Wonderland Ọrụ Bụ Isi: Nhazi Ime Ụlọ Ngosi Ihe nke Chengzhe Zhang

Ihe emepụtara bụ Wonderland Ọrụ Bụ Isi: Nhazi Ime Ụlọ Ngosi Ihe nke Chengzhe Zhang bụ onye meriri a na-asọpụrụ nke ukwuu nke 2020 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

ỌlaọchaIme Ụlọ· 2020

Wonderland Ọrụ Bụ Isi: Nhazi Ime Ụlọ Ngosi Ihe

nke Chengzhe Zhang

Onye Ahịa: Shanghai Hongshida Real Estate Development Co., LTD

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Ime Ụlọ

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Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Wonderland Ọrụ Bụ Isi: Nhazi Ime Ụlọ Ngosi Ihe

Wonderland bụ ime ụlọ ngosi ihe dị na Shanghai, China. Emere nhazi a site n'ike mmụọ nsọ nke Taoyuan Wonderland, nkedo eserese ala nke onye na-ese ihe nke usoro ndị eze Ming bụ Qiu Ying seru, ma tinye agba akwụkwọ ndụ akwụkwọ, agba pink na agba ọcha n'ime oghere dị jụụ. Mgbidi slate isi awọ na-ebu ụzọ zoo anya, mgbe ahụ e mepụta nnukwu ụlọ mgbaba nke ịdị elu ya ruru mita iri site n'ụzọ ahụ. Ụzọ etiti na-eduga n'ógbè nzukọ, ógbè ngosi ihe na ọnụụlọ tii. Shelf akwụkwọ na-eguzo n'ala na ihuenyo geometric ndị nwere oghere na-ekewa ógbè ndị ahụ. Ihe iko akwụ n'elu nke ihe karịrị akwara peach 5,000 ka etinyere site n'aka.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

Wonderland Ọrụ Bụ Isi: Nhazi Ime Ụlọ Ngosi Ihe meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Wonderland Ọrụ Bụ Isi: Nhazi Ime Ụlọ Ngosi Ihe ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Wonderland Ọrụ Bụ Isi: Nhazi Ime Ụlọ Ngosi Ihe bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Since the year 907 AD, the Chinese people's ambiguity
about the Taoyuan space has gone through a series of
evolutions from earthly legends to images of physical
space, finally being transformed from the abstract into
something which can be incorporated into everyday
life, where the Tao Yuanming space was replaced by the
living room. The narrative of Wonderland is the most profound.
In the modern urban environment, the industrialized
environment has been separated from the natural
environment.
Nha & Mkpuchi: Time in the usual sense can be roughly divided into two types. One is the time in nature when flowers are blooming and the seasons are changing, the other is the time in space, which is caused by the rotation of the earth. How people view the space and what they get out of it will depend on their different experiences.
Mkpado: Exhibition Center, Oriental aesthetics, Localization, Taoyuan Wonderland, Natural
Teknụzụ Mmepụta: From the open landscape to the inside, the designer Mr. Alessio Chengzhe Zhang first considers the space experience of the visitors, the gray slate wall obscures the line of sight and as they pass along the path, the main 10 meter high space is revealed, filling the visitors with awe. As they continue along the central passage, the layout of the functional areas such as the conference area, the exhibition area and the tea room unfold before their eyes.
Ịma Aka Imepụta: The large glass art installation suspended in the air is a response to these two concepts of time. It consists of pink-white peach petals each of different size, brightness and width, simulating the temporal dynamics of natural movement. More than 5,000 glass petals were all manually installed on site to achieve the final result, which also serves as a visual guide in the actual use of space.
From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers.
Nchọpụta: In traditional Chinese painting, landscapes usually incorporated the triple concept of far, with the painter mainly trying to emphasize the subtle characteristics in the space. In order to avoid the panoramic effect in the large space, the canvas mainly focuses on the near and far, which becomes the boundary between the different functional areas. Here the surrounding floor-standing bookshelves and geometric hollow screens can create subtle light and shadow changes in space, while changing both inside and outside. These ideas all stem from the interpretation of landscape painting, representing the height of artificial nature.
Mkpali: The Ming dynasty painter Qiu Ying has a painting called Taoyuan
Wonderland. The painter meticulously depicts the life hidden in the mountains: green mountains and clear water. Several white people who are detached from the world are sitting down by the creek and enjoying nature.
IADC chief designer Mr. Alessio Chengzhe Zhang was inspired by the masterpieces of Chinese landscape painters, applying the green, pink and white symbols of the pastoral forests to this quaint space.
Oge Ọrụ: The Project started in January 2018 in Shanghai China
Usoro Ọrụ: From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers. It signals both inheritance of tradition and the beginning of a new life in the future.
Ndị Otu: Mingxin Lu
Yunhui Tang
Asụsụ Foto: Main Image: Photographer Hai Zhu, 2018