technique, handwoven textiles, three-dimensional garment, traditional craftsmanship, small-batch production, sculptural fashion, eco-conscious design
Teknụzụ Mmepụta: The design employs zero-waste cutting and an innovative pleating technique that utilizes localized fabric shrinkage to create organic, three-dimensional forms. Each pleat position is meticulously hand-fixed and mapped onto cardboard for small-batch production, ensuring precision and minimizing waste in the manufacturing process.
Ịma Aka Imepụta: The most challenging aspect of this project was balancing sustainability with structural innovation. Achieving precise pleat placement through fabric shrinkage required extensive testing, as different textiles reacted unpredictably. Additionally, sourcing ethically handwoven fabrics while maintaining production feasibility posed logistical challenges. Overcoming these obstacles involved iterative experimentation, collaboration with artisans, and refining techniques to ensure both aesthetic integrity and minimal waste.
Nchọpụta: This research explores sustainable garment construction through fabric behavior analysis and zero-waste design. The objective was to develop an innovative pleating method that minimizes waste while enhancing three-dimensionality. Using an experimental approach, I tested localized fabric shrinkage and pleat fixation techniques, documenting results through draping, hand-marking, and pattern adjustments. Material tests were conducted to study fabric reactions, with findings informing a scalable, small-batch production model. The research promotes sustainability by reducing textile waste and preserving traditional weaving techniques.
Mkpali: The intersection of traditional craftsmanship and contemporary sustainability inspired the Shrink Pleat Minimal Waste Dress. I sought to challenge conventional garment construction by exploring fabric behavior through pleating and shrinkage techniques. Drawing from research on localized textile manipulation, I developed a method to create dynamic, sculptural forms while minimizing waste. This project reflects my commitment to preserving heritage weaving techniques.
Oge Ọrụ: This project was exhibited in Cave of the Day, Cave of the Night in Brooklyn, New York. It began in New York in 2013 and was completed in mid-2014 in New York.
Usoro Ọrụ: The Shrink Pleat Minimal Waste Dress transforms through a unique pleating method that shapes the fabric organically using controlled shrinkage. Instead of traditional cutting, the fabric naturally adjusts, creating sculptural folds that move with the body. Each pleat is carefully placed to enhance form and flexibility, offering comfort and structure. This approach reduces fabric waste while achieving a dynamic, flowing silhouette that feels effortless yet meticulously crafted.
Asụsụ Foto: Photographer Hao Zeng