Ihe emepụtara bụ Waterfall Ọlantị nke Gergo Futo bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Ọlaedo na Udi Asọmpi Nhazi Ọla Ịchọ Mma.

ỌlaedoỌla Ịchọ Mma· 2026

Waterfall Ọlantị

nke Gergo Futo

Onye Ahịa: Viverté Jewellery

Onye Meriri Ihe Nrite A' Design Award nke Ọlaedo na Udi Ọla Ịchọ Mma

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Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Waterfall Ọlantị

Waterfall bụ ọlantị si na nchịkọta Lady of the Lake. Ụdịdị ya nke yiri ihe a kpụrụ akpụ na-eso ụzọ mgbagọ nke ntị ka o kwekọọ n'ahụ nke ọma. Ahịrị ọla ndị na-asọ asọ gbara nkume ndị ahụ gburugburu ma na-echetara mmegharị nke mmiri na-ada ada. E ji ọlaọcha gold 14k rụọ ngwa a ma jiri diamond ndị e mepụtara n'ụlọ nyocha na pearl mmiri dị ọcha chọọ ya mma. E buru ụzọ jiri aka kpụọ ụdịdị ya na wax ma mesịa wụọ ya site n'usoro lost-wax. E doziri nkume niile n'okpuru microscope. Ka onye yi ya na-emegharị, diamond ndị ahụ na-egosipụta ìhè ma ọ na-egbukepụ n'ụzọ dị iche iche.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaedo

Waterfall Ọlantị meriri A' Design Award nke Ọlaedo, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa mbụ, dị ịtụnanya ma pụtara ìhè. Ndị meriri na Ọlaedo bụ ihe e kere eke dị oke ọhụrụ, nwere ọhụụ ma na-egbu maramara nke na-egosipụta ọgụgụ isi, amamihe na nka nke ndị designer ha. A na-atụ anya na Waterfall Ọlantị ga-abụ ihe e mepụtara kacha enweta otuto, na-edu ọnọdụ ma bụrụ ihe ncheta nke na-enye uru na-adịbeghị mgbe ọ bụla. Design a meriri A' Design Award nke Ọlaedo bụ ọrụ dị ebube, a na-asọpụrụ nke na-erite uru buru ibu ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Waterfall Ọlantị na-eweta mmetụta ọchịchọ siri ike, na-akpali agụụ, na-akwado nzụlite ihe ma na-adọrọ anyị adọrọ.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Part of the Lady of the Lake collection, the Waterfall earring is a sculptural piece shaped to follow the natural curve of the ear. Its fluid metal lines frame the diamonds to evoke the shimmer of falling water. The design stands out for its anatomical fit, light-responsive movement and refined minimalism, offering a contemporary interpretation of elegance inspired by natural motion.
Nha & Mkpuchi: Width 35 mm x 15 Depth mm x 115 Height mm
Mkpado: Water, freedom, flow, nature, liquid motion
Teknụzụ Mmepụta: The piece is crafted in 14k white gold, set with lab-grown diamonds and freshwater pearls. Its flowing, water-like form was first sculpted by hand in wax, then cast using the lost-wax technique. The organic lines were refined with precision, and all stones were set under a microscope to ensure accuracy and exceptional craftsmanship
Ịma Aka Imepụta: The main challenge was avoiding a heavy, jewel-dominated look. I chose not to rely on many diamonds, seeking lightness instead of density. Early experiments included pouring molten metal into water to capture natural splashes, but this led to uncontrolled forms. Studying slow motion water imagery helped refine the direction. Balancing fluidity with anatomical fit was complex. The final piece expresses feminine strength through flowing movement rather than mass.
Nchọpụta: Artistic and practice based research. The goal was to understand how water moves, shines and carries strength, and to translate this into a form that fits the ear naturally. The process included extensive sketching, observation of real water movement and repeated redesign. Several early ideas were abandoned during testing. The final piece was hand-carved to preserve a natural flow. The research improved design clarity and created a stronger emotional and brand connection.
Mkpali: My work is shaped by a lifelong connection to water. Growing up beside an oxbow and later returning to swimming, I was deeply influenced by the quiet weightlessness and shifting light beneath the surface. Because water surrounds us from birth and sustains both the body and the Earth, this collection seeks to honour its purity, fluidity and quiet strength through forms that echo its natural movement.
Oge Ọrụ: The design and development of Lady of the Lake took approximately four months, from August 2023 to November 2023. The piece was conceived and completed in the designer’s atelier in Szeged, Hungary. The nearby waterfront environment served as an early source of inspiration during the conceptual phase.
Usoro Ọrụ: The diamonds reflect light like the surface of deep water, while metal waves flow naturally along the shape of the ear, as if formed by the body itself. As the wearer moves, the piece responds — light shifts and shimmer appears. It transforms from a static object into a living presence, creating a strong, mythical impression that feels fluid and powerful.
Ndị Otu: Gergő Futó
Erneszt Szabó Tönki