Life With Mountain Ọrụ Isi: Nhazi Ime Ụlọ Obibi nke Alen Lo

Ihe emepụtara bụ Life With Mountain Ọrụ Isi: Nhazi Ime Ụlọ Obibi nke Alen Lo bụ onye meriri a na-asọpụrụ nke ukwuu nke 2020 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

IgweIme Ụlọ· 2020

Life With Mountain Ọrụ Isi: Nhazi Ime Ụlọ Obibi

nke Alen Lo

Onye Ahịa: Dreamer Interior Design

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

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Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

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Nhazi a

Maka Life With Mountain Ọrụ Isi: Nhazi Ime Ụlọ Obibi

Ederede Akwụkwọ: Ndụ Na Ugwu bụ nhazi ime ụlọ obibi maka ụlọ elu ugwu dị na Taiwan. Ihe owuwu elu ụlọ nke dị mgbagwoju anya na ọdịda ala na-ekekọrịtaghị otu ahịrị mere ka nhazi ọnụ ụlọ dị iche iche gbasasịa, ebe ogidi ndị gbasasịrị mere ka ime ụlọ ndị ahụ dị ka ihe kpakọrọ nkịtị. Ọkwa atọ na-esochi ibe ha, dị elu na ndị dị ala, na-ebuli ịdị elu nke ọnụ ọdịbendị ebe ọha na-anya n’anya. Ahịrị kwụ ọtọ doro anya nke ihe ndị e ji ígwè kpụọ, tinyere okpokoro ndị ahụ, na-ejikọta mgbidi ihu na azụ iji mee ka ohere ime ụlọ pụta ìhè karị. E ji nhazi ọhụrụ nke atụmatụ ahụ zoo ogidi ndị ahụ ka ha ghara ịpụta ìhè. Ihe ndị e ji rụọ ọrụ, nka aka, ìhè anyanwụ, na osisi ndị dị n'ime ya jikọtara ọdịbendị Ọwụwa Anyanwụ na Ọdịda Anyanwụ ụwa ọnụ n'otu.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Life With Mountain Ọrụ Isi: Nhazi Ime Ụlọ Obibi meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Life With Mountain Ọrụ Isi: Nhazi Ime Ụlọ Obibi ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Life With Mountain Ọrụ Isi: Nhazi Ime Ụlọ Obibi maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Despite the beautiful natural scenery of this mountain villa, the pitched roof structure and disorderly floor allocation lead to the fragmented layout. The pillars scattered around make the space confined. The designer uses three consecutive high and low stages to increase the visual height of the public space, smartly hide the pillars through the rearrangement of the layout, and perfectly integrate the eastern and western cultural consciousness in life.
Nha & Mkpuchi: The use of materials and colors and the introduction of the natural elements such as sunlight and plants endow the residence with the artistry of new oriental culture. In the living room, the bamboo style wall, grille, and carved Heart Sutra present the Wisdom Path rich in the oriental Buddhist characteristics. On the back wall of the living room, the western oil painting technique is applied to paint the landscape in the style of the Chinese ink art. It extends the scenery out of the window and creates the hidden beauty of different distances by combining the layering of lights and iron shelves.
Mkpado: Interior, Design, House, Residence
Teknụzụ Mmepụta: First, to solve the faults of the building is the top priority. The designer introduces the concept of visual compensation. For the height layers of the three consecutive stages, the front and rear walls are precisely connected with the clear vertical lines of the iron pieces and grilles to greatly enlarge the space dimensions and grandeur feeling, visually form the square layout, and solve the existing structure problem. There are also several pillars in the secondary bedroom on the second floor. According to the functions and situations in life, the designer rearranges the height for more possibilities in the space usage.
Ịma Aka Imepụta: In terms of the disorderly space and floor allocation caused by the pitched roof structure, how does the design maximize the space efficiency for the residents in the design? How does the design integrate a comfortable living situation and cultural meaning? These are the most challenging design problems in this project.
Nchọpụta: The concept of visual compensation is introduced. For the height layers of the three consecutive stages, the front and rear walls are precisely connected with the clear vertical lines of the iron pieces and grilles to enlarge the space dimensions and feelings and visually form the square layout. By defining the stairs and the kitchen, the designer hides the sense of oppression from the pillars and extend the reading area by the window. There are also several pillars in the secondary bedroom on the second floor. According to the functions and situations in life, the designer rearranges the space for more possibilities in space usage.
Mkpali: The residents are of two different generations. Besides the comfortable living quality, the designer hopes to integrate the residents cultural background and ways of life. Therefore, the designer starts from solving the faults of the construction and create the cultural thinking of a new oriental residence through the arrangement of materials and art.
Oge Ọrụ: The project started in Oct. 2018 and finished in July 2019 in Taiwan.