Ihe emepụtara bụ Nakovalnya Oche nke Nataliya Naymark bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Ngwá Ụlọ.

IgweNgwá Ụlọ· 2026

Nakovalnya Oche

nke Nataliya Naymark

Onye Ahịa: NNaymark.design

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Ngwá Ụlọ

6,154

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #181782

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Nakovalnya Oche

Nakovalnya bụ oche dị ukwuu nke na-asọpụrụ mmụọ ọrụ mmepụta ihe nke ebe ọkpụ ígwè alaeze Russia oge ochie. N'ịbụ nke sitere n'ike mmụọ nsirihụ ndị nna nna onye mmebe ahụ n'ọrụ ịkpụ ígwè, ọrụ a na-atụgharị ọdịdị dị arọ ma guzosie ike nke ihe ọkpụkpụ ígwè (anvil) ka ọ bụrụ ihe ọkpụkpụ osisi nke oge a. N'inwe oche miri emi a kwadoro nke ọma nke gbadara n'ime na ọdịdị brutalist, Nakovalnya na-arụ ọrụ dịka oche bara uru na ebe nkwụba uwe. Ọ na-anọchi anya isi mmalite, ebe ọrụ e mere ka ọ bụrụ ihe bụ isi n'ime ụlọ site n'ọrụ aka dị elu.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Nakovalnya Oche meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Nakovalnya Oche ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Nakovalnya Oche maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The Nakovalnya Chair explores ancestral heritage and the primordial act of creation. Inspired by the designer's great-great-grandfather, a blacksmith in Imperial Russia, the project embodies the grit and transformative power of the forge. The motive was to translate the "Anvil" - a site of intense labor and fire - into a domestic center piece. It serves as a tribute to the humble beginnings where raw materials are struck into beauty, positioning the chair as the essence of the home.
Nha & Mkpuchi: 700*640*680
Mkpado: Anvil Chair, Nakovalnya Design, Blacksmith Heritage, Russian Brutalism, Sculptural Seating, Solid Wood Furniture, Valet Chair, Ancestral Storytelling, Imperial Russia, Modernist Craft, Monumental Furniture, Functional Art, CNC Woodworking, Hand-finished Timber, Heritage Design.
Teknụzụ Mmepụta: The chair is realized through high-precision solid wood joinery, using oversized ash or oak to achieve its brutal mass. The primary structural challenge involved the deep concave seat, achieved through multi-axis cnc milling and hand-finishing to highlight the grain. The assembly uses mortise-and-tenon joints, reinforced to support the cantilevered backrest and hanging rail. The finish is a matte, low-voc oil that preserves the raw, tactile nature of the timber.
Ịma Aka Imepụta: The hardest part was balancing brutalism with human ergonomics. To honor the anvil, the chair needed to feel heavy and immovable while remaining a comfortable seat. Overcoming the internal factor of personal history, ensuring the tribute was respectful yet modern, required multiple iterations of the silhouette. Structural limits of wood when mimicking the weight of iron posed engineering challenges. Achieving the deep seat curve without compromising the grain was the main technical hurdle.
Nchọpụta: This project is a work of Applied Conceptual Research aimed at bridging ancestral history with modern furniture typology. The objective was to distill the "spirit of the forge" into a functional domestic object. The methodology involved a deep dive into 19th-century blacksmithing tools and Russian peasant heritage, translating heavy iron geometries into wood. Data collection consisted of studying anvil proportions and ergonomic testing of concave surfaces. Through experiments with 1:1 scale prototypes, the research successfully balanced "brutalist" aesthetics with seating comfort. The insight gained is that furniture can act as a vessel for historical memory, impacting design by moving away from clinical minimalism toward soulful, narrative-driven objects that resonate with a society seeking deeper connections to their past.
Mkpali: Nakovalnya is a sculptural seating element prioritizing a brutalist aesthetic. Characterized by thick-set wooden members and a dramatic concave seat, the design mimics the grounded geometry of traditional iron-working tools. Its unique strength lies in its dual functionality: it serves as a robust seating vessel and a sculptural valet for garments. Unlike standard furniture, Nakovalnya acts as a physical manifesto of historical labor, bridging the gap between utilitarian craft and art.
Oge Ọrụ: autumn 2025
Usoro Ọrụ: The chair functions as a heavy-duty sanctuary for both the body and belongings. Its deep, scooped seat provides a grounded sitting experience, while the high, sturdy backrest is designed to double as a valet for hanging heavy coats or everyday clothes. Interaction is simple and tactile: the oversized wooden frame encourages the user to feel the history of the forge. It performs better than standard seating by offering a dual-purpose "sculptural anchor" that organizes the space around it.