Ihe emepụtara bụ Jardo Ụlọ Obibi nke Maciej Basalygo bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

BronzIme Ụlọ· 2026

Jardo Ụlọ Obibi

nke Maciej Basalygo

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ime Ụlọ

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Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Jardo Ụlọ Obibi

Ọrụ Jardo na-egosipụta ọchịchọ maka nguzozi n'etiti ihe owuwu ụlọ, nka, na imewe. Mmasị o nwere na ịkpụ ihe nwere mmetụta dị ukwuu na nsonaazụ ikpeazụ, nke a na-ahụ n'imewe nke ngwá ụlọ na steepụ ndị ahụ. Otu nnukwu ihe ịma aka nye ya bụ ijikwa nha na oke nke ọnụ ụlọ ndị ahụ iji wepụ ngwọta ndị a na-ahụkarị. O lekwasịrị anya na gburugburu ebe obibi na mmepe na-adigide. O jiri uru nke nka aka ndị obodo na ndị nrụpụta obodo na-arụ ọrụ na osisi, nkume, iko, na ihe mkpuchi sitere n'okike mee ihe.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Jardo Ụlọ Obibi meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Jardo Ụlọ Obibi ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Jardo Ụlọ Obibi na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The design deliberately limits the range of materials and colors used, which is a key element in creating new functional interior scenarios. The design demonstrates the optimization of the composition of forms and planes, used as a means to accentuate individual rooms and highlight the quality of the selected finishing materials. The lack of obvious boundaries between partitions creates a sense of visual continuity in the design concept and can serve as a subtle guide through the home. The abstract mezzanine staircase serves as the architectural focal point and the heart of the home’s ecosystem.
Nha & Mkpuchi: The thorough renovation project covered approximately 200 square meters of space on two floors. The floors, plaster, ceilings, installations, windows, stairs, and all furnishings were replaced. New eco-friendly and energy-efficient materials were introduced.
Mkpado: Interior design, interior remodeling, unique designs, sculptural staircases, woodworking,
Teknụzụ Mmepụta: To achieve the desired results, the project relied on an in-depth technical analysis and placed a strong emphasis on environmental sustainability and eco-friendly practices. It leveraged the strengths of local craftsmanship and local manufacturers. Particular attention was paid to custom-designed details and unique interior elements crafted from wood, stone, glass, and natural finishes.
Ịma Aka Imepụta: A major design challenge was manipulating the proportions and boundaries of the rooms to eliminate solutions that are characteristic and typical, particularly when it comes to concealing modern installation technologies. Only the preparation of precise construction drawings, coordination, and direct supervision of the work on-site ensured that the design objectives could be achieved.
Nchọpụta: An analysis of the research shows that investors and designers are consciously striving to improve quality of life, taking into account not only aesthetic and spatial qualities, but above all their integration with eco-friendly solutions aimed at reducing the carbon footprint and energy consumption. One of the most important preliminary tasks of the project was to collect basic preliminary data on energy consumption patterns and the potential for using alternative and sustainable energy sources. The result was the optimization of functional, spatial, material and execution solutions.
Mkpali: The project illustrates the search for the perfect balance between architecture, art, and design. It is the result of creative discussions with the clients, which led to an analysis of their favorite forms and natural phenomena, including color schemes. The designer’s fascination with sculpture also had a significant influence on the final result, which was reflected in the furniture and staircase designs, as well as in the selection of design accents in the lighting fixtures and decorative accessories.
Oge Ọrụ: The facility is located in Gniezno, Poland. The project began in 2019 and, with interruptions, continued until 2024.
Usoro Ọrụ: A new aesthetic and architectural context has been proposed for the occupants of this space, allowing for a continuous interpretation of the emotional codes developed during the design phase. Care was taken to ensure the use of materials with natural characteristics. The availability and variability of natural and artificial light were determined. Communication rules were defined so that the interiors would better foster the most important family relationships. LED lighting was diversified to highlight the most important functions and visual elements of the family space.
Asụsụ Foto: Image #1-5 : Photographer Maciej Frydrysiak