Serenity Nhazi Ime Ụlọ Obibi nke Wei Cheng Chen

Ihe emepụtara bụ Serenity Nhazi Ime Ụlọ Obibi nke Wei Cheng Chen bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

BronzIme Ụlọ· 2026

Serenity Nhazi Ime Ụlọ Obibi

nke Wei Cheng Chen

Onye Ahịa: Makoto Interior Decoration Co., Ltd.

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #182342

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Serenity Nhazi Ime Ụlọ Obibi

Serenity bụ nhazi ime ụlọ obibi maka ụlọ obibi nwere 107.7 square mita dị na Tainan City, Taiwan. Ụdị uko ụlọ gbagọrọ agbagọ na-ekpuchi ntụlọ ụlọ na akụrụngwa igwe, na-atụgharị ihe mgbochi ka ha bụrụ ihe nduzi anya. E jikọtara ebe obibi, ebe iri nri, na ebe ọgụgụ akwụkwọ n'otu atụmatụ ghere oghe, ka ìhè ụbọchị rute n'ime ime ụlọ ahụ. Ihe ntekwasị agba ntụ-ọcha na-enweghị nchakwa na-ebelata ntụgharị ìhè, ebe ihe mkpuchi kọnkịrit nke ụkpụrụ ụlọ n'elu uko ụlọ na-agbakwụnye udidi ma ihe osisi na-agbakwụnye ọkụ ọkụ nke obi. E tinyekọtara ebe nchekwa n'akụkụ mgbidi telivishọn n'ime kaboodu ndị kwụ n'elu.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Serenity Nhazi Ime Ụlọ Obibi meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Serenity Nhazi Ime Ụlọ Obibi ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Serenity Nhazi Ime Ụlọ Obibi na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The project transforms fluid curves into functional elements. In the social area, rounded ceiling forms wrap beams and equipment, reinterpreting constraints as visual guides and creating upward, continuous flow. Living, dining, and reading areas remain open and connected, with storage concentrated at the TV wall and other elevations kept clean. Light tones carry daylight deep indoors, while the louvered bedroom window aligns with the bedhead, flexibly controlling light and comfort.
Nha & Mkpuchi: The 107.7 m2 interior was reconfigured by integrating the study into the social area to expand the spatial scale. Circulation follows the idea of 'seeing the home's depth at a glance,' linking the reading zone, dining table, and living room in continuous visual relationships. Storage is concentrated along the TV wall, with cabinets suspended rather than grounded, preserving negative space below and enhancing lightness and visual flow.
Mkpado: Light Tones, Curved Elements, Open Plan, Structural Transformation, Modern Design
Teknụzụ Mmepụta: Matte gray-white paint forms the primary finish, reducing reflection and visual disturbance so that light appears soft and evenly distributed. Architectural concrete coating is applied to the ceiling, introducing a subtle, rugged texture to prevent the pale space from appearing overly smooth or lacking dimension. Wood elements are added selectively to flooring and partial furnishings, creating balance between cool restraint and warmth. Material selection throughout the residence prioritizes durability and ease of maintenance.
Ịma Aka Imepụta: In the high-rise residence, mechanical equipment and piping required a lowered ceiling, and a major structural beam in the social area could not be removed. The challenge was preserving openness without visual oppression. By wrapping the beam and using curved transitions, volumetric boundaries were reorganized, turning constraints into design language and softening the sense of mass while maintaining a light, open spatial experience.
Nchọpụta: Located in the North District, Tainan City, the 107.7 m2 home centers on bodily comfort in every movement. Structural beams and the original three-bedroom layout were reinterpreted with flowing curves, using rounded ceiling forms to dissolve boundaries and create a sense of upward continuity. Gray-white matte finishes pair with concrete textures and warm wood grain for balance. An open plan draws daylight deep inside, embedding the reading area into the social zone. Suspended storage along the TV wall preserves lightness, allowing daily rhythms to unfold with ease.
Mkpali: The design begins with the idea of natural bodily support, feeling at ease while walking, pausing, or turning. The homeowners wanted a quiet, lasting comfort without excess decoration. Gray-white tones form the base, balanced by concrete-textured finishes and warm wood grain to avoid sterility. Curves flow across walls, ceilings, and transitions, softening boundaries like gentle pauses in daily life-subtle, necessary, and calming.
Oge Ọrụ: The project finished in April 2025 in Taiwan.
Usoro Ọrụ: After moving in, the homeowners most often mention the sense of 'ease.' Even with multiple activities-reading, watching a movie, preparing light meals, or resting at the dining table-sightlines remain connected without disturbance. Light and visual continuity form the home's primary rhythm, allowing everyday behaviors to unfold naturally rather than through deliberate arrangement, creating a calm, fluid, and comfortable living environment.
Ndị Otu: WEI-CHENG CHEN
Asụsụ Foto: Makoto Interior Decoration Co., Ltd