Contemporary Archaeology Hall Ọrụ Isi: Ngosipụta nke Polymorphic Corp. and Goodjob Corp.

Ihe emepụtara bụ Contemporary Archaeology Hall Ọrụ Isi: Ngosipụta nke Polymorphic Corp. and Goodjob Corp. bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

BronzIme Ụlọ· 2026

Contemporary Archaeology Hall Ọrụ Isi: Ngosipụta

nke Polymorphic Corp. and Goodjob Corp.

Onye Ahịa: National Museum of Prehistory

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #177052

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Contemporary Archaeology Hall Ọrụ Isi: Ngosipụta

Ederede Akwụkwọ: Ụlọ Nkata Nkuzi Ihe Ochie Nke Oge A na-eji ntụbiuche imepụta na teknụzụ gbanwee nkuzi ihe ochie ka ọ bụrụ njem na-akpali echiche nke na-ejikọ oge gara aga na ọha mmadụ nke oge a. Ndị na-eleta na-aghọ ndị na-eme njem oge, na-enyocha ihe nzuzo nke nkuzi ihe ochie n'ebe ndị dị ka agwaetiti Rapa Nui nke jupụtara na Moai, mkpọmkpọ ebe Akrotiri tupu mgbawa ugwu mgbawa, na ili ochie nke onye agha nwanyị Viking. N'ụzọ ha na-aga, ha na-atụgharị uche na ihe ịma aka nke ọha mmadụ nke oge a na azịza ndị nwere ike ịdị.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Contemporary Archaeology Hall Ọrụ Isi: Ngosipụta meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Contemporary Archaeology Hall Ọrụ Isi: Ngosipụta ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Contemporary Archaeology Hall Ọrụ Isi: Ngosipụta na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Through innovative design, the Contemporary Archaeology Hall transforms archaeology into a reflective journey that links the past with today’s society. Visitors become time travellers, venturing into sites such as Rapa Nui, where the Moai are located; Akrotiri, destroyed by a volcanic eruption; and the burial of a female Viking warrior. Along the way, they uncover the mysteries of archaeology while confronting the challenges faced by contemporary society and considering possible solutions.
Nha & Mkpuchi: Independent exhibition hall comprising 570 square meters of indoor galleries and 190 square meters of outdoor space, with ceiling heights ranging from 5 m to 6.8 m. The exhibition includes six thematic sections, three immersive theatres, seven digital interactive installations, twelve display cases, and a large collection of physical artefacts and replicas.
Mkpado: Contemporary Archaeology Hall， National Museum of Prehistory， Polimorphic Design Co., Ltd.， Archaeology， Permanent Exhibition ， Time Travellers
Teknụzụ Mmepụta: Interior Fit-Out: In addition to traditional materials and methods, this project makes bold use of a wall and ceiling system that combines flame-retardant lightbox fabric with an aluminium alloy framework.
Audiovisual Installation: The audiovisual content for this exhibition is primarily produced using 3D CGI animation. Virtual characters are created through facial 3D scanning and motion capture technologies.
Ịma Aka Imepụta: The greatest difficulty of this project lay in the challenges inherent in pursuing innovation.
We actively adopted new materials, methods, and technologies, bringing together expertise from interior design, 3D CGI production, motion capture, lighting, and mechanical prop control. These unprecedented attempts added complexity and uncertainty to the process, yet everything proved worthwhile in the moment of completion.
Nchọpụta: This project constructs a platform for dialogue, using the stories behind the exhibits as bridges for connection: dialogues between past and present, between archaeologists and the public, and among visitors themselves. For us, this is more than an archaeological exhibition; it is also a demonstration of how the humanities can engage with contemporary issues through care and advocacy.
Mkpali: Inspired by a journey through time and space, this exhibition invites visitors to move freely across different eras and regions, exploring the life stories of prehistoric peoples. To realise this vision, we have drawn on a wealth of archaeological research, transforming it into stories that are both informative and engaging. Through a combination of physical displays, digital interaction, and immersive theatre, we present an archaeological exhibition like no other.
Oge Ọrụ: The project was launched on 5 May 2023 and will be on display from 28 June 2025 at the National Museum of Prehistory, Taiwan.
Usoro Ọrụ: During the visit, audiences become time travellers, engaging with rich audiovisual interactions to explore archaeological findings on themes such as gender, coexistence with nature, and food crises, while reflecting on the challenges of contemporary society and possible solutions. At the end of the journey, visitors can share their perspectives with fellow travellers through a digital message wall.
Ndị Otu: Fan-Chieh Chien
Jian-Liang Lai
Chih-Chiang Kuo
Hui-Yu Chuang
Shih-Han Wang
Yen-Ling Liu
Yi-Han Chen
Ting-Ting Chen
Ren-Jie Chen
Yao-Jheng Wang
Shih-Kai Lin
Chi-Yao Liao
Yi-Tsu Yuan
Xuan Li
Ruei-Sing Lin
Fei Wang
Ming-Cheng Liu
Ching-Tai Chuang
Yi-Ren Chen
Fu-Jhih Lei
Asụsụ Foto: Fan-Chieh Chien，Contemporary Archaeology Hall，2025