Ihe emepụtara bụ Ataraxia Nchịkọta Ọla nke Yilan Liu bụ onye meriri a na-asọpụrụ nke ukwuu nke 2020 Ihe Nrite A' Design Award nke Ọlaedo na Udi Asọmpi Nhazi Ọla Ịchọ Mma.

ỌlaedoỌla Ịchọ Mma· 2020

Ataraxia Nchịkọta Ọla

nke Yilan Liu

Onye Ahịa: Yilan Jewelry

Onye Meriri Ihe Nrite A' Design Award nke Ọlaedo na Udi Ọla Ịchọ Mma

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #90013

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Ataraxia Nchịkọta Ọla

Na ijikọ ya na ejiji na teknụzụ dị elu, oru ngo a bụ imepụta iberibe ọla nke nwere ike ime ka ihe ndị Gothic ochie wee bụrụ nke ọhụụ, na-ekwu maka ikike nke ọdịnala na ọnọdụ dị n'oge a. N'inwe mmasị n'ụzọ otu Gothic si enwe mmetụta n'ahụ ndị na-ege ntị, ihe omume ahụ na-anwa ịkpasu ahụmịhe mmadụ pụrụ iche site na mkparịta ụka egwuregwu, na-achọpụta mmekọrịta dị n'etiti imewe na ndị na-ebu ya. A na-egbute nkume gemstones, dị ka ihe dị ala nke ihe ala, ka etinyere na mbara ala na-enweghị atụ iji tụnye ụcha ha na akpụkpọ ahụ iji mee ka mmekọrịta ahụ dịkwuo elu.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaedo

Ataraxia Nchịkọta Ọla meriri A' Design Award nke Ọlaedo, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa mbụ, dị ịtụnanya ma pụtara ìhè. Ndị meriri na Ọlaedo bụ ihe e kere eke dị oke ọhụrụ, nwere ọhụụ ma na-egbu maramara nke na-egosipụta ọgụgụ isi, amamihe na nka nke ndị designer ha. A na-atụ anya na Ataraxia Nchịkọta Ọla ga-abụ ihe e mepụtara kacha enweta otuto, na-edu ọnọdụ ma bụrụ ihe ncheta nke na-enye uru na-adịbeghị mgbe ọ bụla. Design a meriri A' Design Award nke Ọlaedo bụ ọrụ dị ebube, a na-asọpụrụ nke na-erite uru buru ibu ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Ataraxia Nchịkọta Ọla na-eweta mmetụta ọchịchọ siri ike, na-akpali agụụ, na-akwado nzụlite ihe ma na-adọrọ anyị adọrọ.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Inspired by Gothic architecture, the collection encapsulates the sublime internal atmosphere, exploiting Gothic structural details to stimulate the particular feelings and explore emotional experience. Synthetic gemstones, as a lower eco-imprint material, were cut into unusually flat surfaces to cast their colors onto the skin to enhance the vibe. Immersive exploration of the precious culture is encouraged by the collection. The jewelry acts as a media to provoke unique individual experience. The design challenged the production to realize all the details to achieve the final result.
Nha & Mkpuchi: Ring No.1: 41mm x 18mm x 30mm;
Ring No.2: 28mm x 28mm x 36mm;
Bangle: 75mm x 75mm x 22mm;
Earring: 21mm x 59mm x 8mm
Mkpado: jewelry, ring, bangle, earring, Gothic architecture, culture, emotional experience, eco-friendly, interaction, synthetic gemstones
Teknụzụ Mmepụta: The production lasted about one month including wax curving, casting, stone cutting, model modification, stone setting, metal finishing and gold plating. Some design details were adjusted during this process. The materials are synthetic gemstones including cubic zirconia, synthetic spinel and synthetic ruby which were cut into usually flat surfaces. For the metal part, the material is goldplated silver.
Ịma Aka Imepụta: The challenge was to realize all the design details to achieve the best result. There were many details in the design which made it difficult to well polish all the corners without damaging. After several experiments, I finally chose sand blasting as the main metal finishing which combined with full polish of the top faces of the settings, ensuring all the details as well as giving the collection a feel of flexibility. Also, the stone cutting process went through a lot of experiments to decide the thickness to gain the best effect.
Nchọpụta: The research concentrated on Gothic culture and the purchasing behavior of customers towards contemporary jewelry from books, journals, online articles and relevant market data. The research showed the potential of making the old into the new in the perspectives of market and technology. Besides, the case studies were given on market, trend and manufacture with online research and interviews, as first-hand investigations underscoring the value of the project. All the research promoted the development of the project and completed the project in the academic way.
Mkpali: The collection was inspired by ancient Gothic architecture. This traditional style is fading with time, but it can be reborn in a new way with jewelry. Combining with fashion and advanced technology, the project aims to create jewelry pieces which can make the old into a new style, discussing the potential of the traditional in the contemporary context. With the interest in the way how the Gothic vibe influences audience and based on the vast research on Gothic culture, the project also tries to provoke unique individual experience through playful interaction, exploring the relationship between design and wearers.
Oge Ọrụ: The project started in October 2017 in London and finished in May 2019 in London, and was exhibited in Central Saint Martins Degree Show in June 2019 and was awarded as Distinction. The production was finished in China.
Usoro Ọrụ: The designs were inspired from Gothic architecture. Wearers will be easily attracted by its amazing appearance with elegant details. The pieces combine the old with the new, explaining the traditional culture with contemporary fashion language. When wearing the jewelry, the beautiful lines flow with the body, the bright colors cast onto the skin, creating a poetic experience for individuals. It is jewelry, but more than jewelry. It is a combination of culture, aesthetic, fashion and emotion.
Asụsụ Foto: #1, 2, 3, 4, 5: Photographer Xiaowu Yu, 2019