Ihe emepụtara bụ Chair of Soul Oche nke Wen Jenq Cherng bụ onye meriri a na-asọpụrụ nke ukwuu nke 2020 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ngwá Ụlọ.

BronzNgwá Ụlọ· 2020

Chair of Soul Oche

nke Wen Jenq Cherng

Onye Ahịa: Cherng's Work

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ngwá Ụlọ

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Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Chair of Soul Oche

Chair of Soul bụ oche e chepụtara iji kwado ahụ n'ọnọdụ guzosiri ike na-ezughị oke ike. Ịdị elu nke oche, azụ oche n'úkwú na aka ndina na-ebu ibu nke elu ahụ. Azụ oche dị nro ntakịrị na-eso ụdị ahụ ma belata mgbagwoju anya n'ubu, olu, úkwú, na ihe ndị dị iche iche nke ahụ. Ngwongwo ochie nke ọchịchị Ming na-enye atụmatụ maka nhazi dị mfe. Ebony sitere na Sulawesi na-ekpuchi isi ihe owuwu, ejikọtara ya na ụkwụ ọla kọpa na oche akpụkpọ anụ Nappa nke agba odo odo. Ntinye ihe mortise na tenon na-ejikọta akụkụ ndị dị iche iche, akụkụ arc na-ejikọtakwa ụkwụ na oche.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Chair of Soul Oche meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Chair of Soul Oche ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Chair of Soul Oche na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Chair of Soul is my entry point of use as a starting point for design thinking. Since I have long been practicing meditation for destressing and calming my body and mind, I am hoping the design of the chair could reflect a completely relaxed condition for the body. Overall design is thereby focused on its function, where the user would sit upright on the chair and his or her upper-body weight be perfectly supported through the height of the chair, the backrest at the waist, and the armrests.
Nha & Mkpuchi: When producing a hereditary chair, what is more important than ensuring its functions is finding ways to incorporate visual aesthetics. I am using Chinese traditional Ming Dynasty style furniture as my blueprint, borrowing its elegant and simple exterior design and principles on proportion. And through enhancement of overall structural system, a unique arc structure is used as the support that connects the legs and the seat of the chair.
Mkpado: Product, Chair, Health, Oriental, Furniture
Teknụzụ Mmepụta: The curvature of the slightly bulging backrest embraces the body; this waist-supporting chair design offers supports for the human body, so that tensions around user’s shoulders, neck, waist, and limbs would all be relieved–user would be welcomed with a comforting sensation similar to a hug.
Ịma Aka Imepụta: Pairing the material with the metallic copper tube of the legs and the purple cow Nappa leather seat, harmony, elegance, stability, and sustainability are incorporated altogether to bring forth a chair that user could converse with, the chair I dub – Chair of Soul.
Nchọpụta: A chair that is aimed to improve the users health would need to value the choice of material as equally important as the design that would fit precisely to human body proportions. I have especially chosen the ebony produced in Sulawesi, Indonesia as the chair’s main structure element; its fine material and deep-black colored lines flawlessly interpret the sophistication that the chair should exhibit.
Mkpali: We have always had different thoughts in regards to chairs. This piece of furniture with a long history of evolution has always been deemed irreplaceable in home interior. How should a classic chair, which one hopes to pass down for generations and stay eternally quintessential, be presented?
Oge Ọrụ: The project started in December 2016 and finished in December 2018.
Usoro Ọrụ: The design is further complemented by the mortice and tenon joint as the reinforcing linkage between parts, bringing betterment to the complex composition found in old-fashioned traditional furniture. In addition to strengthening the chair’s mechanics system, a simplistic and spiritual appearance is thereby created for the chair.
Ndị Otu: Designer: Wen-Jenq Cherng