Ihe emepụtara bụ Marlenka Ngwugwu nke David Kantor bụ onye meriri a na-asọpụrụ nke ukwuu nke 2025 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ngwungwu.

BronzNgwungwu· 2025

Marlenka Ngwugwu

nke David Kantor

Onye Ahịa: Marlenka International s.r.o.

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ngwungwu

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #170016

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Marlenka Ngwugwu

Nhazigharị ngwugwu Marlenka gbadoro ụkwụ n'ịchọ mma dị ọcha na pụrụ iche nke na-ahụ na o nwere ike dị ike n'elu ebe a na-adọba ngwaahịa ma mee ka e nwee ike ịmata ọdịiche dị n'etiti ngwaahịa niile. E mere usoro ngwugwu a ka ọ kwado ụdị achịcha dị iche iche na nri ụtọ e ji mmanụ aṅụ mee, na-eji usoro ahaziri nke ọma iji mata ụtọ dị iche iche, ụdị dị iche iche, na nha dị iche iche. Ịma mma anya dị elu na-eme ka ngwaahịa masị ndị mmadụ karịa, ebe ihe ọhụrụ na teknụzụ obibi akwụkwọ dị elu na-ekwe nkwa ịdịmma pụrụ iche. Ịchọ mma a e nuchara nke ọma abụghị naanị na ọ na-eme ka ahụmịhe ndị na-azụ ahịa ka mma, kama ọ na-emekwa ka njirimara ụlọ ọrụ Marlenka na ọnọdụ ya n'ahịa sie ike.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Marlenka Ngwugwu meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Marlenka Ngwugwu ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Marlenka Ngwugwu na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The project for Marlenka's honey cake packaging redesign focuses on a clean, strong design that ensures clear differentiation on shelves and within the product range. The packaging covers a variety of cakes and honey desserts with a system to distinguish flavors, types, and sizes. High-quality visual enhances the product's appeal, while innovative materials and precise printing technologies guarantee excellent results. The design supports Marlenka's brand.
Nha & Mkpuchi: The portfolio includes a variety of products in different sizes, made from high-quality cardboard and paperboard for durability up to nine months. Printed in five to six colors, each piece features three layers of special coating for a refined matte finish. Elegant embossing enhances every product, while select items are accented with luxurious gold foil stamping, adding a sophisticated touch and emphasizing their premium quality.
Mkpado: marlenka, redesign, packaging,
Teknụzụ Mmepụta: A special photographic technique called "stacking" was used for the visuals, where multiple shots are layered to achieve outstanding sharpness and detail. In total, over 2,000 photographs were meticulously captured and gradually combined to create the final high-quality images.
Ịma Aka Imepụta: Differentiating from competitors was one of the key challenges, as many imitators and plagiarists of the original design were found (even today). A significant departure from other brands was essential. Additionally, the packaging needed "cleaning" from distracting elements using modern typography.
Nchọpụta: The market research focused on identifying current packaging design trends across markets and benchmarking against leading global brands in the sweets sector. We assessed consumer reactions to existing packaging using heat maps, which were later applied to test the new packaging's functionality. Previous design has always been top-tier, but with evolving aesthetic standards, we needed to innovate. The goal was to unify and update the visual style, ensuring consistency across packaging and communication channels.
Mkpali: The project was inspired by the increasing demands in the packaging industry, focusing on innovative design solutions that merge modern technologies with practical user needs. Our goal was to create a design that is both functional and visually appealing, drawing inspiration from global trends and successful packaging implementations. As the packaging no longer met modern aesthetic standards and competitors began replicating design elements, we decided to completely reinvent the visual style, unify it, and enhance communication across all channels, including licensed products.
Oge Ọrụ: The project started in July 2023 and finished in February 2025. The project took place in Czech Republic.
Usoro Ọrụ: The key visual, centrally positioned, is designed to be easily modifiable and adaptable to various formats and products. At the same time, the different elements are clearly distinguishable by their descriptors. This ensures a strong brand block, maintaining consistency across all materials.
Ndị Otu: David Kantor
Radek Vysocký
Vojtěch Halamíček
Asụsụ Foto: David Kantor
Petr Vaněk