Beyond Hustle Nhazi Ime Ụlọ Obibi nke Yeh-Chen Liu and Hsin-Ning Yang

Ihe emepụtara bụ Beyond Hustle Nhazi Ime Ụlọ Obibi nke Yeh-Chen Liu and Hsin-Ning Yang bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

IgweIme Ụlọ· 2026

Beyond Hustle Nhazi Ime Ụlọ Obibi

nke Yeh-Chen Liu and Hsin-Ning Yang

Onye Ahịa: Wimdesign

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Ime Ụlọ

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Nyochaa Ọnọdụ Onyinye maka #176742

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Beyond Hustle Nhazi Ime Ụlọ Obibi

Beyond Hustle bụ nhazi ime ụlọ obibi maka ụlọ ngosi nwere elu anọ nke ruru mita skwea 158.6 dị nso n'akụkụ osimiri na Taiwan. Ụlọ obibi a nwere ime ụlọ ihi ụra atọ, ọnụ ụlọ obibi, ọnụ ụlọ iri nri na ụlọ ịsa ahụ atọ. Windo ndị ruru elu niile n'ime ọnụ ụlọ obibi dị n'elu nke abụọ na-egosipụta ahịhịa ndụ ndụ dị n'akụkụ osimiri. Sofa gbagọrọ agbagọ na-enye ohere ịnọdụ ala n'ụzọ dị iche iche, ebe mbadamba ndị na-amịpụ amịpụ na-ekpuchi telivishọn, ebe nchekwa na igbe eletrik. Akwa daybed arụnyere n'ọnụ ụzọ mbata na-ejikọta ebe iri nri na ebe obibi. Ihe ndị e ji arụ ya gụnyere veneer osisi, mbadamba ndị nwere ọdịdị akwa na ihe nkiri e ji agba na-adịghị egbuke egbuke tee.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Beyond Hustle Nhazi Ime Ụlọ Obibi meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Beyond Hustle Nhazi Ime Ụlọ Obibi ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Beyond Hustle Nhazi Ime Ụlọ Obibi maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The design emphasizes escape from hustle. The second-floor living room, with full-height windows framing riverside greenery, serves as the visual core. A curved sofa allows flexible seating for conversation and viewing. Glass sliding doors ensure transparency and energy efficiency. Sliding panels conceal the TV, electrical box, and storage, maintaining visual coherence. The mezzanine features a flowing curved ceiling, while a built-in daybed at the entrance creates a transitional lounge, linking dining and living areas and defining three social zones.
Nha & Mkpuchi: The residence measures 158.6 square meters across four floors, with three bedrooms, a living room, a dining room, and three bathrooms. While the overall layout was retained, the focus lies on the second-floor social area, integrating functions near the staircase and elevator. The master suite uses sliding doors for privacy-allowing the entire floor to function as an independent, secure retreat when needed. Circulation alternates between openness and concealment, achieving the ideal balance of flexibility and privacy.
Mkpado: River, Ceiling Design, Hidden Door, Wood Tone, French Manor, Eco-Friendly Materials, Villa
Teknụzụ Mmepụta: The project adopts a warm, earthy palette composed of wood veneer, textile-textured system panels, and low-saturation coatings to create gentle gradation. Large stone surfaces were deliberately avoided to keep the focus on light and curvature. The television wall remains intentionally minimal, serving as a pure white canvas when the sliding panels are closed. Small metal accents and glass doors subtly reflect outdoor greenery, extending visual depth and producing an atmosphere that feels light, elegant, and understated.
Ịma Aka Imepụta: The greatest challenge stemmed from immovable structural and mechanical elements, including the electrical box, plumbing, and developer-installed fixtures. If enclosed individually, these elements would have appeared fragmented: therefore, the team replaced the handrail with large sliding doors that visually unify the stair boundary while maintaining full access. Additionally, because the property was originally a show unit, the ceiling could not be fully enclosed. This required repeated calibration between fire safety, structure, and detailing to ensure the curved ceiling.
Nchọpụta: The design embodies 'stay away from hustle,' using framed scenes where walls and doorways become daily poetry. The second-floor living room captures riverside views through full-height glazing: glass partitions maintain openness while reducing cooling load. Concealed TV doors restore simplicity. Double sliding panels integrate storage and electrical boxes. Wave-like ceilings echo wind and water, expanding rhythm, while the entrance daybed offers a calm pause between movement and stillness.
Mkpali: Located near a riverside, this four-story, 158.6 m2 villa-style show home embodies 'serenity within the city.' Greenery and the flowing rhythm of water are brought indoors, with curved ceilings echoing natural contours. Light and movement ascend through the floors, creating subtle French-inspired romance. Without major structural changes, layered materials and lines cultivate a space that balances livability with contemplative aesthetic appreciation.
Oge Ọrụ: The project finished in April 2025 in Taiwan.
Usoro Ọrụ: Visitors praised the flowing curved ceiling for expanding volume and softening indoor-outdoor boundaries. Glass partitions control air-conditioning zones while maintaining openness. The hidden TV wall turns the living room into a conversational lounge focused on the framed landscape. The entrance daybed creates a relaxed receiving corner, easing transitions between entry, rest, and social interaction, enhancing daily comfort and rhythm.
Ndị Otu: YEH-CHEN LIU, HSIN-NING YANG
Asụsụ Foto: Wimdesign