Clay Moulded Nhazi Ime Ụlọ Ihe Nkiri nke Marius Mateika

Ihe emepụtara bụ Clay Moulded Nhazi Ime Ụlọ Ihe Nkiri nke Marius Mateika bụ onye meriri a na-asọpụrụ nke ukwuu nke 2025 Ihe Nrite A' Design Award nke Ọlaedo na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

ỌlaedoIme Ụlọ· 2025

Clay Moulded Nhazi Ime Ụlọ Ihe Nkiri

nke Marius Mateika

Onye Ahịa: Mama architects

Onye Meriri Ihe Nrite A' Design Award nke Ọlaedo na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #171457

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Clay Moulded Nhazi Ime Ụlọ Ihe Nkiri

Clay Moulded bụ nhazi ime ụlọ nke ụlọ ihe nkiri egwu dị na Klaipeda, Lithuania. Ụrọ kpuchiri mgbidi na uko ụlọ, e jikwa aka tinye ihe karịrị tọn 30 nke ihe a. Ụkpụrụ nke ọnụ ụlọ ukwu ahụ na-aga n'ihu na-esite n'otu nsọtụ nke oghere ahụ ruo na nke ọzọ. E mepụtara usoro mkpuchi nwere ọkwa asaa maka ọrụ a, gụnyere ịgbasa, ịme ụkpụrụ, ihicha mmiri, ịsacha, ime ka ọ na-egbuke egbuke na ichekwa ya. Mgbidi na uko ụlọ nwere ike imeghe na imechi iji chịkwaa ntụgharị ụda, ya mere oghere ahụ na-adaba na egwu egwu, ihe nkiri na nzukọ. Ebe a na-anọdụ ala ekiri ihe nwere oche mmadụ 700.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaedo

Clay Moulded Nhazi Ime Ụlọ Ihe Nkiri meriri A' Design Award nke Ọlaedo, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa mbụ, dị ịtụnanya ma pụtara ìhè. Ndị meriri na Ọlaedo bụ ihe e kere eke dị oke ọhụrụ, nwere ọhụụ ma na-egbu maramara nke na-egosipụta ọgụgụ isi, amamihe na nka nke ndị designer ha. A na-atụ anya na Clay Moulded Nhazi Ime Ụlọ Ihe Nkiri ga-abụ ihe e mepụtara kacha enweta otuto, na-edu ọnọdụ ma bụrụ ihe ncheta nke na-enye uru na-adịbeghị mgbe ọ bụla. Design a meriri A' Design Award nke Ọlaedo bụ ọrụ dị ebube, a na-asọpụrụ nke na-erite uru buru ibu ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Clay Moulded Nhazi Ime Ụlọ Ihe Nkiri na-eweta mmetụta ọchịchọ siri ike, na-akpali agụụ, na-akwado nzụlite ihe ma na-adọrọ anyị adọrọ.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: For the interior décor, we chose an archaic material - clay. It is probably the largest interior in the world made of natural clay. The pattern and technology of the hall is unique and continuous throughout the space, created by one artist Mantas Petravičius. All planes are in motion. They open and close (as you can see in photo 3) depending on the nature of the concert and the acoustics required. And that's what makes this space even more unique.
Nha & Mkpuchi: The whole theater is 10 000m2 size. The auditorium has seating capacity of 700 people. We used over 30 tonnes of clay for wall decor.
Mkpado: Klaipėdos muzikinis teatras, Klaipėda state musical theatre, MAMA architects
Teknụzụ Mmepụta: We used over 30 tonnes of clay for the walls and ceilings of the entire interior. This work took nine months to complete using unique tools created exclusively for this work and was carried out by the hands. The clay coating process is also unique, developed exclusively for this theatre.The process itself consists of 7 stages (clay spraying, patterning, drying, scrubbing, re-spraying, glazing, conservation). It takes about 3 weeks to complete all the steps. The whole process was implemented on the construction site.
Ịma Aka Imepụta: The decor of the main hall is a continuous pattern starting at one end of the hall and ending at the other. Meanwhile, the process required major interruptions and took 9 months. The hardest part was to bring everything together into a coherent picture. The rest of the public spaces (lobbies, passages, staircases) are also made of clay. Here, the pattern is different, but also handmade.
Nchọpụta: Clay was used for wall and ceiling decor.
The whole process was done by hand in stages:
1.) First, the clay is sprayed, then swiped with special tools made just for this object to form waves.
2.) Waiting for everything to dry. Then the sharp corners are scrubbed.
3.) Repeat the spraying with a thinner layer. After spraying, the clay shall be brushed to distribute the clay evenly and to form a soft surface.
4.) Wait for everything to dry.
5.) Everything is impregnated and preserved.
Mkpali: The city of Klaipėda, where the theatre is located, is by the sea. We were inspired by the sandy coastline of the sea and the shores shaped by the waves. Klaipėda is an old city dominated by red clay brick buildings. For us, the sea and the clay became the basis for the idea. As this is a theatre, clay seemed to us to be the right material to create a dramatic mood.
Oge Ọrụ: The project lasted 5 years. The clay decoration alone took 9 months. The theatre is realized in Klaipeda, Lithuania.
Usoro Ọrụ: This theatre has transformable walls and ceilings.
They open up. This controls sound reflections. The space adapts to the event. (Depending on whether it's a concert, a play, an meeting event).
Ndị Otu: Architects: Marius Mateika
Asụsụ Foto: Photographer: Leonas Garbačauskas