Jingumae Project, Tokyo Japan Nhazi Ime Ụlọ Obibi nke Kazushige Masuya

Ihe emepụtara bụ Jingumae Project, Tokyo Japan Nhazi Ime Ụlọ Obibi nke Kazushige Masuya bụ onye meriri a na-asọpụrụ nke ukwuu nke 2025 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

BronzIme Ụlọ· 2025

Jingumae Project, Tokyo Japan Nhazi Ime Ụlọ Obibi

nke Kazushige Masuya

Onye Ahịa: Kazushige Masuya

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ime Ụlọ

9,792

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #172899

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Jingumae Project, Tokyo Japan Nhazi Ime Ụlọ Obibi

Ọrụ Jingumae bụ mmezigharị ụlọ obibi dị na Harajuku, Tokyo, nke chere ihu na Ụlọ Nsọ Togo. Nhazi ọdịdị "L" jikọtara ụnitị abụọ ọnụ, ebe mgbidi na uko elu ụlọ nke gbagoro gbadaa na-emeziwanye ije site n'otu ebe gaa n'ọzọ n'ime ụlọ. E ji osisi chestnut, nkume, na iko a kpụrụ n'aka na-arụ ọrụ, e mekwaghị ka elu ha dị nro nke ukwuu, ka ọdịdị okike ha nwere ike ịpụta ìhè. Ọnụ ụzọ na-akpụgharị na ihe ndị ọzọ gbagoro gbadaa ka e sitere n'otu ngwugwu osisi kpụọ ha. Ala e ji osisi mee (parquet) na nkọwa ọnụ ụzọ na-echetara mmadụ usoro eserese ndị Japan ochie nke a na-akpọ lattice. Agba ndị dị ka nke ala na-eweta udo na ịma mma nye ndụ obibi obodo.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Jingumae Project, Tokyo Japan Nhazi Ime Ụlọ Obibi meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Jingumae Project, Tokyo Japan Nhazi Ime Ụlọ Obibi ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Jingumae Project, Tokyo Japan Nhazi Ime Ụlọ Obibi na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: This apartment renovation facing Togo Shrine in Harajuku blends natural materials to create a modern East-meets-West design inspired by Taisho-era aesthetics. The L-shaped layout merges two units, with curved walls and ceilings enhancing flow. Materials like chestnut wood, stone, and hand-blown glass emphasize sustainability and craftsmanship. Earthy tones and natural accents create a serene yet elegant atmosphere, offering a new model for urban living that harmonizes nature and modern life.
Mkpado: Residence, apartment, natural materials, granite, solid wood, parquet, door
Teknụzụ Mmepụta: The sliding doors are crafted using a technique called sumimaru-gōshi, where the lattice is carved from a single piece of solid wood. Instead of attaching separately rounded pieces, the curves are directly shaped from one block of wood. This method achieves a simple yet elegant and softly refined impression.
Similarly, for other wooden elements, the curved (R-shaped) forms are also created by carving from single pieces of solid wood as much as possible, ensuring a sense of cohesion throughout the space.
Ịma Aka Imepụta: Since this project began during the unprecedented time of the COVID-19 pandemic, sourcing materials, furniture, and fixtures took far longer than expected. However, this situation allowed us to secure time for deep discussions with the client about fundamental questions: What truly makes a home livable? What defines comfort? As a result, the project became a kind of antithesis to the prevailing trend of prioritizing economic efficiency, prompting everyone involved to reconsider the essence of their work.
Nchọpụta: We were asked to reconsider the standard interior and architectural modules to ensure the client could live comfortably. Through discussions, we carefully reviewed factors such as circulation widths, dimensions at corners, and the overall flow of daily life. As a result, some areas required more generous spatial allowances than usual. However, upon completion, the client expressed great satisfaction, feeling that the space had become a truly unique environment tailored specifically for them.
Mkpali: We created a space that feels in harmony with nature, as if bringing the serene environment and greenery of the shrine into the interior. Specifically, surface treatments were kept to a minimum to highlight the natural textures of the materials. Inspired by traditional Japanese lattice doors and patterns, these design elements are reflected in the parquet flooring and door detailing.
Oge Ọrụ: The project started in October 2022 and finished in November 2024.
Patentị: Copyrights belong to Kazushige Masuya, 2024.
Ndị Otu: Shinichi Itami(life design kabaya co.,ltd)
Senior Designer
Yuki Monden(life design kabaya co.,ltd)
Designer
Taeko Shinchi(life design kabaya co.,ltd)
Designer
Yukihiko Asaka(life design kabaya co.,ltd)
Construction Manager
Asụsụ Foto: Image #1: Photographer Daiki Morita, ZOOM, 2024
Image #2: Photographer Daiki Morita, ZOOM, 2024
Image #3: Photographer Daiki Morita, ZOOM, 2024
Image #4: Photographer Daiki Morita, ZOOM, 2024
Image #5: Photographer Daiki Morita, ZOOM, 2024