Beauty of Yinyang Ọrụ Isi: Nhazi Ime Ụlọ Obibi nke PiiN Interior Design

Ihe emepụtara bụ Beauty of Yinyang Ọrụ Isi: Nhazi Ime Ụlọ Obibi nke PiiN Interior Design bụ onye meriri a na-asọpụrụ nke ukwuu nke 2020 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

BronzIme Ụlọ· 2020

Beauty of Yinyang Ọrụ Isi: Nhazi Ime Ụlọ Obibi

nke PiiN Interior Design

Onye Ahịa: Shan Cun Fu Hong Interior Design

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #88734

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Beauty of Yinyang Ọrụ Isi: Nhazi Ime Ụlọ Obibi

Ederede Akwụkwọ: Beauty of Yinyang bụ nhazi ime ụlọ obibi nke mita kwaduaka 300 dị na Taichung, Taiwan. Nhazi a na-etinye nguzozi nha anya nke Yinyang, bụ́ ụkpụrụ echiche ọdịnala ndị China, n'ime ụlọ nke oge a. Nhazi nha anya na ihe ndị e ji ahazi ihe n'usoro eziokwu na-ewepụta mmetụta nke usoro na udo. Okirikiri na-ekpuchi mpaghara oriri, na-egosipụta nnọkọ ezinụlọ gburugburu nri a na-ekekọrịta. Ihe eji arụ ọrụ gụnyere osisi nkịtị, nkume marble, ihe mgbatị ọla edo na osisi ọkụ akụkọ ochie ejiri mee windo. E kwụbaghachiri nnukwu eserese mmiri akwụkwọ n'otu mgbidi.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Beauty of Yinyang Ọrụ Isi: Nhazi Ime Ụlọ Obibi meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Beauty of Yinyang Ọrụ Isi: Nhazi Ime Ụlọ Obibi ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Beauty of Yinyang Ọrụ Isi: Nhazi Ime Ụlọ Obibi na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: In contrast to the Western concept of spatial design that is filled with power and outward contrast, people can find reservation, harmony, serenity and order in the Oriental traditional architecture and craft aesthetics, especially from the new Chinese styling derived from its classic styling. This project encompassed the functionality of modern western design, in successfully continuing the legacy the serene elegance and genuine spiritual pursuit in the traditional Chinese culture.
Nha & Mkpuchi: The interior design area is 300 square meters.
Mkpado: New Chinese Styling, Symmetry, Circle, Oriental, Line
Teknụzụ Mmepụta: Vintage Glass Window Craft, Gold Foil, Large Water Ink Wall Painting on Paper, Genuine Timber, Marble
Ịma Aka Imepụta: With the indispensable circle element in the new Chinese styling, it is epitomized in the design of the dining area which articulated the gathering for meals in the traditional Chinese culture, and the design team successfully overcame the seamless joint of veneer in the elevation design. And as opposed to the usual wall painting materials, the design team mounted a large traditional Chinese water ink painting on the wall in exhibiting the grandeur of the celebrated sense of fulfilment.
Nchọpụta: As the maintenance of traditional culture progressing with the time is one of the missions of designers, in the era of globalization, it is critical for the humanity first design domain to help people to find the cultural root that may have been gradually forgotten. And in this project, the reflection of the designer on the Western industrial design and Oriental traditional aesthetics was translated to the sense of order in the form of linear elements exhibiting stability and fulfillment.
Mkpali: In the Chinese world, the core principle of interpersonal interaction and decorum is to adhere to the good, and to escape from the bad. Fengshui was indeed a spatial layout theory based on order bringing stability and harmony to home. In order to facilitate the changes in modern life style, while preserving Chinese culture, the design team reflected and explored in ultimately applying the principle of the balanced symmetry of Yinyang in this spatial design.
Oge Ọrụ: The project finished in February, 2018 in Taichung, Taiwan.
Usoro Ọrụ: Traditional Chinese aesthetics places high premium on the beauty of symmetry, which originated from their unique school of philosophical thinking in the balance of Yinyang.
Ndị Otu: Chih Hsiu Sung
Joy Chou
Asụsụ Foto: Photographer LIN YU HUAN, SW8 Studio, 2019.