Cest Lavie Gallery Nhazi Ime Ụlọ Azụmahịa nke Mto & Hwcd

Ihe emepụtara bụ Cest Lavie Gallery Nhazi Ime Ụlọ Azụmahịa nke Mto & Hwcd bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Ọlaedo na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

ỌlaedoIme Ụlọ· 2026

Cest Lavie Gallery Nhazi Ime Ụlọ Azụmahịa

nke Mto & Hwcd

Onye Ahịa: Mto & Hwcd

Onye Meriri Ihe Nrite A' Design Award nke Ọlaedo na Udi Ime Ụlọ

40,000

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #177038

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Cest Lavie Gallery Nhazi Ime Ụlọ Azụmahịa

Cest Lavie Gallery bụ nhazi ime ụlọ maka klọb ndụ na nka dị na Chengdu, China. Ohere ahụ ruru mita skwea 3,800 ma na-agbaso ụdị okomoko ọhịa. Nkewa dabere n'ọrụ na-emepụta ebe mkparịta ụka n'ụdị French, ebe ngosi nka Africa, na ebe ezumike, na-enye ohere mmegharị dị mfe n'etiti mpaghara nzuzo na nke ọha. Ihe eji arụ ọrụ gụnyere osisi veneer, nkume, enyo nka, ígwè, na akwa e si mba ọzọ bubata. Brik uhie na-echekwa gburugburu ebe obibi nke e mere iji dabara na ajị anụ mmadụ mere na-atụkwasị ụdị mmetụ dị iche iche. Udidi ebumpụta ụwa na ìhè na-eduzi ụzọ ndị ọbịa.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaedo

Cest Lavie Gallery Nhazi Ime Ụlọ Azụmahịa meriri A' Design Award nke Ọlaedo, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa mbụ, dị ịtụnanya ma pụtara ìhè. Ndị meriri na Ọlaedo bụ ihe e kere eke dị oke ọhụrụ, nwere ọhụụ ma na-egbu maramara nke na-egosipụta ọgụgụ isi, amamihe na nka nke ndị designer ha. A na-atụ anya na Cest Lavie Gallery Nhazi Ime Ụlọ Azụmahịa ga-abụ ihe e mepụtara kacha enweta otuto, na-edu ọnọdụ ma bụrụ ihe ncheta nke na-enye uru na-adịbeghị mgbe ọ bụla. Design a meriri A' Design Award nke Ọlaedo bụ ọrụ dị ebube, a na-asọpụrụ nke na-erite uru buru ibu ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Cest Lavie Gallery Nhazi Ime Ụlọ Azụmahịa na-eweta mmetụta ọchịchọ siri ike, na-akpali agụụ, na-akwado nzụlite ihe ma na-adọrọ anyị adọrọ.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Compared with similar commercial space designs, this project offers unique features and a fresh brand image. Crafted in a wild luxury style, it uses elegant eco-friendly materials to evoke a natural ambiance. Through functional zoning, it incorporates French-style artistic negotiation areas and African wild art exhibition areas, creating a stylish, understated luxury art club that fully embodies the spirit of wild luxury.
Nha & Mkpuchi: The project covers an interior space of 3,800 square meters in Chengdu. Functional zoning includes French-style negotiation areas and African wild art exhibition areas. Main materials include wood veneer, luxury stone, artistic glass, metal, imported fabrics, and customized eco-friendly red bricks and artificial fur, ensuring both durability and alignment with the wild luxury style.
Mkpado: Wild Luxury, Chengdu Culture, French-Style Negotiation, African Art Exhibition, Eco-Friendly Design, Recycled Materials, Luxury Stone, Artistic Glass, Contemporary Lifestyle, Sustainable Interior
Teknụzụ Mmepụta: The project primarily utilizes materials such as wood veneer, luxury stone, artistic glass, metal, and imported fabrics, while also incorporating customized eco-friendly red bricks and customized artificial fur materials. The selection and application of these various materials align with the project's overall style and functional requirements.
Ịma Aka Imepụta: The hardest challenge was developing customized eco-friendly red bricks and artificial fur, requiring R&D from production to on-site installation. A tight four-month schedule added pressure across building optimization, construction, and customization. Internally, balancing international aesthetics with Chengdu's cultural identity posed creative risks; externally, limited time and technical constraints demanded close collaboration and process refinement.
Nchọpụta: This research was design-oriented, aiming to merge fashion, art, and commerce in Chengdu. Methods included cultural analysis, material research, and prototyping. Data were gathered through market studies, local cultural references, and material testing, with input from design teams, craftsmen, and clients. Results showed strong user resonance with wild luxury aesthetics. Insights reveal that eco-conscious material innovation can elevate commercial branding while enriching lifestyle experiences.
Mkpali: The design inspiration of this project stems from three aspects: first, Chengdu's abundant natural resources and the surrounding environment of the project that is surrounded by mountains and waters; second, the new-type commercial lifestyle format presented by the project's name "Baiyu Ming" and its French counterpart "Cest lavie"; third, the current popular trend of wild luxury style and the project's demand for the expression of artistic life.
Oge Ọrụ: The project started in May 2025 and finished in August 2025 in China.
Usoro Ọrụ: The gallery operates as a lifestyle and art club where visitors move through zones of negotiation, exhibition, and leisure. Natural textures and light guide interaction, while functional layouts allow seamless transitions between private and public areas. Customized materials enhance tactile experience, and the immersive atmosphere integrates art, nature, and commerce to deliver a refined, user-centered journey.
Asụsụ Foto: Image #1: Photographer 4U Studio-Zou Fenghan, Cest Lavie Gallery, 2025.
Image #2: Photographer 4U Studio-Zou Fenghan, Cest Lavie Gallery, 2025.
Image #3: Photographer 4U Studio-Zou Fenghan, Cest Lavie Gallery, 2025.
Image #4: Photographer 4U Studio-Zou Fenghan, Cest Lavie Gallery, 2025.
Image #5: Photographer 4U Studio-Zou Fenghan, Cest Lavie Gallery, 2025.